This is a massive list of all the Fujifilm X lenses available today for the FX mount. This includes all native lenses by Fujifilm or Fujinon and all third-party lenses.
You can also easily adapt PL mount lenses to the Fujifilm FX system, and Fujifilm even makes some PL lenses. Check out the PL Cine Lens List.
Table Of Contents
Fujifilm Official Lenses
Fujifilm’s Website: Fujifilm.com – You can always see Fujifilm’s complete camera and lens lineup as well as any other useful accessories they might have.
A few things to know about autofocus and older Fujifilm lenses – Starting with any lens made around the time or after the Fujinon 16-55mm, Fujifilm has updated the lens microcomputer for faster contrast AF. I’ve labeled this as Fast C AF. Faster contrast autofocus will mean the lens autofocus will have all-around better performance since it will be much better in low light or high-frequency situations when contrast AF is used.
I’ve also made a list of just the weather-sealed Fuji lenses and a guide to all the lenses for Fuji gfx.
List Of Fujifilm Prime & Zoom Lenses
A list of all the Prime and Zoom Lenses available for the Fuji X mount. WR means weather-sealed, and OIS means optical image stabilization.
Fujifilm XC lenses are X-Mount lenses but are built as kit lenses for entry-level consumer cameras. They are made in China and are usually made of cheaper materials to bring the prices down.
Lens Name | Weather Sealed | IS | Fast AF | FF Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Prices | |||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Prime Lenses | Prime | no,yes | no,yes | no,yes | |||||||||||
FUJIFILM 8mm f3.5 R WR | Prime | yes | no | yes | 12mm | -- | -- | -- | Ø62mm | 7.6 oz / 215 g | Check Price | B&H | |||
FUJIFILM 14mm f2.8 R | Prime | no | no | No | 21mm | 7.09" / 18 cm | 10/7 | 7R | Ø58mm | Check Price | / Adorama | / B&H | |||
FUJIFILM 16mm f1.4 R WR | Prime | yes | no | No | 24mm | 5.91" / 15 cm | 13/11 | 9R | Ø67mm | 13.23 oz / 375 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 16mm f2.8 R WR | Prime | yes | no | Yes | 24mm | 6.69" / 17 cm | 10/8 | 9R | Ø49mm | 5.5 oz / 155 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 18mm f1.4 LM WR | Prime | yes | no | Yes | 27mm | 7.9" / 20 cm | 15/9 | 9R | Ø62mm | 13.1 oz / 370 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 18mm f2.0 R | Prime | no | no | No | 27mm | 7.09" / 18 cm | 8/7 | 7R | Ø52mm | 4.09 oz / 116 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 23mm f1.4 R | Prime | no | no | No | 35mm | 11.02" / 28 cm | 11/8 | 7 | Ø62mm | 10.58 oz / 300 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 23mm f1.4 R LM WR | Prime | yes | no | Yes | 35mm | 7.5" / 19 cm | 15/10 | 9R | Ø58mm | 13.2 oz / 375 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 23mm f2 R WR | Prime | yes | no | Yes | 35mm | 8.66" / 22 cm | 10/6 | 9R | Ø43mm | 6.35 oz / 180 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 27mm f2.8 R WR | Prime | yes | no | Yes | 41mm | 1.12' / 34 cm | 7/5 | 7R | Ø39mm | 3 oz / 84 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 30mm f2.8 R LM WR Macro | Prime | yes | no | Yes | 45mm | 3.9" / 10 cm | 11/9 | 9R | Ø43mm | 6.9 oz / 195 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 33mm f1.4 R LM WR | Prime | yes | no | Yes | 50mm | 11.8" / 30 cm | 15/10 | 9R | Ø58mm | 12.7 oz / 360 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 35mm f1.4 R | Prime | no | no | No | 53mm | 11.02" / 28 cm | 8/6 | 7R | Ø52mm | 6.6 oz / 187 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 35mm f2.0 R WR | Prime | yes | no | Yes | 53mm | 1.15' / 35 cm | 9/6 | 9R | Ø43mm | 6 oz / 170 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 50mm f1 R WR | Prime | yes | no | Yes | 75mm | 2.3' / 70 cm | 12/9 | 9R | Ø77mm | 1.86 lb / 845 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 50mm f2 R WR | Prime | yes | no | Yes | 75mm | 1.28' / 39 cm | 9/7 | 9R | Ø46mm | 7.05 oz / 200 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 56mm f1.2 R APD | Prime | no | no | No | 85mm | 2.3' / 70 cm | 11/8 | 7R | Ø62mm | 14.29 oz / 405 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 56mm f1.2 R | Prime | no | no | No | 85mm | 2.3' / 70 cm | 11/8 | 7R | Ø62mm | 14.29 oz / 405 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 56mm f1.2 R WR | Prime | yes | no | yes | 85mm | 1.6' / 50 cm | 13/8 | 11R | Ø67mm | 15.7 oz / 445 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 60mm f2.4 R Macro | Prime | no | no | No | 90mm | 10.51" / 26.7 cm | 10/8 | 9R | Ø39mm | 7.58 oz / 215 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 80mm f2.8 R LM OIS WR Macro | Prime | yes | yes | Yes | 120mm | 9.84" / 25 cm | 16/12 | 9R | Ø62mm | 1.65 lb / 750 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 90mm f2.0 R LM WR | Prime | yes | no | Yes | 137mm | 1.97' / 60 cm | 11/8 | 7R | Ø62mm | 1.19 lb / 540 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 200mm f2 LM OIS WR | Prime | yes | Yes | Yes | 300mm | 5.91' / 1.8 m | 19/14 | 9R | Ø105mm | 4.98 lb / 2265 g | Check Price | / Adorama | / B&H | ||
Zoom Lenses | Zoom | no,yes | no,yes | no,yes | |||||||||||
FUJIFILM 8-16mm f2.8 R LM WR | Zoom | Yes | No | Yes | 12-24mm | 9.84" / 25 cm | 20/13 | 9R | -- | 1.8 lb / 805 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 10-24mm f4 R OIS WR | Zoom | Yes | Yes | Yes | 15-36mm | 9.4" / 24 cm | 14/10 | 7R | Ø72mm | 13.6 oz / 385 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 16-55mm f2.8 R LM WR | Zoom | Yes | No | Yes | 24-84mm | 11.81" / 30 cm | 17/12 | 9R | Ø77mm | 1.44 lb / 655 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 16-80mm f4 OIS WR | Zoom | Yes | Yes | Yes | 24-120mm | 1.15' / 35 cm | 16/12 | 9R | Ø72mm | 15.52 oz / 440 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 18-55mm f2.8-f4.0 R LM OIS | Zoom | No | Yes | No | 27-84mm | 11.81" / 30 cm | 14/10 | 7R | Ø58mm | 10.93 oz / 310 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 18-120mm f4 R LM PZ WR | Zoom | Yes | No | Yes | 27-180mm | 2' / 60 cm | 15/12 | 7R | Ø72mm | 1 lb / 470 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 18-135mm f3.5-f5.6 R LM OIS WR | Zoom | Yes | Yes | No | 27-206mm | 1.48' / 45 cm | 16/12 | 7R | Ø67mm | 1.08 lb / 490 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 50-140mm f2.8 R LM OIS WR | Zoom | Yes | Yes | Yes | 76-214mm | 3.28' / 1 m | 23/16 | 7R | Ø72mm | 2.19 lb / 995 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 55-200mm f3.5-f4.8 R LM OIS | Zoom | No | Yes | No | 83-300mm | 3.61' / 1.1 m | 14/10 | 7R | Ø62mm | 20.46 oz / 580 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 70-300mm f4-5.6 R LM OIS WR | Zoom | Yes | Yes | Yes | 107-457mm | 2.7' / 83 cm | 17/12 | 9R | Ø67mm | 1.3 lb / 588 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 100-400mm f4.5-f5.6 R LR OIS WR | Zoom | Yes | Yes | Yes | 150-600mm | 5.74' / 1.75 m | 21/14 | 9R | Ø77mm | 3.03 lb / 1375 g | Check Price | / Adorama | / B&H | ||
FUJIFILM 150-600mm f5.6-f8 R LM OIS WR | Zoom | Yes | Yes | Yes | 229-914mm | 7.9' / 2.4 m | 24/17 | 9R | Ø82mm | 3.5 lb / 1605 g | Check Price | / Adorama | / B&H | ||
XC Kit Lenses | Zoom, Prime | no | no,yes | no,yes | |||||||||||
FUJIFILM XC 15-45mm f3.5-5.6 OIS PZ | Zoom | no | yes | yes | 22.5-67.5mm | 5.11" / 13 cm | 10/9 | 7R | Ø52mm | 4.76 oz / 135g | Check Price | / Adorama | |||
FUJIFILM XC 16-50mm f/3.5-5.6 OIS II | Zoom | no | yes | yes | 24-75mm | -- | -- | 7 | Ø58mm | -- | Check Price | ||||
FUJIFILM XC 50-230mm f/4.5-6.7 OIS II | Zoom | no | yes | yes | 75-345mm | 3.61' / 1.1 m | 13/10 | 7R | Ø58mm | -- | Check Price | / Adorama | / B&H | ||
FUJIFILM XC 35mm f2 | Prime | no | no | yes | 52.5mm | 1.15' / 35 cm | 9/6 | 9R | Ø43mm | 4.59 oz / 130 g | Check Price | / Adorama | / B&H | ||
Little Secret Lens | Prime | no | no | no | |||||||||||
Fujifilm XM-FL 24mm f8 | Prime | no | no | no | 36mm | -- | 4/4 | -- | -- | -- | Check Price |
Lens Comparisons
I’ll be expanding this section and comparing all the relevant lenses.
Fujifilm 23mm f1.4 vs. Fujifilm 23mm f2 Lens Comparison
Fujifilm 35mm f1.4 vs Fujifilm 35mm f2 Lens Comparison
Third-Party Autofocus Lenses
Third-party options are available if you’re looking for autofocus lenses to pair with your Fujifilm X-Mount camera. While some lens manufacturers, such as Tokina, have partnered with Fujifilm to provide official and licensed autofocus protocols, other brands may deliver varying results. So be sure to check reviews before investing in one of these lenses.
