You can spend hundreds, or even thousands on landscape photography tutorials, or . . . you can just shoot with Fujifilm.
Here is all I did to get these results.
Okinawa Mangroves – Fujifilm X-Pro 2
My goal is to always do as little work in post as possible. It’s not always easy since the dynamic range of the shot, especially sunsets, is usually just more than what the camera can handle. But when everything just lines up, and you’re shooting with Fujifilm and you have access to their film simulators, you really don’t need to do much.
Here is all I did in Lightroom to enhance this shot.
The first thing I did which is shown in the middle column is turn on the Velvia profile. These also come in-camera but will only bake in the effect when shooting JPEG. If you have a shot that doesn’t require a lot of dynamic range, your ‘look’ will usually come out a lot better if you let your camera just make the JPEG. In this case, I was shooting RAW, so I converted it to Velvia in Lightroom. You can also convert your RAWs into JPEGs quickly in the camera by pressing Q twice and then hitting OK.
The next thing I did was adjust some basic tone controls shown in the left column. Added some contrast, then raised the shadows and highlight which kind of undid a little bit of the contrast. Sometimes when raising the contrast you’ll also have to turn down saturation a small amount since the contrast tends to to punch the colors a little harder.
The last thing I did was a little local brush shown in the far right column. I just added a little bit of clarity on the mangroves and lifted their shadows slightly.
I’m actually pretty happy with the above results, I could tweak the colors and saturation a bit more but the image is pretty much there.
But of course, it’s always possible to do more.
Because You Can Always Do More
To take the shot a step further all I really needed to do was clean up those highlights. Since I knew I was going to be going to Photoshop I decided to use Iridient Developer to do the initial RAW conversion. Iridient produces a significantly cleaner image than Lightroom but their film profiles such as Velvia don’t handle the highlights as well. I was using Velvia v3.3.
In this case, this was fine because I knew I would be rebuilding the highlights from a different exposure anyway.
So I processed two RAWs in Iridient, the RAW shot above and a shot that was -2EV darker. Combined them together in Photoshop, added a few extra enhancements to the sunset, some local sharpness, and a couple of little tweaks and that was about it.
Total time was maybe 15 minutes. And part of that was spent hunting down my MacBook Pro power cable that was in the other room since my battery was at 4%.
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