This is a massive list of all the Fujifilm XF lenses available today for the X mount. This includes all native lenses by Fujifilm or Fujinon and all third-party lenses.
You can also easily adapt PL mount lenses to the Fujifilm FX system, and Fujifilm even makes some PL lenses. Check out the PL Cine Lens List.
Table Of Contents
- Fujifilm’s Official Fujinon Lenses
- Third-Party Autofocus Lenses
- third-party Fujifilm x mount lenses
- American Lens Companies
- German Lens Companies
- Korean Lens Companies
- Swiss Lens Companies
- Japanese Lens Companies
- Chinese Third-Party Lens Companies
- 7Artisans Lenses for Fujifilm
- Astra Labs
- AstrHori Lenses
- Brightin Star Lenses
- Funleader
- KamLan XF Lenses for Fujifilm
- Kipon X-Mount Lenses For Fujifilm
- Meike Lenses
- Mitakon / ZY Optics Lenses
- NiSi Lenses
- Opteka Lenses
- Pergear Lenses
- Sirui XF Lenses
- SLR Magic Cine Lenses
- TTArtisan Lenses
- Thypoch FX Lenses
- Venus Optics Laowa Lenses For Fujifilm
- Using Leica Lenses On Your Fujifilm
- Using Vintage Lenses With Fujifilm
Fujifilm’s Official Fujinon Lenses
A few things to know about autofocus and older Fujifilm lenses: Starting with any lens made around the time or after the Fujinon 16-55mm, Fujifilm has updated the lens microcomputer for faster contrast AF. I’ve labeled this as Fast C AF. Faster contrast autofocus will mean the lens autofocus will have better overall performance since it will be much better in low-light or high-frequency situations when contrast AF is used.
List Of Fujifilm Prime Lenses
A list of all the Fuji Prime Lenses available for the X mount.
Fujifilm XC lenses are X-mount kit lenses for entry-level consumer cameras. They are often made in China and use cheaper materials, such as plastic mounts, which helps lower the price.
Lens Name | Formula | MTF | Weather Sealed | IS | Fast AF | FF Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Prime Lenses | Prime | no,yes | no,yes | no,yes | |||||||||
FUJIFILM 8mm f3.5 R WR | ![]() | ![]() | Prime | yes | no | yes | 12mm | -- | -- | -- | Ø62mm | 7.6 oz / 215 g | Amazon / Adorama / B&H |
FUJIFILM 14mm f2.8 R | ![]() | ![]() | Prime | no | no | No | 21mm | 7.09" / 18 cm | 10/7 | 7R | Ø58mm | Amazon / Adorama / B&H | |
FUJIFILM 16mm f1.4 R WR | Prime | yes | no | No | 24mm | 5.91" / 15 cm | 13/11 | 9R | Ø67mm | 13.23 oz / 375 g | Amazon / Adorama / B&H | ||
FUJIFILM 16mm f2.8 R WR | Prime | yes | no | Yes | 24mm | 6.69" / 17 cm | 10/8 | 9R | Ø49mm | 5.5 oz / 155 g | Amazon / Adorama / B&H | ||
FUJIFILM 18mm f1.4 LM WR | Prime | yes | no | Yes | 27mm | 7.9" / 20 cm | 15/9 | 9R | Ø62mm | 13.1 oz / 370 g | Amazon / Adorama / B&H | ||
FUJIFILM 18mm f2.0 R | Prime | no | no | No | 27mm | 7.09" / 18 cm | 8/7 | 7R | Ø52mm | 4.09 oz / 116 g | Amazon / Adorama / B&H | ||