Samyang Autofocus Lenses
Samyang has expanded its line of autofocus lenses for the Fujifilm X mount. If you’re considering purchasing a Samyang lens for your Fujifilm camera, the list below displays options currently available.
Optically I find Samyang to be very good. They use great glass and have good coatings, but their tolerances are not quite as good as what you would get from Fujifilm. This may lead to some copy-to-copy variation. However, most of these companies are always improving and investing in new equipment.
Check the Samyang list further below. I listed it in the manual lens section since they make both.
Sigma Autofocus Lenses
Sigmas Website: Sigma-Global.com – You can learn more about Sigma lenses at the official Sigma website
With the addition of fully electronic autofocus lenses for the Fujifilm X Mount, Sigma now caters to Fujifilm shooters.
Sigma is a Japanese company and their lenses and even their cameras are generally considered to be very high quality. Sigma takes more of a modern approach to lens design by improving optical IQ as much as possible. Some photographers love Sigma lenses, some think they are too clinical.
Here is the list of all the available Sigma lenses for Fujifilm.
Sigma X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
Mirrorless Design | photo | no, yes | no, yes | FF/APS-C | |||||
Sigma FX 16mm f1.4 DC DN | photo | no | yes | APS-C | 24 | 16/13 | 9R | Ø67mm | Check Price |
Sigma FX 23mm f1.4 DC DN C | photo | no | yes | APS-C | 34.5 | 13/10 | 9 | Ø52mm | |
Sigma FX 30mm f1.4 DC DN | photo | no | yes | APS-C | 45 | 9/7 | 9R | Ø52mm | Check Price |
Sigma FX 56mm f1.4 DC DN | photo | no | yes | APS-C | 84 | 10/6 | 9R | Ø55mm | Check Price |
Zoom Lenses | photo | no, yes | no, yes | FF/APS-C | |||||
Sigma FX 10-18mm f2.8 DC DN | photo | yes | yes | APS-C | 15-27 | 13/10 | 7R | Ø67mm | Check Price |
Sigma FX 18-50mm DC DN | photo | no | yes | APS-C | 27-75 | 13/10 | 7R | Ø55mm | Check Price |
Sigma FX 100-400mm f5-6.3 DG DN OS | photo | no | yes | FF | 150-600 | 22/16 | 9R | Ø67mm | Check Price |
Tamron Autofocus Lenses
Tamrons Website: Tamron-USA.com – Check their website for any additional information.
Tamron’s autofocus lenses are now available for Fujifilm’s APS-C camera systems, providing users with a wide range of interchangeable lenses to suit their specific shooting needs.
Tamron lenses are generally well-received, and they are good enough even for Nikon to use their OEM lenses for their own Nikon brand. In other words, sometimes Nikon uses rebadged Tamron lenses.
Tamron X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
Zooms | zoom | no, yes | no, yes | FF/S35/APS-C | -- | -- | -- | -- | |
Tamron FX 11-20mm f2.8 Di III-A RXD | zoom | yes | yes | APS-C | 16.5-30mm | 12/10 | 7R | Ø67mm | B&H |
Tamron FX 17-70mm f2.8 Di III-A VC RXD | zoom | yes | yes | APS-C | 25.5-105mm | 16/12 | 9R | Ø67mm | B&H |
Tamron FX 18-300mm f3.5-6.3 Di III-A VC VXD | zoom | yes | yes | APS-C | 27-450mm | 19/5 | 7R | Ø67mm | B&H |
Tamron FX 150-500mm f5-6.7 Di III VXD | zoom | yes | yes | FF | 225-750mm | 25/16 | 7R | Ø82mm | B&H |
Tokina Autofocus Lenses
Tokina’s Official Website: TokinaLens.com
Tokina has a line of atx-m lenses for Fujifilm. While these share the same optical formulas as the Viltrox lenses, the lenses themselves are slightly different. Better builds, Tokina’s coatings, and they may have better AF since they use the official Fujifilm protocols.
Tokina X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
Photo Primes | photo | no | no,yes | FF/APS-C | -- | -- | -- | -- | |
Tokina FX 8mm f2.8 Fisheye | photo | no | no | APS-C | 12 | 11/9 | -- | none | B&H |
Tokina FX 23mm f1.4 ATX-M | photo | no | yes | APS-C | 34.5 | 11/10 | 9 | Ø52mm | B&H |
Tokina FX SZ 33mm f1.2 MF | photo | no | no | APS-C | 49.5 | 9/7 | 11 | Ø62mm | B&H |
Tokina FX 33mm f1.4 ATX-M | photo | no | yes | APS-C | 49.5 | 10/9 | 9 | Ø52mm | B&H |
Tokina FX 56mm f1.4 ATX-M | photo | no | yes | APS-C | 84 | 10/9 | 9 | Ø52mm | B&H |
Tokina FX SZ 300mm f8 Reflex | photo | no | yes | APS-C | 450 | -- | -- | -- | B&H |
Tokina FX SZX 400mm f8 Reflex 1x | photo | no | no | FF | 600 | 6/5 | 0 | Ø67mm | B&H |
Tokina FX SZ 500mm f8 Reflex | photo | no | no | FF | 750 | 7/7 | 0 | Ø72mm | B&H |
Tokina FX SZ 600mm f7.1 Reflex | photo | no | no | APS-C | 900 | -- | -- | -- | B&H |
Tokina FX SZ 900mm f11 Reflex | photo | no | no | APS-C | 1350 | -- | -- | -- | B&H |
Viltrox Autofocus Lenses
Viltrox Officla Website: Viltrox.com You can check the official Viltrox website for any new products or current deals.
Viltrox has been making autofocus lenses for Fujifilm as well as a few other brands for a while now. Some of the early models were not as good as the official Fujifilm lenses, but they have improved over the years, and I’ve generally enjoyed shooting on some of the Viltrox lenses and would never hesitate to buy one.
Some of their lenses are specifically designed for APS-C, and some are made for Full Frame. So for APS-C shooters, you can sometimes end up with a lens that’s slightly larger than it needs to be.
Lens Name | Sensor | 35mm Equiv | Elements | Aperture | Filters | X Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Viltrox AF 13mm f1.4 | photo | no | yes | APS-C | 19.5 | 14/11 | 9 | Ø67mm | B&H | FX |
Viltrox AF 16mm f1.8 | photo | no | yes | FF | 24 | 15/12 | 9 | Ø77mm | ||
Viltrox PFU RBMH 20mm f1.8 ASPH | photo | no | yes | FF | 30 | 12/9 | 14 | Ø82mm | ||
Viltrox AF 20mm f2.8 | photo | no | yes | FF | 30 | 10/8 | 7 | Ø52mm | ||
Viltrox AF 23mm f1.4 | photo | no | yes | APS-C | 34.5 | 11/10 | 9 | Ø52mm | B&H | FX |
Viltrox AF 24mm f1.8 | photo | no | yes | FF | 36 | 11/9 | 9 | Ø55mm | ||
Viltrox AF 27mm f1.2 | photo | no | yes | APS-C | 40.5 | 15/11 | 11 | Ø67mm | B&H | FX |
Viltrox AF 28mm f1.8 | photo | no | yes | FF | 42 | 11/9 | 9 | Ø55mm | ||
Viltrox AF 33mm f1.4 | photo | no | yes | APS-C | 49.5 | 10/9 | 9 | Ø52mm | B&H | FX |
Viltrox AF 35mm f1.8 | photo | no | yes | FF | 52.5 | 10/8 | 9 | Ø55mm | ||
Viltrox AF 50mm f1.8 | photo | no | yes | FF | 75 | 11/10 | Ø55mm | |||
Viltrox AF 56mm f1.4 | photo | no | yes | APS-C | 84 | 10/8 | 9 | Ø52mm | B&H | FX |
Viltrox AF 75mm f1.2 | photo | no | yes | APS-C | 112.5 | 16/11 | 11 | Ø77mm | B&H | FX |
Viltrox AF 27mm F1.2 Pro | ||||||||||
Viltrox AF 85mm f1.8 II | photo | no | yes | FF | 127.5 | 10/7 | 9R | Ø72mm | B&H | FX |
Viltrox AF 135mm f1.8 | photo | no | yes | FF | ||||||
Cine | cine | no | no | FF/APS-C/S35 | -- | -- | -- | -- | ||
Viltrox S 20mm T2.0 | cine | no | no | FF | 30 | 12/9 | 14 | Ø82mm | ||
Viltrox 23mm T1.5 | cine | no | no | APS-C/S35 | 34.5 | 11/10 | 14 | Ø62mm | ||
Viltrox 33mm T1.5 | cine | no | no | APS-C/S35 | 49.5 | 10/9 | 14 | Ø62mm | ||
Viltrox 56mm T1.5 | cine | no | no | APS-C/S35 | 84 | 10/9 | 14 | Ø62mm | ||
Viltrox EPIC 35mm T2.0 1.33x | cine | no | no | FF | 52.5 | 19/13 | 8 | 95mm | ||
Viltrox EPIC 50mm T2.0 1.33x | cine | no | no | FF | 75 | 18/12 | 8 | 95mm | ||
Viltrox EPIC 75mm T2.0 1.33x | cine | no | no | FF | 112.5 | 18/13 | 8 | 95mm |
Zeiss Autofocus Lenses
Zeiss is one of the top German lens manufacturers, with build quality that’s just about up there with Voigtlander and Leica. They make some amazing lenses, but unfortunately, they still only have three available for Fujifilm. Of course, you can always buy Zeiss M-Mount lenses and adapt them to your Fujifilm, but you won’t get autofocus as you will with Touit lenses.
