Category: Reviews | Page 9 | Alik Griffin

Kamlan 50mm f1.1 II | A Huge Improvement

When I first saw the announcement of the Kamlan 50mm f1.1 version II, I was a bit skeptical and ultimately not interested. The first one was just a swing and missed and unfortunately made me a little skeptical about Kamlan as a brand even though their build quality is always stellar. Then I saw a few images of this new version II lens. Kamlan totally changed it up with a completely new design improving the one thing that would make a huge difference.

Sony Improves Camera UHS-II Speeds to Match XQD

I've just wrapped up some of my memory card benchmarks in the Sony A7rIV and noticed something very interesting and exciting. Sony has dramatically improved the speed of UHS-II memory cards in their mirrorless cameras. A few cards in the Sony A7rIV are now clearing the buffer at a rate of about 200MB/s which is very similar to the XQD speeds in the Nikon Z7.

Yasuhara Anthy 35mm f1.8 Review & Sample Photos

The Yasuhara Anthy 35mm f1.8 is a compact full manual full-frame mirrorless lens. With a bright f1.8 aperture the lens is a fantastic choice for low light shooters or portrait shooters that love that sweat, sweat bokeh. With the small size, affordable price and excellent build quality, the lens is a great choice for photographers looking for a daily carry that can be used in almost any situation.

Anthy 35mm Lens Impressions

Anthy35 f1.8 FF Mirrorless Lens | First Impressions!

A first look at the new full-frame mirrorless Anthy35 lens. A 35mm f1.8 high-quality, small, fast but affordable full-frame mirrorless lens for the Sony E, Nikon Z, and Canon R mount. This could be the secret gem we've been waiting for.

Meike 35mm f1.4 Review & Sample Photos

The Meike 35mm f1.4 is a small but fast compact manual lens for APS-C and Micro Four Thirds cameras. With excellent bokeh and rendering, this is a fantastic lens for photographers seeking that classic look with shallow depth at a very reasonable price.

Meike 50mm f1.7 Review & Sample Photos

The Meike 50mm f1.7 is fully manual full frame mirrorless lens available in just about any mirrorless mount. Optically it's just a decent lens, but Meike lenses are more known for their classic rendering with a bit more character. This lens features a 12 blade aperture for smooth bokeh even at slower apertures, a 6 element optical formula for that smoother tonal depth and better micro-contrast, and an all-metal construction for long term reliability. It's well suited for photographers looking for a decent lens that is capable of handling just about any situation and don't want to spend a ton of cash.

Sony A6400 Review – One Of My Favorite APS-C Cameras

The Sony A6400 is a small lightweight APS-C camera designed for photographers and videographers looking to maximize versatility and image quality without compromising performance. Built like a tank, the A6400 is one of the best autofocusing cameras out there with some overall really nice specs. 11fps of continuous RAW shooting, 4k 100mbps video and a Tilting screen for selfies or vlogging. Because Sony omitted IBIS from the A6400, the camera ends up being lighter compared to the A6500 while having a battery that lasts about a full day.

Canon 35mm f1.8 Product Image

Canon RF 35mm f1.8 Review & Sample Photos

The Canon RF 35mm f1.8 is an incredibly versatile prime lens designed for the Canon RF mount. The lens features image stabilization as well as close focusing macro capabilities with silent focusing in video mode. The 35mm focal length is one of the most useful focal lengths lending itself to many different styles of photography and the f1.8 delivers very good low light performance with some very shallow depth of field. The size, weight and performance of the RF 35mm f1.8 makes it one of the most versatile and capable prime lenses out there and it's also the best value when you compare it to all the full frame mirrorless 35mm lenses available today. Canon has really stepped up their game with their non-L lenses and it really shows here.

Fujinon 35mm f1.4 vs 35mm f2

Fujifilm 35mm f1.4 vs. 35mm f2 | Lens Comparison

When deciding between the Fujinon 35mm f1.4 and the 35mm f2 there is lot to consider and a lot to compare. Both lenses have very different builds and produce very different results. Should you upgrade to the 35mm f1.4 or just stick with the f2. Or, is each lens unique enough to justify owning both? Each lens is catered for different environments and different styles of shooting and one lens isn't necessarily better than the other because they each provide a different set of features. In this comparison, I'll go over the pros and cons of each lens to help you decide which lens is best for your style of shooting. To sum it up, the 35mm f2 is really more of a casual, adventure lens while the 35mm f1.4 is more of a pro portrait lens.

SLR Magic Anamorphot-40 Review & Sample Photos

For years I've tried to find some good deals on Anamorphic lenses or adapter to shoot video and photography with and I finally found a system that's affordable and easy to use. SLR Magic started making some pretty interesting anamorphic adapter and cinema lenses and it just made sense to go down that route. The Anamorphot-50 for full frame, and the Anamorphot-40 for APS-C and even the Anamorphot-40 compact are all modern designs that work very well if you can pair them with the right lens. This is my first impressions / review of the Anamorphot-40 1.33x with sample photo showing how I've used it for photography.

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