FUJIFILM 23mm f1.4 R | Prime | no | no | No | 35mm | 11.02" / 28 cm | 11/8 | 7 | Ø62mm | 10.58 oz / 300 g | Amazon / B&H | ||
FUJIFILM 23mm f1.4 R LM WR | Prime | yes | no | Yes | 35mm | 7.5" / 19 cm | 15/10 | 9R | Ø58mm | 13.2 oz / 375 g | Amazon / Adorama / B&H | ||
FUJIFILM 23mm f2 R WR | Prime | yes | no | Yes | 35mm | 8.66" / 22 cm | 10/6 | 9R | Ø43mm | 6.35 oz / 180 g | Amazon / Adorama / B&H | ||
FUJIFILM 27mm f2.8 R WR | Prime | yes | no | Yes | 41mm | 1.12' / 34 cm | 7/5 | 7R | Ø39mm | 3 oz / 84 g | Amazon / Adorama / B&H | ||
FUJIFILM 30mm f2.8 R LM WR Macro | Prime | yes | no | Yes | 45mm | 3.9" / 10 cm | 11/9 | 9R | Ø43mm | 6.9 oz / 195 g | Amazon / Adorama / B&H | ||
FUJIFILM 33mm f1.4 R LM WR | Prime | yes | no | Yes | 50mm | 11.8" / 30 cm | 15/10 | 9R | Ø58mm | 12.7 oz / 360 g | Amazon / Adorama / B&H | ||
FUJIFILM 35mm f1.4 R | Prime | no | no | No | 53mm | 11.02" / 28 cm | 8/6 | 7R | Ø52mm | 6.6 oz / 187 g | Amazon / Adorama / B&H | ||
FUJIFILM 35mm f2.0 R WR | Prime | yes | no | Yes | 53mm | 1.15' / 35 cm | 9/6 | 9R | Ø43mm | 6 oz / 170 g | Amazon / Adorama / B&H | ||
FUJIFILM 50mm f1 R WR | Prime | yes | no | Yes | 75mm | 2.3' / 70 cm | 12/9 | 9R | Ø77mm | 1.86 lb / 845 g | Amazon / Adorama / B&H | ||
FUJIFILM 50mm f2 R WR | Prime | yes | no | Yes | 75mm | 1.28' / 39 cm | 9/7 | 9R | Ø46mm | 7.05 oz / 200 g | Amazon / Adorama / B&H | ||
FUJIFILM 56mm f1.2 R APD | Prime | no | no | No | 85mm | 2.3' / 70 cm | 11/8 | 7R | Ø62mm | 14.29 oz / 405 g | Amazon / Adorama / B&H | ||
FUJIFILM 56mm f1.2 R | Prime | no | no | No | 85mm | 2.3' / 70 cm | 11/8 | 7R | Ø62mm | 14.29 oz / 405 g | Amazon / Adorama / B&H | ||
FUJIFILM 56mm f1.2 R WR | Prime | yes | no | Yes | 85mm | 1.6' / 50 cm | 13/8 | 11R | Ø67mm | 15.7 oz / 445 g | Amazon / Adorama / B&H | ||
FUJIFILM 60mm f2.4 R Macro | Prime | no | no | No | 90mm | 10.51" / 26.7 cm | 10/8 | 9R | Ø39mm | 7.58 oz / 215 g | Amazon / Adorama / B&H | ||
FUJIFILM 80mm f2.8 R LM OIS WR Macro | Prime | yes | yes | Yes | 120mm | 9.84" / 25 cm | 16/12 | 9R | Ø62mm | 1.65 lb / 750 g | Amazon / Adorama / B&H | ||
FUJIFILM 90mm f2.0 R LM WR | Prime | yes | no | Yes | 137mm | 1.97' / 60 cm | 11/8 | 7R | Ø62mm | 1.19 lb / 540 g | Amazon / Adorama / B&H | ||
FUJIFILM 200mm f2 LM OIS WR | Prime | yes | Yes | Yes | 300mm | 5.91' / 1.8 m | 19/14 | 9R | Ø105mm | 4.98 lb / 2265 g | Amazon / Adorama / B&H | ||
XC Kit Lenses | Zoom, Prime | no | no,yes | no,yes | |||||||||
FUJIFILM XC 35mm f2 | Prime | no | no | yes | 52.5mm | 1.15' / 35 cm | 9/6 | 9R | Ø43mm | 4.59 oz / 130 g | Amazon / Adorama / B&H | ||
Little Secret Lens | Prime | no | no | no | |||||||||
Fujifilm XM-FL 24mm f8 | Prime | no | no | no | 36mm | -- | 4/4 | -- | -- | -- |
List Of Fujifilm Zoom Lenses
A list of all the Fuji Zoom Lenses available for the X mount.
Fujifilm has a comprehensive list of zoom lenses and several kit lenses.