There have been some rumors floating around about Zeiss discontinuing photography lens production. However, Zeiss has denied those claims. This rumor likely just means that Zeiss will consolidate some of its production, possibly to mirrorless and cine lenses.Â
ZEISS X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
ZEISS FX Touit 12mm f2.8 | photo,prime | no | yes | APS-C | 27 | 11/8 | 9 | Ø67mm | Adorama / B&H |
ZEISS FX Touit 32mm f1.8 | photo,prime | no | yes | APS-C | 48 | 8/5 | 9 | Ø52mm | Adorama / B&H |
ZEISS FX Touit 50mm f2.8 | photo,prime | no | yes | APS-C | 75 | 14/11 | 9 | Ø52mm | Adorama / B&H |
American Lens Companies
Here are all the third-party lenses compatible with the Fuji X mount. Most are fully manual, but more are now being released with autofocus capabilities, such as the Viltrox, Tokina, and Zeiss lenses.
Lensbaby
Lensbaby is an American company that has been around since 2004. They make these cool little specialty lenses with bellows, balls, and sockets. Their lenses are designed mostly for fun or photographic artistry because of the unique looks they produce.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Lensbaby Sol 22mm f3.5 | photo | no | no | MFT | 33 | 3/2 | 2 | Ø46mm | FX | |
Lensbaby Velvet 28mm f2.5 1:2 Macro | photo | no | no | FF | 42 | 8/7 | 12 | Ø67mm | -- | FX |
Lensbaby Trio 28mm f3.5 | photo | no | no | FF | 42 | 4/3 | -- | Ø46mm | -- | FX |
Lensbaby Burnside 35mm f2.8 | photo | no | no | FF | 52.5 | 6/4 | 8R | Ø62mm | -- | FX |
Lensbaby Composer Pro II + Sweet 35mm f2.5 | photo | no | no | FF | 52.5 | 4/3 | 12 | Ø46mm | -- | FX |
Lensbaby Composer Pro II + Edge 35mm f3.5 | photo | no | no | FF | 52.5 | 9/6 | 8 | -- | -- | FX |
Lensbaby Sol 45mm f3.5 | photo | no | no | FF | 67.5 | 3/2 | 2 | Ø46mm | -- | FX |
Lensbaby Fixed Body Soft Focus II 50 f2.5 | photo | no | no | FF | 75 | 2/1 | 12 | Ø46mm | ||
Lensbaby Composer Pro II + Double Glass II 50mm f2.5 | photo | no | no | FF | 75 | 2/1 | 12 | Ø46mm | B&H | FX |
Lensbaby Composer Pro II + Sweet 50mm f2.5 | photo | no | no | FF | 75 | 2/1 | 12 | Ø46mm | -- | FX |
Lensbaby Composer Pro II + Edge 50mm f3.2 | photo | no | no | FF | 75 | 8/6 | 9 | Ø46mm | -- | FX |
Lensbaby Spark 2.0 + Sweet 50 f2.5 | photo | no | no | FF | 75 | 2/1 | 12 | Ø46mm | -- | FX |
Lensbaby Velvet 56mm f1.6 Macro | photo | no | no | FF | 84 | 4/3 | -- | Ø62mm | -- | FX |
Lensbaby Velvet 85mm f1.8 Macro | photo | no | no | FF | 127.5 | -- | 12 | Ø67mm | -- | FX |
German Lens Companies
Meyer Optik Görlitz
Meyer Optik Görlitz has been in the lens-making business since 1896. They make some of the finest German-built lenses; some would say they are equal to Zeiss. These lenses are all manual.
Some of their lenses, like the 100mm f2.8 and 58 f1.9, produce the most beautiful soap-bubble bokeh you’ll ever see.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Lydith 30mm f3.5 II M | FF | 45 | 5/5 | 12 | Ø52mm | ||
Lydith 30mm f3.5 II | FF | 45 | 5/5 | 12 | Ø52mm | B&H | FX |
Trioplan 35mm f2.8 II M | FF | 52.5 | -- | 12 | Ø52mm | ||
Trioplan 35mm f2.8 II | FF | 52.5 | -- | 12 | Ø52mm | B&H | FX |
Trioplan 50mm f2.8 II M | FF | 75 | 3/3 | 12 | Ø52mm | ||
Trioplan 50mm f2.8 II | FF | 75 | 3/3 | 12R | Ø52mm | B&H | FX |
Biotar 58mm f1.5 II M | FF | 87 | -- | 14 | Ø52mm | ||
Biotar 58mm f1.5 II | FF | 87 | -- | 14 | Ø52mm | B&H | FX |
Primoplan 58mm f1.9 II M | FF | 87 | 5/4 | 14 | Ø52mm | ||
Primoplan 58mm f1.9 II | FF | 87 | 5/4 | 14 | Ø52mm | B&H | FX |
Biotar 75 f1.5 II M | FF | 112.5 | 6/5 | 15 | Ø62mm | ||
Biotar 75 f1.5 II | FF | 112.5 | 6/4 | 15 | Ø62mm | B&H | FX |
Primoplan 75mm f1.9 II M | FF | 112.5 | 5/4 | 15R | Ø52mm | ||
Primoplan 75mm f1.9 II | FF | 112.5 | 5/4 | 15R | Ø52mm | B&H | FX |
Trioplan 100mm f2.8 II M | FF | 150 | 3/3 | 15 | Ø52mm | ||
Trioplan 100mm f2.8 II | FF | 150 | 3/3 | 15 | Ø52mm | B&H | FX |
Korean Lens Companies
Samyang / Rokinon
I own several Rokinon or Samyang lenses and have had a great experience with them. I use that 10mm on my X-T3 as an ultra-wide landscape lens, which works very well. Better than the 10mm end to Fujifilm 10-24mm, but it does have some color cast and vignetting, which is going to be typical with Rokinon Lenses.
Right now, if you’re looking for the best, fast, manual-focus Fuji X lenses, you’ll find them with Rokinon / Samyang.
The 85mm f1.4, 100mm f2.8, 135mm f2, and 300mm f6.3 are full-frame lenses, so they are rather large.
Samyang/Rokinon X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
Samyang X 8mm f2.8 Fisheye II | photo | no | no | APS-C | 12 | 11/8 | -- | none | B&H |
Rokinon X 8mm f3.5 AS MC Fisheye CS II | photo | no | no | APS-C | 12 | 10/7 | -- | none | B&H |
Rokinon X 10mm f2.8 ED AS MCS CS | photo | no | no | APS-C | 15 | 14/9 | -- | none | B&H |
Samyang X 12mm f2 NCS CS | photo | no | no | APS-C | 18 | 12/10 | 6 | Ø67mm | B&H |
Samyang X AF 12mm f2 | photo | yes | yes | APS-C | 18 | 12/10 | 7 | Ø62mm | B&H |
Samyang X 14mm f2.8 ED AS IF UMC | photo | no | no | FF | 21 | 14/10 | -- | none | B&H |
Samyang X 14mm f2.8 II WS | photo | yes | no | FF | 21 | 14/10 | 9 | none | B&H |
Samyang X 16mm f2 ED AS UMC CS | photo | no | no | APS-C | 24 | 13/11 | -- | Ø77mm | B&H |
Samyang X 20mm f1.8 | photo | no | no | FF | 30 | 13/12 | 7R | Ø77mm | B&H |
Rokinon X 21mm f1.4 | photo | no | no | APS-C | 31.5 | 8/7 | 9R | Ø58mm | B&H |
Samyang X 24mm f3.5 Tilt-Shift | photo | no | no | FF | 36 | 16/11 | -- | Ø82mm | |
Rokinon X 35mm f1.2 ED AS UMC CS | photo | no | no | APS-C | 52.5 | 9/7 | 9R | Ø62mm | B&H |
Rokinon X 35mm f1.4 AS UMC | photo | no | no | FF | 52.5 | 12/10 | 8R | Ø77mm | B&H |
Rokinon X 50mm f1.2 | photo | no | no | APS-C | 75 | 9/7 | 9R | Ø62mm | B&H |
Samyang X AF 75mm f1.8 | photo | no | yes | FF | 112.5 | 10/9 | 9R | Ø58mm | B&H |
Samyang X MF 85mm f1.4 IF | photo | no | yes | FF | 127.5 | 9/6 | 8 | Ø72mm | B&H |
Samyang X MF 85mm f1.4 II FE WS | photo | yes | no | FF | 127.5 | 9/7 | 9R | Ø72mm | B&H |
Rokinon X 85mm f1.8 | photo | no | no | APS-C | 127.5 | 9/7 | 9 | Ø62mm | B&H |
Samyang X 100mm f2.8 ED UMC Macro | photo | no | no | FF | 150 | 15/12 | 9R | Ø67mm | B&H |
Samyang X 135mm f2.0 ED UMC | photo | no | no | APS-C | 202.5 | 11/7 | 9R | Ø77mm | B&H |
Samyang X Reflex 300mm f6.3 | photo | no | no | APS-C | 450 | 9/9 | -- | none | B&H |
Cine | prime,sphere | no, yes | no, yes | FF/S35/APS-C | -- | -- | -- | ||
Rokinon X 12mm T2.2 | cine,sphere | no | no | S35 | 18 | 12/10 | -- | Ø67mm | B&H |
Rokinon X 21mm T1.5 | cine,sphere | no | no | S35 | 31.5 | 8/7 | 9 | Ø58mm | B&H |
Rokinon X 35mm T1.3 | cine,sphere | no | no | S35 | 52.5 | 9/7 | 9 | Ø62mm | B&H |
Rokinon X 50mm T1.3 | cine,sphere | no | no | S35 | 75 | 8/7 | 9 | Ø62mm | B&H |
Cine - DS / DSX Lenses | cine,sphere | no, yes | no | FF/S35/APS-C | -- | -- | -- | ||
Rokinon X 14mm T3.1 DSX | cine,sphere | yes | no | FF | 21 | -- | 9 | Ø87mm | B&H |
Rokinon X 21mm T1.5 | cine,sphere | no | no | S35 | 31.5 | 8/7 | 9 | Ø58mm | B&H |
Rokinon X 135mm T2.2 DSX | cine,sphere | yes | no | FF | 202.5 | 11/7 | 9 | Ø77mm | B&H |
Swiss Lens Companies
Irix Cine Lenses
Irix is a Swiss-based company that manufactures lenses utilizing Japanese optics. Among its products is a collection of professional cine lenses created for use in video production and filmmaking. These lenses are excellent substitutes for more costly, big-brand products and provide similar quality at a more affordable cost.
