Core Color V3 Lightroom Presets

*If you own V1 or V2, just Login and re-download the pack and you will now see V3.10 included in the zip file. Also, if you’re new to the presets, feel free to try V2 also found in the zip file.

Latest Update: V3.10, I’ve reduced the contrast and intensity of a lot of the looks. A lot of the new cameras coming out have a bit more punch so I compensated for this.

Core Color V3 is a preset pack for Lightroom that simulates the styling that can be found in various Kodak and Fujifilm film stocks. Since the film has a dramatically different color profile depending on the temperature of the light, it is impossible to truly simulate film as a single one-click preset. Instead, these packs offer some similar styling to liven your digital files and give them a little more vibe and character.

I’ve spent over five years developing these presets and this is the most versatile version yet.

The Core Color V3.0 set is broken down into really 4 different styles. The Core or base looks, Classic, the new Retro, and the Sepia looks.

The Core Basic looks are designed for portraits and general or lifestyle photography. They are strong with contrast and saturation and mostly retrain the blacks and highlights. These give you a clean look with some styling to build off of.

The looks can vary depending on what camera brand and camera model you use. The original core looks were designed with Fujifilm and Sony and some of the new adjustments are made with Leica and Nikon. So while some presets might not work in every situation, there is always a variation that’s perfect.

Sample using Core I with Adobe Color using a Leica M11.

Sample Core II.2 using Adobe Standard as the base profile, using the Nikon Z8.

Core I through Core IV are great for portraits as they have been optimized for skin tones. In the set will also see some looks labeled as Mild. These are based on the Core looks but the effects have been turned down a little to reduce some of the contrast and saturation making them better optimized for landscape photographers or other high-contrast scenes.

Core III.2 is slightly warmer, using stronger reds and a design inspiration living somewhere between a Kodak Ektar and Provia.

Below Core II.1 was used on a photo taken by the Fujifilm X-Pro2 with the Kipon 40mm f0.85 lens. Some mild editing was performed, mostly with the color grading tool.

The Classic Looks are based on the original core looks but they’ve had some additional styling to reduce some of the contrast and saturation. Blacks are more lifted and sometimes the highlights are muted with blues pushed a little more towards teal. These give you a more traditional feel as you could expect from well-processed film stocks while still having the DNA of the original Core looks.

Classic looks with slightly lifted blacks.

Labeled with R+ or R++

Often when we think of film photography, we think of the lower quality film look, where the film was mishandled, expired, or poorly processed. This produces a lot of color shifts with a more distressed feel. The Retro looks simulate some of that with stronger color shifts, muted highlights grain added.

Here is a sample of 2b – Retro – Core II.3 – R+

In this image I kept the Nikon Camera Portrait profile loaded. It was taken with the Nikon Z8 with a 26mm at f4, with a Glimmer Glass Filter at 1/4 power.

Pair the Retro looks with some diffusion filters like a Glimmer Glass 1/4 or Black Pro Mist 1/4, and you get a very film-like style.

The R++ has the heaviest effect.

While all the looks were originally designed to be used with Adobe Standard, here Camera Portrait from the Nikon Z8 was used to give the red tones more prominence. You can use various camera profiles to help guide the looks. Fujifilm Astia and Camera Portraits with the other brands work great for a retro look with Prominent Red tones. Here is a sample using Core VI – R++

10 unique looks that produce various images with strong sepia tones. Sepia tones range from a milder Sepia look labeled as ‘Casual’ which is great for lifestyle photography or pushed for a very dramatic effect for night scenes.

The above was shot on the Nikon Z6, Cine Night – Sepia IV was applied with some adjustments to exposure and some minor adjustments to contrast. A diffusion filter was also used in front of the lens.

The image was shot with the Leica M11, Sepia I with Fine Grain applied and a radial gradient was used to lift her exposure. Noise reduction and sharpening with Topaz AI, no other color or tonal adjustments made.

Street Photo taken with the Canon EOS R using Sepia VI with some light editing with tonal adjustments and gradients.

The above looks produce stronger warm tones while still maintaining some blues and greens with a shift towards teal for a nice harmony between highlights and mid-tones.

Included in the pack are some useful Color Elements. These play with the Color Grading effect in Lightroom to add a little extra color toning to your images. These are great for using native camera looks that already are looking great, or use them on top of any of the Core looks to add a little extra color styling.

Often I’ll mouse over these effects for a quick look at various Color Grading effects to see if any could enhance the image further.

Grain comes in various levels from Fine to to Heavy, and within these are variations they can be adjusted from Crispy to Soft.

Crispy will preserve some of the sharpness of the image while Soft will reduce some of the sharpness for a more analogue feel.

Here is a of Medium Grain – Crisp. How you plan to display the images will affect which grain settings work best. Small prints or Instagram look nice with a heavier grain while bigger prints or web display often look nicer with a finer grain.

How To Install

Unzip file. Right-click in the preset panel in Lightroom. Click Import.

If you use an older version of Lightroom that uses lrtemplate files you can find that in the folder “ForOldLightroom.”

These older template files do work well but you will lose some of the color-grade effects.

I do try to keep these backward compatible, but some looks do take advantage of the new color-grade tool. Some looks in the latest V3.00 update will not look 100% exactly as intended with the older Lightroom versions because I use new Color Grading tools. The new versions of Lightroom use Midtone colors with the Color Grading tool which is not available in the older versions of LIghtroom that use the Split Tone Tool. However, I rarely use the Midtones in the color grading tool and everything else will load fine and the majority of the looks will still look great.

Using Lightroom CC

These Presets work in Lightroom Classic and Lightroom CC. I frequently go back and forth between editing on my tablet with Lightroom CC and with Lightroom Classic. The only difference is that Lightroom CC will not let you adjust the Camera Calibration settings, but the adjustments do still load when in Lightroom CC.

How To Update

Download the new presets. Right-click in your preset window and import new ones. You can click directly on the new zip file when importing. These will load without overwriting your older presets so you can keep what you like from them while making the transition into these new looks.

TIPS

These Presets are not really designed to work perfectly in every situation. I design different looks to work in different lighting conditions, so some of the looks work better for portraits like Core I – Core IV, and some work better at night, Core V – Core VII. Although you can use whatever is working.

For example, I labeled the Sepia look as Casual and Night. The Night presets work better at night but will usually be too intense under daylight.

Also because the looks bake in color shifts into the curves, sometimes you can get different effects by under-exposing a full stop or over-exposing a full stop. In wooded and forest areas under exposure can really give you deep rich greens. In bright beach environments sometimes overexposing and reducing contrast can give you really nice pastel Kodak Portra looks.

Use exposure and white balance to tune your image for the looks. Also, when I edit I use the presets 95% there, then I may adjust some Hue or Saturations individually to really dial in some skin tones or coloring. Most of the time when editing for my lens reviews, I’m not doing a lot of editing, just using the presets with basic White Balance and Tonal Adjustments.