Lens Name | Formula | MTF | Weather Sealed | IS | Fast AF | FF Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Zoom Lenses | Zoom | no,yes | no,yes | no,yes | |||||||||
FUJIFILM 8-16mm f2.8 R LM WR | Zoom | Yes | No | Yes | 12-24mm | 9.84" / 25 cm | 20/13 | 9R | -- | 1.8 lb / 805 g | Amazon / Adorama / B&H | ||
FUJIFILM 10-24mm f4 R OIS WR | Zoom | Yes | Yes | Yes | 15-36mm | 9.4" / 24 cm | 14/10 | 7R | Ø72mm | 13.6 oz / 385 g | Amazon / Adorama / B&H | ||
FUJIFILM 16-55mm f2.8 R LM WR | Zoom | Yes | No | Yes | 24-84mm | 11.81" / 30 cm | 17/12 | 9R | Ø77mm | 1.44 lb / 655 g | Amazon / Adorama / B&H | ||
FUJIFILM 16-55mm f2.8 R LM WR II | Zoom | Yes | No | Yes | 24-84mm | 1' / 30 cm | 16/11 | 11R | Ø72mm | 14.5 oz / 410 g | Amazon / Adorama / B&H | ||
FUJIFILM 16-80mm f4 OIS WR | Zoom | Yes | Yes | Yes | 24-120mm | 1.15' / 35 cm | 16/12 | 9R | Ø72mm | 15.52 oz / 440 g | Amazon / Adorama / B&H | ||
FUJIFILM 18-55mm f2.8-f4.0 R LM OIS | Zoom | No | Yes | No | 27-84mm | 11.81" / 30 cm | 14/10 | 7R | Ø58mm | 10.93 oz / 310 g | Amazon / Adorama / B&H | ||
FUJIFILM 18-120mm f4 R LM PZ WR | Zoom | Yes | No | Yes | 27-180mm | 2' / 60 cm | 15/12 | 7R | Ø72mm | 1 lb / 470 g | Amazon / Adorama / B&H | ||
FUJIFILM 18-135mm f3.5-f5.6 R LM OIS WR | Zoom | Yes | Yes | No | 27-206mm | 1.48' / 45 cm | 16/12 | 7R | Ø67mm | 1.08 lb / 490 g | Amazon / Adorama / B&H | ||
FUJIFILM 50-140mm f2.8 R LM OIS WR | Zoom | Yes | Yes | Yes | 76-214mm | 3.28' / 1 m | 23/16 | 7R | Ø72mm | 2.19 lb / 995 g | Amazon / Adorama / B&H | ||
FUJIFILM 55-200mm f3.5-f4.8 R LM OIS | Zoom | No | Yes | No | 83-300mm | 3.61' / 1.1 m | 14/10 | 7R | Ø62mm | 20.46 oz / 580 g | Amazon / Adorama / B&H | ||
FUJIFILM 70-300mm f4-5.6 R LM OIS WR | Zoom | Yes | Yes | Yes | 107-457mm | 2.7' / 83 cm | 17/12 | 9R | Ø67mm | 1.3 lb / 588 g | Amazon / Adorama / B&H | ||
FUJIFILM 100-400mm f4.5-f5.6 R LR OIS WR | Zoom | Yes | Yes | Yes | 150-600mm | 5.74' / 1.75 m | 21/14 | 9R | Ø77mm | 3.03 lb / 1375 g | Amazon / Adorama / B&H | ||
FUJIFILM 150-600mm f5.6-f8 R LM OIS WR | Zoom | Yes | Yes | Yes | 229-914mm | 7.9' / 2.4 m | 24/17 | 9R | Ø82mm | 3.5 lb / 1605 g | Amazon / Adorama / B&H | ||
XC Kit Lenses | Zoom, Prime | no | no,yes | no,yes | |||||||||
FUJIFILM XC 15-45mm f3.5-5.6 OIS PZ | Zoom | no | yes | yes | 22.5-67.5mm | 5.11" / 13 cm | 10/9 | 7R | Ø52mm | 4.76 oz / 135g | Amazon / Adorama | ||
FUJIFILM XC 16-50mm f/3.5-5.6 OIS II | Zoom | no | yes | yes | 24-75mm | -- | -- | 7 | Ø58mm | -- | Amazon | ||
FUJIFILM XC 50-230mm f/4.5-6.7 OIS II | Zoom | no | yes | yes | 75-345mm | 3.61' / 1.1 m | 13/10 | 7R | Ø58mm | -- | Amazon / Adorama / B&H |
Lens Codes, What Do They All Mean?
WR: WR means weather-sealed. Rubber gaskets seal the lens and are resistant to dust and light weather effects. However, to be genuinely weather-sealed, you’ll often need a protective UV filter to seal the front element.
OIS: Optical Image stabilization. The IBIS system and the lens stabilization will work together intelligently to provide enhanced stabilization.