Lens Name | Sensor | FF Equiv | Elements | Aperture | Filters | X Links | |
---|---|---|---|---|---|---|---|
IRIX 11mm T4.3 | FF | 16.5 | 16/10 | 9 | 95mm | FX | |
IRIX 15mm T2.6 | FF | 22.5 | 15/10 | 9 | Ø86mm | FX | |
IRIX 21mm T1.5 | FF | 31.5 | 15/11 | 11R | 95mm | FX | |
IRIX 30mm T1.5 | FF | 45 | -- | 11 | Ø86mm | FX | |
IRIX 45mm f1.4 | MF | 67.5 | 11/9 | 9R | Ø77mm | ||
IRIX 45mm T1.5 | FF | 67.5 | 11/9 | 9 | Ø86mm | FX | |
IRIX 150mm T3.0 | FF | 225 | 12/9 | 11R | Ø86mm | FX | |
IRIX 150mm T3.0 Macro 1:1 | FF | 225 | 12/9 | 11 | Ø86mm | FX |
Japanese Lens Companies
Voigtlander Lenses for Fujifilm
The Voigtlander lenses are designed for the Fujifilm APS-C sensor and provide electronic information to the camera body. This means that if you have IBIS, you won’t need to tell the camera what focal length the lens is. It could also mean that it passes the focus position so that you can use a 5-axis IBIS instead of a 3-axis, but that is yet to be confirmed. You can also use the focus check function in the cameras.
Overall, Voigtlander lenses are great; stick with the lenses that have been around for a while, as they will likely have more refinement than those that come out for a year and are discontinued later. I’ve generally had a lot of quality control issues with Voigtlander compared to official Fujifilm lenses.
Voigtlander X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
Voigtlander FX 23mm f1.2 Nokton | no | no | APS-C | 34.5 | 10/6 | 12R | Ø46mm | B&H | |
Voigtlander FX 27mm f2 Ultron | no | no | APS-C | 40.5 | 6/4 | 10R | Ø43mm | B&H | |
Voigtlander FX 35mm f0.9 Nokton | no | no | APS-C | 52.5 | 10/8 | 12 | Ø62mm | B&H | |
Voigtlander FX 35mm f1.2 Nokton | no | no | APS-C | 52.5 | 8/6 | 12 | Ø46mm | B&H | |
Voigtlander FX 35mm f2 APO-Ultron Macro | no | no | APS-C | 52.5 | 9/6 | 10 | Ø49mm | B&H | |
Voigtlander FX 50mm f1.2 Nokton | no | no | APS-C | 75 | 9/8 | 12 | Ø58mm | B&H |
Chinese Third-Party Lens Companies
7Artisans
7Artisan is a Chinese company that makes inexpensive third-party lenses for the Fujifilm X-Mount. Like many of these third-party lens companies, they’ve continued to improve their designs and tolerances over the years, and some of their lenses are nice.
When I first started using prime lenses, I liked 7Artisans, which allowed me to test a certain focal length as a prime lens before buying the more expensive official Fujifilm lens.
7Artisans X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | |||
---|---|---|---|---|---|---|---|---|---|
7Artisans FX 4mm f2.8 Drone | photo | no | no | APS-C | 6 | 10/8 | 7 | -- | B&H |
7Artisans FX 7.5mm f2.8 II | photo | no | no | APS-C | 11.25 | 11/9 | 7 | Ø58mm | B&H |
7Artisans FX 12mm f2.8 Mark II | photo | no | no | APS-C | 18 | 12/10 | 5 | Ø67mm | B&H |
7Artisans FX 18mm f6.3 UFO | photo | no | no | APS-C | 27 | 6/4 | 0 | none | B&H |
7Artisans FX 18mm f6.3 II | photo | no | no | APS-C | 27 | 6/5 | 0 | -- | B&H |
7Artisans FX 24mm f1.4 | photo | no | no | APS-C | 36 | 7/6 | 9 | Ø49mm | B&H |
7Artisans FX 25mm f0.95 | photo | no | no | APS-C | 37.5 | 11/9 | 13 | Ø52mm | B&H |
7Artisans FX 25mm f1.8 | photo | no | no | APS-C | 37.5 | 7/5 | 12R | Ø46mm | B&H |
7Artisans FX 35mm f0.95 | photo | no | no | APS-C | 52.5 | 11/8 | 12 | Ø52mm | B&H |
7Artisans FX 35mm f1.2 II | photo | no | no | APS-C | 52.5 | 6/5 | 10R | Ø46mm | B&H |
7Artisans FX 35mm f1.4 | photo | no | no | APS-C | 52.5 | 8/5 | 9 | Ø49mm | B&H |
7Aritsans AF 35mm f1.8A | photo | no | yes | APS-C | 52.5 | ||||
7Artisans FX 50mm f0.95 | photo | no | no | APS-C | 75 | 7/5 | 13 | Ø62mm | B&H |
7Artisans FX 50mm f1.8 | photo | no | no | APS-C | 75 | 6/5 | 12R | Ø52mm | B&H |
7Artisans FX 55mm f1.4 II | photo | no | no | APS-C | 82.5 | 6/5 | 9 | Ø52mm | B&H |
7Artisans FX 60mm f2.8 Macro II | photo | no | no | APS-C | 90 | 11/8 | 9 | Ø49mm | B&H |
Cine | cine | no | no | FF/S35 | -- | -- | -- | -- | |
7Artisans FX 12mm T2.9 | cine | no | no | FF | 18 | 12/10 | 9 | Ø82mm | B&H |
7Artisans FX 25mm T1.05 Vision | cine | no | no | S35 | 37.5 | 11/9 | 13 | Ø82mm | B&H |
7Artisans FX 35mm T1.05 Vision | cine | no | no | S35 | 52.5 | 11/8 | 12 | Ø82mm | B&H |
7Artisans FX 50mm T1.05 Vision | cine | no | no | S35 | 75 | 7/5 | 13 | Ø82mm | B&H |
AstrHori
AstrHori is another Chinese lens company that makes some different and interesting lenses with unique properties, such as their macro tilt-shift and probe lenses. They’ve won a few awards for some of their designs and are doing a pretty good job at making an impact in what is a very crowded space.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
AstrHori 10mm f8 M | APS-C | 15 | 5/4 | -- | Ø49mm | ||
AstrHori 10mm f8 II | APS-C | 15 | 5/4 | -- | Ø55mm | FX | |
AstrHori 12mm f2.8 Fisheye | FF | 18 | 11/8 | 5 | -- | ||
AstrHori 14mm f4.5 | APS-C | 21 | 6/5 | -- | Ø55mm | -- | FX |
AstrHori 18mm f8 | FF | 27 | 9/9 | -- | Ø58mm | ||
AstrHori F8 2x Probe Lens | APS-C | 27 | 23/17 | -- | -- | -- | FX |
AstrHori 24mm f6.3 M | FF | 36 | 5/5 | -- | Ø35.5mm | ||
AstrHori 27mm f2.8 II | APS-C | 40.5 | 6/5 | -- | Ø52mm | Pergear | FX |
AstrHori 28mm f13 2x Macro | FF | 42 | 21/16 | 7 | -- | -- | FX |
AstrHori 35mm f1.8 | APS-C | 52.5 | 9/7 | -- | Ø58mm | ||
AstrHori 40mm f5.6 M | FF | 60 | 7/5 | -- | Ø46mm | ||
AstrHori 40mm f5.6 | MF | 60 | 7/5 | -- | Ø62mm | ||
AstrHori 50mm f1.4 Tilt | FF | 75 | 7/6 | -- | Ø46mm | -- | FX |
AstrHori 50mm f2 | FF | 75 | 6/5 | -- | Ø52mm | -- | FX |
AstrHori 55mm f5.6 | MF | 82.5 | 5/5 | -- | Ø62mm | ||
AstrHori 75mm F4 | MF | 112.5 | 11/8 | 9 | Ø67mm | ||
AstrHori 85mm f1.8 AF | FF | 129 | 10/7 | -- | -- | ||
AstrHori 85mm f2.8 Macro & Tilt 1:1 | FF | 127.5 | 11/8 | 12 | Ø55mm | -- | FX |
Brightin Star
Brightin Star has a few interesting lenses. I’ve reviewed the 50mm f1.4, which is actually a full-frame lens, and so far, so good. These are also sold and distributed by Pergear and share some of the same characteristics as other lenses by 7Artisans and Pergear. Some of their lenses are great, but like with a lot of these third-party lenses, they sometimes have lower-quality coatings, which will give more of a classic flare.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Brightin Star 7.5mm f2.8 | APS-C | 11.25 | 11/9 | -- | -- | -- | FX |
Brightin Star 9mm f5.6 | FF | 13.5 | |||||
Brightin Star 10mm f5.6 | APS-C | 15 | 6/5 | -- | -- | -- | FX |
Brightin Star 11mm f2.8 | FF | 16.5 | |||||
Brightin Star 12mm f2 | APS-C | 27 | 12/9 | -- | Ø62mm | -- | FX |
Brightin Star 23mm f5.6 | FF | 34.5 | 5/5 | -- | Ø55mm | ||
Brightin Star 28mm f2.8 | FF | 42 | |||||
Brightin Star 35mm f1.7 | APS-C | 52.5 | 6/4 | -- | Ø43mm | -- | FX |
Brightin Star 35mm f0.95 | APS-C | 52.5 | FX | ||||
Brightin Star 50mm f0.95 | FF | 75 | 10/9 | -- | Ø62mm | ||
Brightin Star 50mm f1.4 | APS-C | 75 | 6/6 | 9 | Ø52mm | -- | FX |
Brightin Star 50mm f1.4 AF | APS-C | 75 | Ø58mm | FX | |||
Brightin Star 50mm 1.8 | APS-C | 75 | |||||
Brightin Star 55mm f1.8 | FF | 82.5 | 7/5 | -- | Ø49mm | ||
Brightin Star 60mm f2.8 2x Macro | APS-C | 90 | 10/7 | -- | Ø62mm | -- | FX |
Hengyijia / Zonlia
These lenses look pretty similar to 7Artisans. I had them listed with Zonlai before, but since there are a few options under Hengyijia now. I don’t really know much about Hengyijia other than that.