APD: One of Fujifilm’s lenses uses an anodization filter. This clear internal filter gradually darkens towards its edges, helping improve the Bokeh.
LM: The LM stands for linear focus motor. This differs from the ultrasonic autofocus or stepping motors found in some lenses.
R: This means your lens will have an aperture ring. Most Fujinon lenses now have aperture rings.
Macro: Macro refers to the lens’s ability to focus closeup. You’ll also need to pay attention to the macro lens’s magnification, such as 2:1 or 1:1, to get a sense of its capabilities.
Lens Comparisons
I’ll be expanding this section and comparing all the relevant lenses.
Fujifilm 23mm f1.4 vs. Fujifilm 23mm f2 Lens Comparison
Fujifilm 35mm f1.4 vs Fujifilm 35mm f2 Lens Comparison
Third-Party Autofocus Lenses
Third-party options are available if you’re looking for autofocus lenses to pair with your Fuji X-Mount camera. While some lens manufacturers, such as Tokina, have partnered with Fujifilm to provide official and licensed autofocus protocols, other brands may deliver varying results. So be sure to check reviews before investing in one of these lenses.
Many brands are now making autofocus Fuji XF lenses, so I’ll have to figure out a new way to organize this. Watch 7Artisans, TTArtisans, and Meike to see if they have more autofocus options.
Meike Autofocus Lenses
Meike has introduced several APS-C X Mount autofocus lenses and offers a wider range for other systems, such as the Full Frame E mount and Nikon Z systems, indicating its commitment to expanding its autofocus lens lineup.
Meike X Mount Autofocus Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Meike FX 33mm f1.4 AF | photo | no | yes | APS-C | 33 | 49.5 | 15.7" / 0.4 m | 12/9 | 9 | Ø55mm | 11.1 oz / 314.5 g | Amazon / B&H |
Meike FX 55mm f1.4 AF | photo | no | yes | APS-C | 55 | 82.5 | 2' / 61 cm | 11/8 | 9 | Ø52mm | 10.1 oz / 286 g | Amazon / B&H |
Meike FX 85mm f1.8 AF | photo | no | yes | FF | 50 | 75 | 33.5" / 85 cm | 9/6 | 9R | Ø67mm | 13.6 oz / 386 g | Amazon / B&H |
Samyang Autofocus Lenses
Samyang has expanded its line of autofocus lenses for the Fujifilm X mount. The list below displays options for purchasing a Samyang lens for your Fujifilm camera.
Optically, I find Samyang to be very good. They use great glass and have good coatings, but their tolerances are not quite as good as those from Fujifilm. This may lead to some copy-to-copy variation. However, most companies are continually improving and investing in new equipment.
Samyang/Rokinon AF X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Samyang X AF 12mm f2 | photo | yes | yes | APS-C | 12 | 18 | 7.48" / 19 cm | 12/10 | 7 | Ø62mm | 7.5 oz / 213 g | Amazon / B&H |
Samyang X AF 75mm f1.8 | photo | no | yes | APS-C | 75 | 112.5 | 27.2" / 69 cm | 10/9 | 9R | Ø62mm | 9.1 oz / 257 g | Amazon / B&H |
Sigma Autofocus Lenses
Sigmas Website: Sigma-Global.com – You can learn more about Sigma lenses at the official Sigma website
With the addition of fully electronic autofocus lenses for the Fujifilm X Mount, Sigma now caters to Fujifilm shooters.
Sigma is a Japanese company whose lenses and cameras are generally considered high quality. Sigma takes a more modern approach to lens design by improving optical IQ as much as possible. Some photographers love Sigma lenses, while others think they are too clinical.
Here is the list of all the available Sigma lenses for Fujifilm.