Lens Name | Sensor | FF Equiv | Elements | Aperture | Iris | X Links | |
---|---|---|---|---|---|---|---|
Zonlai 14mm f2 | APS-C | 21 | 12/11 | 12 | Ø72mm | -- | FX |
Zonlai 22mm f1.8 | APS-C | 33 | 8/6 | 10 | Ø46mm | -- | FX |
Zonlai 25mm F1.8 | APS-C | 37.5 | -- | -- | -- | -- | FX |
Zonlai 35mm f1.6 | APS-C | 52.5 | -- | 10 | Ø49mm | -- | FX |
Zonlai 35mm F1.8 | APS-C | 52.5 | -- | -- | -- | -- | FX |
Zonlai 50mm f1.4 | APS-C | 75 | -- | -- | -- | -- | FX |
Zonlai 50mm f1.4 II | APS-C | 75 | FX |
Jaray
Jaray Lenses seem to come and go from Amazon. They disappeared for a while but are now back with some new lenses.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Jaray 12mm F2.8 | APS-C | 18 | -- | -- | Ø67mm | -- | FX |
Jaray 14mm F3.5 | APS-C | 21 | -- | -- | Ø52mm | -- | FX |
Jaray 25mm F1.8 | APS-C | 37.5 | -- | -- | -- | ||
Jaray 35mm F1.6 ii | APS-C | 52.5 | -- | -- | Ø49mm | -- | FX |
Kamlan
Kamlan Website: Kamlan.shop – Their lenses are a little difficult to find so check their official website for availability.
Kamlan has a few nice lenses for the Fujifilm X-Mount. My favorite of theirs is the 50mm f1.1 Mark II. It has a very classic rendering with a very high-quality build.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
KamLan 15mm f2 | APS-C | 22.5 | 11/9 | 10 | -- | FX | |
KamLan 21mm f1.8 | APS-C | 31.5 | 10/8 | 11 | Ø52mm | -- | FX |
KamLan 28mm f1.4 | APS-C | 42 | 8/7 | 11 | Ø52mm | -- | FX |
Kamlan 32mm f1.1 | APS-C | 48 | FX | ||||
KamLan 50mm f1.1 Review | APS-C | 75 | 5/5 | 11 | Ø52mm | -- | FX |
KamLan 50mm f1.1 II Review | APS-C | 75 | 8/7 | 11 | Ø62mm | FX | |
KamLan 55mm f1.4 | FF | 82.5 | 8/6 | ||||
Kamlan 70mm f1.1 | APS-C | 105 | FX |
Kipon
Kipon’s Website: Kipon.com
Kipon started as a German-Chinese joint venture. These lenses are designed in Germany and then mass-produced in China with a German level of quality control. They are always working on some new projects and a new factory in Japan, so expect some exciting new lenses or accessories from them.
These lenses are made with high-quality anodized aluminum, brass, and stainless steel. I think they are great as they do a very good job of making classic lenses with modern precision.
The Handevision 40mm f0.85 is known to be the fastest lens in the world and they don’t cheat on their stats.
Kipon is now making cine lens builds out of its Iberit lens designs. These have classic renderings similar to the Cooke Classics, and Kipon now has very high build quality with some of the best machines making them a great option for classic cine lenses.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
KIPON Iberit 24mm f2.4 M | FF | 36 | 8/7 | 6 | Ø49mm | ||
KIPON 24mm f2.4 | FF | 36 | 8/7 | 6 | Ø49mm | B&H | FX |
KIPON Iberit 35mm f2.4 M Review | FF | 52.5 | 6/6 | 6 | Ø49mm | ||
KIPON 35mm f2.4 Review | FF | 52.5 | 6/6 | 6 | Ø49mm | B&H | FX |
KIPON IBELUX 40mm f0.85 mkII Review | APS-C | 60 | 10/8 | 10 | Ø67mm | B&H | |
KIPON IBELUX 40mm f0.85 mkIII Review | APS-C | 60 | 10/9 | 10 | Ø67mm | B&H | FX |
KIPON Iberit 50mm f2.4 M Review | FF | 75 | 6/6 | 6 | Ø49mm | ||
KIPON 50mm f2.4 Review | FF | 75 | 6/6 | 6 | Ø49mm | B&H | FX |
KIPON Iberit 75mm f2.4 M Review | FF | 112.5 | 5/5 | 6 | Ø49mm | ||
KIPON 75mm f2.4 Review | FF | 112.5 | 5/5 | 6 | Ø49mm | B&H | FX |
KIPON Iberit 90mm f2.4 M | FF | 135 | 4/4 | 10 | Ø49mm | ||
KIPON 90mm f2.4 | FF | 135 | 4/4 | 10 | Ø49mm | B&H | FX |
Cine | FF | -- | -- | -- | -- | FX | |
KIPON Colibri 24mm T2.5 | FF | 36 | 8/7 | 10 | -- | B&H | FX |
KIPON Colibri 35mm T2.5 | FF | 52.5 | 6/6 | 10 | -- | FX | |
KIPON Colibri 50mm T2.5 | FF | 75 | 6/6 | 10 | -- | FX | |
KIPON Colibri 75mm T2.5 | FF | 112.5 | 5/5 | 10 | -- | FX | |
KIPON Colibri 90mm T2.5 | FF | 135 | 4/4 | 10 | -- | FX |
McoPlus
McoPlus makes a lot of accessories for various cameras including grips and vertical battery grips for Fujifilm cameras. Now they are making lenses.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
McoPlus 14mm f3.5 | APS-C | 21 | 7/6 | -- | Ø52mm | -- | FX |
McoPlus 35mm f1.6 | APS-C | 52.5 | 7/6 | -- | Ø49mm | -- | FX |
Cine | |||||||
McoPlus 16mm T2.2 | APS-C | 24 | 13/10 | -- | Ø77mm |
Meike
Meike makes a bunch of lenses for different cameras banded as Meike. They’re probably best known for their vertical battery grips. I haven’t tried their lenses yet, but I’ll get to them eventually.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | ||
---|---|---|---|---|---|---|---|---|
Meike 3.5mm f2.8 | photo | MFT | 5.25 | 10/7 | -- | -- | ||
Meike 6.5mm Fisheye f2.0 | photo | APS-C | 9.75 | 6/5 | -- | -- | B&H | FX |
Meike 8mm Fisheye f3.5 | photo | APS-C | 12 | 11/8 | -- | -- | B&H | FX |
Meike 10mm f2 | photo | APS-C | 15 | 15/12 | 10 | Ø77mm | B&H | FX |
Meike 12mm f2 | photo | APS-C | 18 | 12/9 | -- | Ø62mm | B&H | FX |
Meike 12mm f2.8 | photo | APS-C | 18 | 12/10 | -- | Ø72mm | B&H | FX |
Meike 25mm f0.95 | photo | APS-C | 37.5 | -- | -- | -- | ||
Meike 25mm f1.8 | photo | APS-C | 37.5 | 7/5 | -- | Ø49mm | B&H | FX |
Meike 25mm f2 | photo | APS-C | 37.5 | 10/8 | -- | -- | ||
Meike 28mm f2.8 | photo | APS-C | 42 | 6/5 | -- | Ø49mm | B&H | FX |
Meike 35mm f1.4 Review | photo | APS-C | 52.5 | 8/5 | -- | Ø49mm | B&H | FX |
Meike 35mm f1.7 Review | photo | APS-C | 52.5 | 6/5 | -- | Ø49mm | B&H | FX |
Meike 50mm f0.95 | photo | APS-C | 75 | 7/5 | 13 | Ø62mm | B&H | FX |
Meike 50mm f1.2 | photo | FF | 75 | 12/7 | 10 | Ø67mm | ||
Meike 50mm f1.7 Review | photo | FF | 75 | 6/5 | -- | Ø52mm | B&H | FX |
Meike 50mm f1.8 | photo | |||||||
Meike 50mm f2 | photo | APS-C | 75 | 6/5 | 9 | Ø49mm | B&H | FX |
Meike 55mm f1.4 | photo | APS-C | 82.5 | |||||
Meike 60mm f2.8 Macro | photo | APS-C | 90 | Amazon | FX | |||
Meike AF 85mm f1.4 STM | photo | FF | 127.5 | 12 | ||||
Meike 85mm f1.8 AF | photo | FF | 75 | 9/6 | 9R | Ø67mm | B&H | FX |
Meike 85mm f2.8 | photo | APS-C | 127.5 | 11/8 | 12 | Ø55mm | -- | FX |
Zoom | photo | APS-C | FX | |||||
Meike 6-11mm f3.5 | photo | APS-C | 9-16.5mm | 11/8 | -- | -- | B&H | FX |
Cine | cine | FF,S35,MFT | FX | |||||
Meike 8mm T2.2 | cine | MFT | 12 | 12/7 | -- | Ø86mm | ||
Meike 10mm T2.2 | cine | S35 | 15 | 15/12 | -- | -- | B&H | FX |
Meike 12mm T2.2 | cine | MFT | 18 | 15/10 | -- | Ø77mm | ||
Meike 16mm T2.2 | cine | MFT | 24 | 13/10 | -- | Ø77mm | ||
Meike 16mm T2.5 | cine | FF | 24 | 16/11 | 11 | Ø86mm | ||
Meike 18mm T2.1 | cine | S35 | 27 | 15/10 | 10 | Ø77mm | ||
Meike 24mm T2.1 | cine | FF | 36 | 14/9 | 11 | Ø82mm | ||
Meike 25mm T2.2 | cine | S35 | 37.5 | 10/8 | -- | Ø77mm | B&H | FX |
Meike 35mm T2.1 | cine | S35 | 52.5 | 12/10 | 11 | Ø77mm | ||
Meike 35mm T2.1 | cine | FF | 52.5 | 14/9 | 11 | Ø82mm | ||
Meike 35mm T2.2 | cine | S35 | 52.5 | 10/8 | -- | Ø77mm | B&H | FX |
Meike 50mm T2.1 | cine | S35 | 52.5 | 12/9 | -- | Ø77mm | ||
Meike 50mm T2.1 | cine | FF | 75 | 12/8 | 11 | Ø82mm | ||
Meike 50mm T2.2 | cine | S35 | 75 | 9/7 | -- | Ø77mm | B&H | FX |
Meike 65mm T2.2 | cine | S35 | 97.5 | 10/7 | -- | Ø77mm | B&H | FX |
Meike 75mm T2.1 | cine | S35 | 112.5 | 13/11 | 13 | Ø77mm | ||
Meike 85mm T2.1 | cine | FF | 127.5 | 14/8 | 11 | Ø82mm | ||
Meike 85mm T2.2 | cine | S35 | 127.5 | 9/7 | -- | Ø82mm | ||
Meike 100mm T2.1 | cine | S35 | 150 | 13/7 | 12 | Ø77mm | ||
Meike 105mm T2.1 | cine | FF | 157.5 | 11/7 | 11 | Ø82mm | ||
Meike 135mm T2.4 | cine | FF | 202.5 | 12/8 | 11 | Ø82mm |
Mitakon / ZY Optics
Mitakon / ZY Optics is one of the big providers of OEM lenses out of China. I believe they also make the SLR Magic lenses as well.