Sigma X Mount Autofocus Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Mirrorless Design | photo | no, yes | no, yes | FF/APS-C | ||||||||
Sigma FX 16mm f1.4 DC DN | photo | no | yes | APS-C | 16 | 24 | 9.8" / 25 cm | 16/13 | 9R | Ø67mm | 14.29 oz / 405 g | Amazon / B&H |
Sigma FX 23mm f1.4 DC DN C | photo | no | yes | APS-C | 23 | 34.5 | 9.8" / 25 cm | 13/10 | 9 | Ø52mm | 11.6 oz / 330 g | Amazon / B&H |
Sigma FX 30mm f1.4 DC DN | photo | no | yes | APS-C | 30 | 45 | 11.81" / 30 cm | 9/7 | 9R | Ø52mm | 9.35 oz / 265 g | Amazon / B&H |
Sigma FX 56mm f1.4 DC DN | photo | no | yes | APS-C | 56 | 84 | 1.64' / 50 cm | 10/6 | 9R | Ø55mm | 9.88 oz / 280 g | Amazon / B&H |
Zoom Lenses | photo | no, yes | no, yes | FF/APS-C | ||||||||
Sigma FX 10-18mm f2.8 DC DN | photo | yes | yes | APS-C | 10-18 | 15-27 | 4.6" / 11.7 cm | 13/10 | 7R | Ø67mm | 9 oz / 255 g | Amazon / B&H |
Sigma FX 16-300mm f3.5-6.7 DC OS | photo | yes | yes | APS-C | 16-300 | 24-450 | 6.7" / 17 cm | 20/14 | 9R | Ø67mm | 21.7 oz / 615 g | B&H |
Sigma FX 18-50mm f2.8 DC DN | photo | no | yes | APS-C | 18-50 | 27-75 | 4.8" / 12.1 cm | 13/10 | 7R | Ø55mm | 10.2 oz / 290 g | Amazon / B&H |
Sigma FX 100-400mm f5-6.3 DG DN OS | photo | no | yes | FF | 100-400 | 150-600 | 3.61' / 1.1 m | 22/16 | 9R | Ø67mm | 2.5 lb / 1135 g | Amazon / B&H |
Sirui Autofocus Lenses
Sirui makes a few nice APS-C autofocus lenses for the Fujifilm X mount systme.
Sirui X Mount AF Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Sirui FX Sniper 16mm f1.2 AF | photo | no | yes | S35/APS-C | 16 | 24 | 11.8" / 30 cm | 14/5 | 13 | Ø58mm | 0.8 lb / 386 g | B&H |
Sirui FX Sniper 23mm f1.2 AF | photo | no | yes | S35/APS-C | 23 | 34.5 | 11.8" / 0.3 m | 12/11 | 11 | Ø58mm | 13.4 oz / 380 g | Amazon / B&H |
Sirui FX Sniper 33mm f1.2 AF | photo | no | yes | S35/APS-C | 33 | 49.5 | 15.7" / 40 cm | 11/10 | 11 | Ø58mm | 14.1 oz / 400 g | Amazon / B&H |
Sirui FX Sniper 56mm f1.2 AF | photo | no | yes | S35/APS-C | 56 | 84 | 23.6" / 0.6 m | 12/11 | 11 | Ø58mm | 14.8 oz / 419 g | Amazon / B&H |
Sirui FX Sniper 75mm f1.2 AF | photo | no | yes | S35/APS-C | 75 | 112.5 | 27.6" / 70 cm | 13/9 | 15 | -- | 16.4 oz / 466 g | B&H |
Sirui FX Aurora 85mm f1.4 AF | photo | no | yes | FF | 85 | 127.5 | 2.79' / 85.04 cm | 14/9 | 15 | Ø67mm | 1.2 lb / 540 g | Amazon / B&H |
Tamron Autofocus Lenses For Fuji
Tamrons Website: Tamron-USA.com – Check their website for any additional information.
Tamron’s autofocus XF lenses for Fuji are now available with AF protocols. These lenses provide users with various interchangeable options to suit their shooting needs.
Tamron lenses are generally well-received and good enough for Nikon to use their OEM lenses for its own brand. In other words, sometimes Nikon uses rebadged Tamron lenses. Build quality is not quite up there with the Fujifilm X-mount lenses, but these lenses get the job done.
Tamron X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Zooms | zoom | no, yes | no, yes | FF/S35/APS-C | -- | -- | -- | -- | -- | -- | -- | |
Tamron FX 11-20mm f2.8 Di III-A RXD | zoom | yes | yes | APS-C | 11,20 | 16.5-30mm | 5.9" / 15 cm | 12/10 | 7R | Ø67mm | 11.8oz / 335g | Amazon / B&H |
Tamron FX 17-70mm f2.8 Di III-A VC RXD | zoom | yes | yes | APS-C | 17,70 | 25.5-105mm | 7.5" / 19 cm | 16/12 | 9R | Ø67mm | 1.2lb / 525g | Amazon / B&H |
Tamron FX 18-300mm f3.5-6.3 Di III-A VC VXD | zoom | yes | yes | APS-C | 18,300 | 27-450mm | 5.9" / 15 cm | 19/5 | 7R | Ø67mm | 21.9oz / 620g | Amazon / B&H |
Tamron FX 150-500mm f5-6.7 Di III VXD | zoom | yes | yes | FF | 150,500 | 225-750mm | 23.6" / 60 cm | 25/16 | 7R | Ø82mm | 4.14lb / 1.88kg | Amazon / B&H |
Tokina Autofocus Lenses For Fuji
Tokina’s Official Website: TokinaLens.com
Tokina has a line of atx-m lenses for Fujifilm. While these share the same optical formulas as the Viltrox lenses, the lenses themselves are slightly different. They have better builds and Tokina’s coatings and may have better AF since they use the official Fujifilm XF Lens protocols.
Tokina X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Photo Primes | photo | no | no,yes | FF/APS-C | -- | -- | -- | -- | -- | -- | -- | |
Tokina FX 8mm f2.8 Fisheye | photo | no | no | APS-C | 8 | 12 | 3.9" / 10 cm | 11/9 | -- | none | 9.9 oz / 280 g | Amazon / B&H |
Tokina FX 23mm f1.4 ATX-M | photo | no | yes | APS-C | 23 | 34.5 | 11.8" / 30 cm | 11/10 | 9 | Ø52mm | 9.7 oz / 276 g | Amazon / B&H |
Tokina FX SZ 33mm f1.2 MF | photo | no | no | APS-C | 33 | 49.5 | 19.7" / 0.5 m | 9/7 | 11 | Ø62mm | 21.3 oz / 605 g | Amazon / B&H |
Tokina FX 33mm f1.4 ATX-M | photo | no | yes | APS-C | 33 | 49.5 | 1.3' / 40 cm | 10/9 | 9 | Ø52mm | 10.1 oz / 285 g | Amazon / B&H |
Tokina FX 56mm f1.4 ATX-M | photo | no | yes | APS-C | 56 | 84 | 23.6" / 0.6 m | 10/9 | 9 | Ø52mm | 11.1 oz / 315 g | Amazon / B&H |
Tokina FX SZ 300mm f8 Reflex | photo | no | yes | APS-C | 300 | 450 | -- | -- | -- | -- | -- | Amazon / B&H |
Tokina FX SZX 400mm f8 Reflex 1x | photo | no | no | FF | 400 | 600 | 45.28" / 1.15 m | 6/5 | 0 | Ø67mm | 12.52 oz / 355 g | B&H |
Tokina FX SZ 500mm f8 Reflex | photo | no | no | FF | 500 | 750 | 5.6' / 1.7 m | 7/7 | 0 | Ø72mm | 10.9 oz / 310 g | Amazon / B&H |
Tokina FX SZ 600mm f7.1 Reflex | photo | no | no | APS-C | 600 | 900 | -- | -- | -- | -- | -- | Amazon / B&H |
Tokina FX SZ 900mm f11 Reflex | photo | no | no | APS-C | 900 | 1350 | -- | -- | -- | -- | -- | Amazon / B&H |
Tokina FX 11-18mm f2.8 ATX-M | photo | no | yes | APS-C | 11,18 | 16.5-27mm | 7.5" / 19 cm | 13/11 | 9R | Ø67mm | 11.8 oz / 335 g | B&H |
Viltrox Autofocus Lenses
Viltrox Officla Website: Viltrox.com You can check the official Viltrox website for any new products or current deals.
Viltrox has been making autofocus lenses for Fujifilm and other brands for a while now. Some early models were not as good as the official Fujifilm lenses, but they have improved. I’ve enjoyed shooting on some Viltrox lenses and would never hesitate to buy one.
Some of their lenses are specifically designed for APS-C, and some are made for Full Frame. So, for APS-C shooters, you can sometimes end up with a lens slightly larger than it needs to be.