The Mitakon 35mm f0.95 is a very popular lens and it’s a lot of fun. For the price, it’s fantastic.
I’ve seen a lot of bad lenses coming out of the ZY Optics factories so you’ll need to double-check that your lenses are properly centered.
Lens Name | Lens Type | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|---|
Mitakon Speedmaster 17mm f0.95 | photo | MFT | 25.5 | 12/9 | 8R | Ø58mm | ||
Mitakon 20mm f2 4.5x Macro | photo | APS-C | 30 | 6/4 | 3 | -- | B&H | FX |
Mitakon Speedmaster 25mm f0.95 | photo | MFT | 37.5 | 11/9 | 11R | Ø43mm | ||
Mitakon Creator 28mm f5.6 | photo | FF | 42 | 8/7 | 5 | Ø37mm | B&H | FX |
Mitakon 35mm f0.95 Mk II | photo | APS-C | 52.5 | 11/8 | 9 | Ø55mm | B&H | FX |
Mitakon Creator 35mm f2 | photo | FF | 52.5 | 7/5 | 9 | Ø55mm | ||
Mitakon FreeWalker 42.5mm f1.2 | photo | MFT | 63.75 | 9/7 | 9 | Ø49mm | ||
Mitakon Speedmaster 50mm f0.95 M | photo | FF | 75 | 11/8 | 9 | Ø67mm | ||
Mitakon Speedmaster 50mm f0.95 III | photo | FF | 75 | 10/7 | 11 | Ø67mm | ||
Mitakon Speedmaster 65mm f1.4 | photo | MF | 97.5 | 11/7 | 9 | Ø72mm | ||
Mitakon Speedmaster 85mm f1.2 | photo | MF | 127.5 | 9/6 | 11 | Ø77mm | ||
Mitakon Creator 85mm f2 | photo | FF | 127.5 | 6/6 | 10 | Ø55mm | ||
Mitakon 90mm f1.5 | photo | FF | 135 | 9/6 | 9R | Ø67mm | ||
Mitakon Creator 135mm f2.5 | photo | FF | 202.5 | 9/7 | 9R | Ø67mm | ||
Mitakon APO 200mm f4 1X Macro | photo | FF | 300 | 11/7 | 9 | Ø67mm | ||
Cine | cine | FF,S35 | FX | |||||
Mitakon Speedmaster 17mm T1 | cine | S35 | 25.5 | 12/9 | 8 | Ø77mm | ||
Mitakon Speedmaster 20mm T1 | cine | S36 | 30 | 13/8 | 9 | Ø77mm | B&H | FX |
Mitakon Speedmaster 25mm T1 | cine | S35 | 37.5 | 11/8 | 9 | Ø77mm | ||
Mitakon Speedmaster 35mm T1 V2 | cine | S35 | 52.5 | 11/8 | 9 | Ø77mm | B&H | FX |
Mitakon Speedmaster 50mm T1 | cine | S35 | 75 | -- | 9 | Ø77mm | B&H | FX |
Mitakon Speedmaster 50mm T1 | cine | FF | 75 | 12/6 | 9 | Ø105mm |
Neewer
The Neewer lenses are a little hard to find for Fujifilm. I know more exist but I can’t find links for them on Amazon.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Neewer 25mm f0.95 | APS-C | 37.5 | -- | -- | Ø55mm | ||
Neewer 25mm f1.8 | APS-C | 37.5 | 7/5 | Ø49mm | |||
Neewer 28mm f2.8 | APS-C | 42 | -- | -- | Ø49mm | ||
Neewer 32mm f1.6 | APS-C | 48 | -- | -- | Ø49mm | ||
Neewer 35mm f1.2 | APS-C | 52.5 | 7/5 | 12 | Ø49mm | -- | FX |
Neewer 35mm f1.4 | APS-C | 52.5 | 7/5 | 12 | Ø49mm | -- | FX |
Neewer 35mm f1.7 | APS-C | 52.5 | 6/5 | 8 | Ø49mm | -- | FX |
Neewer 50mm f2 | APS-C | 75 | -- | -- | Ø49mm |
NiSi
NiSi, a popular company known for its ND and UV filters, has now started making standard lenses.
They also have a line of Cine lenses in the PL, E, and EF mounts that you could adapt to Fujifilm.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Photo | |||||||
Nisi 9mm f2.8 Sunstar ASPH | APS-C | 13.5 | 14/12 | 10 | Ø67mm | B&H | FX |
NiSi 15mm f4 Sunstar ASPH | FF | 22.5 | 12/10 | 10 | Ø72mm | B&H | FX |
Cine | |||||||
Nisi 18mm | 0 | ||||||
Nisi 25mm T2.1 | 0 | ||||||
Nisi 35mm T2 | 0 | ||||||
Nisi 50mm T2 | 0 | ||||||
Nisi 75mm T2 | 0 | ||||||
Nisi 100mm T2 | 0 | ||||||
ATHENA Cine | |||||||
NiSi ATHENA 14mm T2.4 | FF | 21 | 10 | ||||
NiSi ATHENA 25mm T1.9 | FF | 37.5 | 10 | Ø77mm | |||
NiSi ATHENA 35mm T1.9 | FF | 52.5 | 10 | Ø77mm | |||
NiSi ATHENA 50mm T1.9 | FF | 75 | 10 | Ø77mm | |||
NiSi ATHENA 85mm T1.9 | FF | 127.5 | 10 | Ø77mm |
Opteka
Opteka is owned by Samyang but many of their lenses are also made in China. It seems to be Meike and Opteka lenses seem to share similar builds.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Opteka 6.5mm f2 Fisheye | APS-C | 9.75 | 6/5 | 9 | -- | B&H | FX |
Opteka 12mm f2.8 | APS-C | 18 | 12/10 | 9 | Ø72mm | B&H | FX |
Opteka 28mm f2.8 | APS-C | 42 | 6/5 | 9 | Ø49mm | B&H | FX |
Opteka 35mm f1.7 | APS-C | 52.5 | 6/5 | 9 | Ø49mm | B&H | FX |
Opteka 50mm f2 | APS-C | 75 | 6/5 | 9 | Ø49mm | B&H | FX |
Opteka 420mm / 800mm | FF | 630 | 4/2 | -- | Ø62mm | -- | FX |
Opteka 500 f6.3 | FF | 750 | 7/6 | -- | Ø95mm | -- | FX |
Opteka 500mm / 1000m f8 | FF | 750 | 4/4 | -- | Ø67mm | -- | FX |
Opteka 650mm / 1300mm | FF | 975 | 6/5 | -- | Ø95mm | -- | FX |
Pergear
PerGear has released a few lenses for the X-Mount. Their 25mm f1.8 is not the same as the ever-so-popular 7Artisans because on their website, they say this lens is 5 elements in 3 groups, but the 7Artisans has 7.
The Pergear 35mm f1.6 is very nice, with a great build and image quality that matches.
All the Pergear lenses come with a lens hood.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | X Links | |
---|---|---|---|---|---|---|---|
Pergear 7.5mm f2.8 | APS-C | 11.25 | 9/8 | 10R | -- | Pergear | FX |
Pergear 10mm f8 Pancake | APS-C | 15 | 5/4 | fixed | -- | Pergear | FX |
Pergear 12mm f2 | APS-C | 18 | 12/9 | 10 | Ø62mm | Pergear | FX |
Pergear 14mm f2.8 II | FF | 21 | |||||
Pergear 25mm f1.8 | APS-C | 37.5 | 5/3 | 12 | Ø43mm | Pergear | FX |
Pergear 35mm f1.2 Review | APS-C | 52.5 | 6/5 | 10 | Ø43mm | Pergear | FX |
Pergear 35mm f1.4 | FF | 52.5 | -- | 10 | -- | ||
Pergear 35mm f1.6 | APS-C | 52.5 | 6/4 | 12 | Ø43mm | Pergear | FX |
Pergear 50mm f1.8 Review | APS-C | 75 | 6/4 | 10 | Ø43mm | Pergear | FX |
Pergear 60mm f2.8 2x Macro | APC-C | 75 | 11/8 | 10 | Ø62mm | Pergear | FX |
Pergear 60mm f2.8 2x Macro II | FF | 90 | 10/7 | 10 | Ø62mm | -- | FX |
Sirui Anamorphic Lenses
Sirui is a Chinese camera accessories company that has started producing some interesting anamorphic lenses for the APS-C mount.