Viltrox X Mount Lenses | AF | Focal Length | FF Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Viltrox FX AF 13mm f1.4 | photo | no | yes | APS-C | 13 | 19.5 | 8.7" / 22 cm | 14/11 | 9 | Ø67mm | 14.8 oz / 420 g | Amazon / B&H |
Viltrox FX AF 23mm f1.4 | photo | no | yes | APS-C | 23 | 34.5 | 11.81" / 30 cm | 11/10 | 9 | Ø52mm | 9.17 oz / 260 g | Amazon / B&H |
Viltrox FX AF 27mm f1.2 | photo | no | yes | APS-C | 27 | 40.5 | 11" / 27.9 cm | 15/11 | 11 | Ø67mm | 1.2 lb / 560 g | Amazon / B&H |
Viltrox FX AF 28mm f4.5 | photo | no | yes | FF | 28 | 42 | 1.1' / 34 cm | 6/6 | 2.1 oz / 60 g | Amazon / B&H | ||
Viltrox FX AF 33mm f1.4 | photo | no | yes | APS-C | 33 | 49.5 | 1.31' / 40 cm | 10/9 | 9 | Ø52mm | 9.52 oz / 270 g | Amazon / B&H |
Viltrox FX AF 56mm f1.4 | photo | no | yes | APS-C | 56 | 84 | 2' / 60 cm | 10/8 | 9 | Ø52mm | 10.2 oz / 290 g | Amazon / B&H |
Viltrox FX AF 56mm f1.7 | photo | no | yes | APS-C | 56 | 84 | 21.7" / 55 cm | 11/9 | 9 | Ø52mm | 6.6 oz / 187 g | Amazon / B&H |
Viltrox FX AF 75mm f1.2 | photo | no | yes | APS-C | 75 | 112.5 | 34.6" / 88 cm | 16/11 | 11 | Ø77mm | 23.6 oz / 670 g | Amazon / B&H |
Viltrox FX AF 85mm f1.8 II | photo | no | yes | FF | 85 | 127.5 | 2.62' / 80 cm | 10/7 | 9R | Ø72mm | 1.06 lb / 484 g | Amazon / B&H |
Zeiss Autofocus Lenses
Zeiss is one of the top German lens manufacturers, with build quality that’s just about up there with Voigtlander and Leica. They make some fantastic lenses, but unfortunately, only three are available for Fujifilm. Of course, you can always buy Zeiss M-Mount lenses and adapt them to your Fujifilm, but you won’t get autofocus as you will with Touit lenses.
ZEISS X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Zeiss X Touit 12mm f2.8 | photo,prime | no | yes | APS-C | 18 | 27 | 7.09" / 18 cm | 11/8 | 9 | Ø67mm | 9.17 oz / 260 g | Amazon / B&H |
Zeiss X Touit 32mm f1.8 | photo,prime | no | yes | APS-C | 32 | 48 | 11.81" / 30 cm | 8/5 | 9 | Ø52mm | 7.41 oz / 210 g | Amazon / B&H |
Zeiss X Touit 50mm f2.8 | photo,prime | no | yes | APS-C | 50 | 75 | 5.91" / 15 cm | 14/11 | 9 | Ø52mm | 10.23 oz / 290 g | Amazon / B&H |
third-party Fujifilm x mount lenses
This list shows all the companies that make Fuji third-party lenses. These lenses are mostly manual-focused, although more companies are now making Autofocus lenses, such as the Viltrox, Tokina, Zeiss, 7Artisans, Meike, and more.
American Lens Companies
Lensbaby XF Lenses
Lensbaby is an American company that has been around since 2004. They make these cool little specialty lenses with bellows, balls, and sockets. Their lenses are designed mostly for fun or photographic artistry because of the unique looks they produce.
Lensbaby X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Lensbaby FX 12mm Fisheye | photo | no | no | FF | 12 | 18 | -- | -- | -- | -- | -- | B&H | |
Lensbaby FX Sweet 22mm f3.5 | photo | no | no | FF | 22 | 33 | -- | -- | -- | Ø67mm | -- | B&H | |
Lensbaby FX Velvet 28mm f2.5 1:2 Macro | photo | no | no | FF | 28 | 42 | 2" / 5.1 cm | 8/7 | 12 | Ø67mm | 1.31 lb / 594.2 g | Amazon / B&H | |
Lensbaby FX Trio 28mm f3.5 | photo | no | no | FF | 28 | 42 | 8" / 20.3 cm | 4/3 | -- | Ø46mm | 4.9 oz / 139 g | Amazon / B&H | |