Anamorphic lenses are wider so I think the 50mm produces a 56.25mm field of view on APS-C cameras. Since 50mm with the 1.33x turns into 37.5mm. Hit that with an APS-c crop.
Lens Name | Sensor | FF Equiv | Elements | Aperture | Filters | X Links | |
---|---|---|---|---|---|---|---|
Photo | |||||||
Sirui Sniper 23mm f1.2 | S35/APS-C | 34.5 | 12/11 | 11 | Ø58mm | B&H | FX |
Sirui Sniper 33mm f1.2 | S35/APS-C | 49.5 | 11/10 | 11 | Ø58mm | B&H | FX |
Sirui Sniper 56mm f1.2 | S35/APS-C | 84 | 12/11 | 11 | Ø58mm | B&H | FX |
Cine | |||||||
Sirui Night Walker 24mm f1.2 | S35/APS-C | 36 | 12/11 | 12 | Ø67mm | B&H | FX |
Sirui Jupiter 24mm T2 | FF | 36 | 13/11 | 11 | Ø92mm | ||
Sirui Night Walker 35mm f1.2 | S35/APS-C | 52.5 | 11/10 | 12 | Ø67mm | B&H | FX |
Sirui Jupiter 35mm T2 Macro | FF | 52.5 | 14/11 | 11 | Ø92mm | ||
Sirui Night Walker 35mm f1.2 | S35/APS-C | 82.5 | 11/10 | 12 | Ø67mm | FX | |
Sirui Jupiter 50mm T2 | FF | 75 | 13/10 | 11 | Ø92mm | ||
Sirui Jupiter 75mm T2.8 Macro 1:1 | FF | 112.5 | 12/9 | 13 | Ø92mm | ||
Sirui Jupiter 100mm T2.8 Macro 1.5:1 | FF | 150 | 13/9 | 12 | Ø92mm | ||
Anamorphic | FX | ||||||
Sirui Mars 24mm T2.8 1.33x | S35/APS-C | 36 | 13/10 | 8 | Ø72mm | B&H | FX |
Sirui 24mm f2.8 1.33x | S35/APS-C | 36 | 13/10 | 8 | Ø72mm | B&H | FX |
Sirui Mars 35mm f1.8 1.33x | S35/APS-C | 52.5 | 13/9 | 10 | Ø67mm | ||
Sirui 35mm f1.8 1.33x | S35/APS-C | 52.5 | 13/9 | 10 | Ø67mm | ||
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber | FF | 75 | 18/12 | 10 | Ø60mm | B&H | FX |
Sirui Venus 35mm T2.9 1.6x | FF | 75 | 18/13 | 10 | Ø82mm | B&H | FX |
Sirui 50mm f1.8 1.33x | S35/APS-C | 75 | 11/8 | 10 | Ø67mm | B&H | FX |
Sirui Mars 50mm T2 1.33x | S35/APS-C | 75 | 11/8 | 8 | Ø67mm | ||
Sirui Saturn 50mm T2.9 1.6x Carbon Fiber | FF | 75 | 16/12 | 10 | Ø62mm | B&H | FX |
Sirui Venus 50mm T2.9 1.6x | FF | 75 | 16/13 | 10 | Ø82mm | ||
Sirui 75mm f1.8 1.33x | S35/APS-C | 112.5 | 16/12 | 13 | Ø67mm | B&H | FX |
Sirui Mars 75mm T2 1.33x | S35/APS-C | 112.5 | 16/12 | 13 | Ø67mm | ||
Sirui Saturn 75mm T2.9 1.6x Carbon Fiber | FF | 112.5 | 15/12 | 10 | Ø62mm | B&H | FX |
Sirui Venus 75mm T2.9 1.6x | FF | 112.5 | 15/13 | 10 | Ø82mm | ||
Sirui Venus 100mm T2.9 1.6x | FF | 150 | 15/13 | 13 | Ø82mm | ||
Sirui Venus 150mm T2.9 1.6x | FF | 225 | 16/11 | Ø82mm | |||
Cine Zoom | |||||||
Sirui Jupiter 28-85mm T3.2 | FF | 22/18 | 114mm |
SLR Magic Cine Lenses
SLR Magic I believe started by making anamorphic lenses and lens accessories for cinematographers. Now they make some fairly nice lenses for the amateur cinematographer. They are based out of Hong Kong, but their lenses are made by ZY Optics. Because of the popularity of their lenses with the Fujifilm X-Mount, they’ve decided to port all of their lenses over to the system. I’ll update as I learn more about what’s going on.
Lens Name | Sensor | 35mm Equiv | Elements | Aperture | Filters | X Links | |
---|---|---|---|---|---|---|---|
SLR Magic 10mm T2.1 MIcroPrime | MFT | 15 | 13/11 | 10 | Ø82mm | ||
SLR Magic 10mm T2.1 Hyperprime | MFT | 15 | -- | -- | Ø77mm | ||
SLR Magic MicroPrime 12mm T2.8 | S35 | 18 | -- | -- | Ø82mm | B&H | FX |
SLR Magic MicroPrime 15mm T3.5 | S35 | 22.5 | -- | -- | Ø82mm | B&H | FX |
SLR Magic MicroPrime 17mm T1.5 | S35 | 25.5 | 9/8 | 11 | Ø82mm | ||
SLR Magic 18mm f2.8 | FF | 27 | 10/8 | 9 | Ø62mm | ||
SLR Magic MicroPrime 18mm T2.8 | FF | 27 | 10/9 | 7 | Ø82mm | B&H | FX |
SLR Magic MicroPrime 21mm T1.6 | FF | 31.5 | 13/11 | 11 | -- | B&H | FX |
SLR Magic HyperPrime 25mm T0.95 III | MFT | 37.5 | 11/9 | 12 | Ø52mm | ||
SLR Magic 25mm f1.4 | FF | 37.5 | 11/9 | -- | Ø52mm | ||
SLR Magic MicroPrime 25mm T1.5 | MFT | 37.5 | 12/9 | 12 | Ø82mm | ||
SLR Magic APO MicroPrime 25mm T2.1 | FF | 37.5 | -- | -- | -- | ||
SLR Magic APO HyperPrime 25mm T2.1 | FF | 37.5 | -- | -- | Ø82mm | ||
SLR Magic APO HyperPrime 32mm T2.1 | FF | 48 | -- | -- | -- | ||
SLR Magic APO MIcroPrime 32mm T2.1 | FF | 48 | -- | -- | -- | ||
SLR Magic 35mm T0.95 II | S35 | 52.5 | -- | -- | Ø62mm | B&H | FX |
SLR Magic 35mm f1.2 | FF | 52.5 | 9/8 | Ø52mm | B&H | FX | |
SLR Magic 35mm T1.3 | FF | 52.5 | 9/8 | 13 | Ø82mm | B&H | FX |
SLR Magic 35mm T1.4 II | S35 | 52.5 | -- | -- | Ø52mm | B&H | FX |
SLR Magic MicroPrime 35mm T1.5 | FF | 52.5 | 9/8 | 13 | Ø82mm | B&H | FX |
SLR Magic HyperPrime 50mm T0.95 | S35 | 75 | 7/10 | 12 | Ø62mm | B&H | FX |
SLR Magic 50mm f1.1 | S35 | 75 | 7/6 | 13 | Ø52mm | B&H | FX |
SLR Magic 50mm f1.1 II | FF | 75 | 7/6 | 13 | Ø52mm | ||
SLR Magic MicroPrime 50mm T1.2 | FF | 75 | 7/6 | 13 | Ø82mm | B&H | FX |
SLR Magic MicroPrime 50mm T1.4 | FF | 75 | 6/5 | -- | Ø82mm | ||
SLR Magic APO MicroPrime 50mm T2.1 | FF | 75 | -- | -- | -- | ||
SLR Magic APO HyperPrime 50mm T2.1 | FF | 75 | -- | -- | Ø62mm | ||
SLR Magic MicroPrime 75mm T1.5 | FF | 112.5 | 6/6 | 13 | Ø82mm | B&H | FX |
SLR Magic APO MicroPrime 85mm T2.1 | FF | 0 | -- | -- | -- | ||
Anamorphic | |||||||
SLR Magic 35mm T2.4 1.33x | S35 | 52.5 | -- | -- | Ø82mm | ||
SLR Magic 35mm T2.4 2x | MFT | 52.5 | -- | -- | Ø82mm | ||
SLR Magic 50mm T2.8 1.33x | FF | 75 | -- | -- | Ø82mm | ||
SLR Magic 50mm T2.8 2x | MFT | 75 | -- | -- | Ø82mm | ||
SLR Magic 70mm T4 1.33x | FF | 105 | -- | -- | Ø82mm | ||
SLR Magic 70mm T4 2x | MFT | 105 | -- | -- | Ø82mm |
TTArtisan
Not to be confused with 7Artisans, TTArtisan is a different company and I find their lenses to be a little higher quality with slightly better quality control.
TTArtisan X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | ||
---|---|---|---|---|---|---|---|---|
TTArtisan FX 7.5mm f2 Fisheye | no | APS-C | 11.25 | 11/8 | 7 | Ø58mm | B&H | |
TTArtisan FX 10mm f2 | no | APS-C | 15 | 13/10 | 7 | Ø72mm | ||
TTArtisan FX 17mm f1.4 | no | APS-C | 25.5 | 9/8 | 10 | Ø40.5mm | B&H | |
TTArtisan FX 23mm f1.4 | no | APS-C | 34.5 | 8/6 | 10 | Ø43mm | B&H | |
TTArtisan FX AF 35mm f1.8 | no | APS-C | 52.5 | 10/8 | 9 | Ø52mm | B&H | |
TTArtisan FX 25mm f2 | no | APS-C | 37.5 | 7/5 | 7 | Ø43mm | B&H | |
TTArtisan FX AF 27mm f2.8 | no | APS-C | 40.5 | 6/5 | 7 | Ø39mm | -- | |
TTArtisan FX 35mm f0.95 | no | APS-C | 52.5 | 7/5 | 10 | Ø52mm | B&H | |
TTArtisan FX 35mm f1.4 Review | no | APS-C | 52.5 | 7/6 | 10 | Ø39mm | B&H | |
TTArtisan FX 40mm f2.8 Macro | no | APS-C | 60 | 8/7 | 11 | Ø52mm | B&H | |
TTArtisan FX 50mm f0.95 | no | APS-C | 75 | 8/6 | 10 | Ø58mm | B&H | |
TTArtisan FX 50mm f1.2 Review | no | APS-C | 75 | -- | 10 | Ø52mm | B&H | |
TTArtisan FX 50mm f1.4 Tilt | no | FF | 75 | 7/6 | 12 | Ø62mm | B&H | |
TTArtisan FX AF 56mm f1.8 | no | APS-C | 84 | |||||
TTArtisan FX 50mm f2 | no | FF | 75 | 6/5 | 10 | Ø43mm | B&H | |
TTArtisan FX 100mm f2.8 Bubble Bokeh | no | FF | 150 | 4/4 | 13 | Ø49mm | ||
TTArtisan FX 100mm f2.8 Tilt Macro 2x | no | FF | 150 | 14/10 | 12 | Ø67mm | B&H | |
TTArtisan FX 500mm f6.3 | no | FF | 750 | 8/5 | Ø82mm |
Venus Optics Laowa
Venus Laowa has started making some APS-C lenses, and they finally have one available for Fujifilm that is getting nothing but praise. I’ll pick this lens up as soon as possible and compare it to the Rokinon 10mm. What’s supposedly so great about these Venus lenses is they have zero distortion, which is very nice and rare for ultra-wide lenses.
Venu Optics X Mount Lenses | Sensor | 1.5x 35mm Equiv | Elements | Iris | Filters | X Links | ||
---|---|---|---|---|---|---|---|---|
Venus Optics Laowa FX 4mm f2.8 Fisheye | photo | no | APS-C | 6 | 7/6 | 7 | none | B&H |
Venus Optics Laowa FX 9mm f2.8 Zero-D | photo | no | APS-C | 13.5 | 15/10 | 7 | Ø49mm | B&H |
Venus Optics Laowa FX 10mm f4 Cookie | photo | no | APS-C | 15 | 12/8 | 5 | Ø37mm | B&H |
Venus Optics Laowa Argus FX 33mm f0.95 CF APO | photo | no | APS-C | 49.5 | 14/9 | 9 | Ø62mm | B&H |
Venus Optics Laowa FX 65mm f2.8 Ultra Macro APO 2x | photo | no | APS-C | 97.5 | 14/10 | 9 | Ø52mm | B&H |
Zooms | photo | no | FF/APS-C | -- | -- | -- | -- | |
Venus Optics Laowa FX 8-16mm f3.5-5 C-Dreamer | photo | no | APS-C | 12-24 | 16/12 | 5 | Ø86mm | B&H |
Venus Optics Laowa Aurogon FX 10-50x NA0.5 Supermicro APO | photo | no | FF | 15-75 | -- | 9 | -- | |
Cine | cine | no | FF/S35/APS-C | -- | ||||
Venus Optics Laowa FX 7.5mm T2.9 Zero-D | cine | no | S35,APS-C | 11.25 | 16/10 | 7 | Ø77mm | B&H |
Venus Optics Laowa FX 65mm T2.9 2x Macro APO | cine | no | S35 | 97.5 | 14/10 | 9 | Ø77mm | B&H |
Anamorpic Cine | cine, ana | no | S35/APS-C | -- | -- | -- | -- | |
Venus Optics Laowa Nanomorph FX 27mm T2.8 1.5x | cine, ana | no | S35,APS-C | 40.5 | 15/14 | 13 | Ø55mm | B&H |
Venus Optics Laowa Nanomorph FX 35mm T2.4 1.5x | cine, ana | no | S35,APS-C | 52.5 | 15/13 | 13 | Ø55mm | B&H |
Venus Optics Laowa Nanomorph FX 50mm T2.4 1.5x | cine, ana | no | S35,APS-C | 75 | 15/13 | 13 | Ø55mm | B&H |
Venus Optics Laowa Nanomorph FX 65mm T2.4 1.5x | cine, ana | no | S35,APS-C | 97.5 | 15/13 | 13 | Ø62mm | B&H |
Using Leica Lenses On Your Fujifilm
If you already have Leica lenses or would prefer to invest in full-frame lenses, then you can adapt your Leica M lenses to your Fuji camera. Not all lenses work properly with the Fujifilm adapter so I’ve included only a list of working lenses that Fuji has listed on their M-mount compatibility lens chart.
This doesn’t mean other lenses will not work. I’m sure most of the Voigtlander and new Leica lenses would work fine, but with that Fuji adapter, there is some risk that the rear element will not have enough clearance. The alternative is to try some other adapters. I’ll list a few that I’ve seen people mention on the forums.
Leica M Mount Lens Adapters
I’ve researched and found the best Leica M to Fujifilm X-Mount adapters.
Some adapters don’t allow clearance on some lenses. It’s really hard to know unless you own a bunch of Leica lenses and can test them. From my research on the subject, I’ve seen most people say even the Fuji adapter is great for most lenses despite what Fuji says on its compatibility list, but some lenses, like the Voigtlander 35mm f1.2, have a protruding rear element and will not adapt.
Fujifilm M-Mount Adapter For X-Mount
I use the M-Mount adapter by Fujifilm to mount my Leica M lenses. Very nice construction. Perfect fit to both the camera and the Leica M lenses. There is also a button on the adapter that will instantly send you to the Mount Adapter Settings, so you can quickly select which lens it is you’re using for the EXIF data. – Amazon / Adorama / B&H
Hawks Leica M to Fuji X Adapter With Helicoid
This adapter is pretty cool because it has a built-in helicoid that can push the lens further or closer to the sensor. This should technically allow clearance for any Leica lenses that don’t quite fit. – B&H
Kipon Leica M to Fuji X Adapter With Helicoid
Like Hawks, this also has a built-in helicoid, so even lenses like the Voigtlander 35mm f1.2 should work. – Adorama
FotodioX Leica M Pro to Fuji X Adapter
Great adapter at half the price of some of the other adapters. It works on most, if not all, of the lenses, I believe. Built with brass and a stainless steel finish. – B&H
Novoflex Leica M To Fuji X Adapter
Novoflex makes one of the best adapters for Leica M lenses. However, it is expensive. The matte black interior is supposed to reduce internal flaring. To release the lenses with this adapter, you have to push down the release button, not pull it. – Adorama / B&H
Metabones Leica M To Fuji X Adapter
Also a great adapter for half the price of those other adapters. Some people report the Metabones adapter getting stuck to lenses but otherwise, it’s great. – Adorama / B&H
Leica M Mount Lenses
Visit the Leica M-Mount Lens List to see all available M-Lenses.
Using Vintage Lenses With Fujifilm
I have quite a few vintage lenses that I use for my Fujifilm cameras, and they work very well on these APS-C bodies compared to my other full-frame cameras.
It seems modern lenses are better designed to work with our flat sensors with microlens designs, so you typically get better resolution in the corners and edges on new lenses than you do with some of the vintage lenses, but because Fujifilm uses APS-C sensors, most of the unwanted characteristics are already being cropped off. So, vintage lenses work very well on Fujifilm bodies.
To use M42 lenses, you need to get an adapter.
Top 3 Best M42 to Fujifilm X Adapters
Here are the top three best M42 Mounts for the Fujifilm X-Series camera. I’ve listed these three because they come at different quality levels and prices.
Fotasy M42-Mount to Fujifilm X-Mount Adapter
This is the adapter I use. It’s very inexpensive so occasionally, you’ll need to tighten up the inner screw mount with a hex key, but it works. – Amazon
FotodioX M42 Screw-Mount To Fujifilm X-Mount Adapter – Helicoid
This is a much higher-quality M42 Screw-Mount lens for your Fujifilm. It has an extendable helicoid for closer focusing.
It’s an all-metal construction with a chrome base plate. – B&H
Novoflex M42 Mount To Fujifilm X-Mount Adapter
This is the most expensive and beautiful adapter with a matte black internal finish to reduce flaring. It also has a precise infinity focus for these M42 mount lenses. – B&H
One thing to be careful of—If you remember being a kid and burning things with a magnifying glass, many of these old 35mm lenses will do that if you leave them in the sun wide open on your camera body without a lens cap. Even some new lenses will do it, and it seriously only takes a few seconds to burn your sensor or the area around it.
If you’re not using your lens cap, make sure to stop the lens down to at least f5.6 to f8. This typically reduces this burning effect.
As a general rule never leave your camera out in the sun without a lens cap. I’ve burnt the interior of my X-Pro2 a little and my friend has burnt his X-T1. No damage to the sensor, but close calls.
Some cool M42 lenses that work great with Fujifilm
I have four Helios lenses now. The 44M, 44-2, 44-4, and 44-7.
I like the 44-4 and the 44-7 the most, I really don’t like the 44-2 but it does have a de-click preset aperture that could be interesting for video folk. I just think the 44-2 sucks wide open.
The Helios lenses are based on the Zeiss Biotar design. You’re probably better off buying a Zeiss Biotar, but they are harder to find and a little more expensive.
Industar 50mm f3.5 50-2 Review
I also have the Jupiter 9, which isn’t sharp at all.
Fujinon Lens Codes
A list of what all those cryptic letters and codes mean on Fujifilm / Fujinon lenses.
OIS – Optical Image Stabilization.
XF – Fuji’s X series lens mount. For the X cameras.
R – Stands for the ring. It means the lens is equipped with an aperture ring.
WR – Weather Resistant.
LM – Linear Motor, rapid movement, and silent focus.
APD – Stands for Apodization. It will produce even fall-off on your out-of-focus highlights. Makes better Bokeh.
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