Lensbaby FX Burnside 35mm f2.8 | photo | no | no | FF | 35 | 52.5 | 6" / 15.2 cm | 6/4 | 8R | Ø62mm | 13.2 oz / 374 g | B&H | |
Lensbaby FX Composer Pro II + Sweet 35mm f2.5 | photo | no | no | FF | 35 | 52.5 | 7.5" / 19.05 cm | 4/3 | 12 | Ø46mm | 7.3 oz / 206.96 g | B&H | |
Lensbaby FX Composer Pro II + Edge 35mm f3.5 | photo | no | no | FF | 35 | 52.5 | 7" / 17.8 cm | 9/6 | 8 | -- | 15.5 oz / 439.4 g | B&H | |
Lensbaby FX Sol 45mm f3.5 | photo | no | no | FF | 45 | 67.5 | 14" / 35.6 cm | 3/2 | 2 | Ø46mm | 9.6 oz / 272.2 g | Amazon / B&H | |
Lensbaby FX Composer Pro II + Double Glass II 50mm f2.5 | photo | no | no | FF | 50 | 75 | 15" / 380 mm | 2/1 | 12 | Ø46mm | 12.6 oz / 357.4 g | B&H | |
Lensbaby FX Composer Pro II + Soft Focus II 50mm f2.5 | photo | no | no | FF | 50 | 75 | 15" / 38.1 cm | 2/1 | 12 | Ø46mm | B&H | ||
Lensbaby FX Composer Pro II + Sweet 50mm f2.5 | photo | no | no | FF | 50 | 75 | 15" / 38.1 cm | 2/1 | 12 | Ø46mm | 6.1 oz / 172.9 g | B&H | |
Lensbaby FX Composer Pro II + Edge 50mm f3.2 | photo | no | no | FF | 50 | 75 | 8" / 20.32 cm | 8/6 | 9 | Ø46mm | 10 oz / 283 g | Amazon / B&H | |
Lensbaby FX Spark 2.0 + Sweet 50 f2.5 | photo | no | no | FF | 50 | 75 | 1.1' / 33 cm | 2/1 | 12 | Ø46mm | 6.5 oz / 183 g | Amazon / B&H | |
Lensbaby FX Obscura 50 Pinhole/Zone Plate | photo | no | no | FF | 50 | 75 | 0.04" / 1.02 mm | -- | -- | -- | -- | B&H | |
Lensbaby FX Velvet 56mm f1.6 Macro | photo | no | no | FF | 56 | 84 | 5" / 12.7 cm | 4/3 | -- | Ø62mm | 14.1 oz / 400 g | B&H | |
Lensbaby FX Composer Pro II + Twist 60 f2.5 | photo | no | no | FF | 60 | 90 | 18" / 45.7 cm | 4/3 | 12 | Ø46mm | -- | B&H | |
Lensbaby FX Velvet 85mm f1.8 Macro | photo | no | no | FF | 85 | 127.5 | 9.5" / 24.1 cm | -- | 12 | Ø67mm | 1.4 lb / 643.5 g | Amazon / B&H | |
Lensbaby FX Composer Pro II + Edge 80mm | photo | no | no | FF | 85 | 127.5 | 1.4' / 43.2 cm | 5/4 | 12 | Ø46mm | 13.6 oz / 385.6 g | B&H | |
Lensbaby FX Composer Pro II + Sweet 80 f2.8mm | photo | no | no | FF | 85 | 127.5 | 1.8' / 55.9 cm | 4/2 | 12 | Ø46mm | 10.7 oz / 303.3 g | Amazon / B&H |
German Lens Companies
Meyer Optik Görlitz Lenses for Fujifilm
Meyer Optik Görlitz has been in the lens-making business since 1896. They make some of the finest German-built lenses; some would say they are equal to Zeiss. These lenses are all manual.
Some of their lenses, like the 100mm f2.8 and 58 f1.9, produce the most beautiful soap-bubble bokeh you’ll ever see.
Meyer Optik Gorlitz X Mount Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Lydith FX 30mm f3.5 II | photo | no | no | FF | 30 | 45 | 6.3" / 16 cm | 5/5 | 12 | Ø52mm | 9.5 oz / 270 g | B&H |
Trioplan FX 35mm f2.8 II | photo | no | no | FF | 35 | 52.5 | 7.9" / 0.2 m | -- | 12 | Ø52mm | 10.6 oz / 300 g | B&H |
Trioplan FX 50mm f2.8 II | photo | no | no | FF | 50 | 75 | 15.7" / 0.4 m | 3/3 | 12R | Ø52mm | -- | B&H |
Biotar FX 58mm f1.5 II | photo | no | no | FF | 58 | 87 | 27.6" / 0.7 m | -- | 14 | Ø52mm | -- | B&H |
Primoplan FX 58mm f1.9 II | photo | no | no | FF | 58 | 87 | 1.97' / 60 cm | 5/4 | 14 | Ø52mm | -- | B&H |
Biotar FX 75mm f1.5 II | photo | no | no | FF | 75 | 112.5 | 29.5" / 75 cm | 6/4 | 15 | Ø62mm | -- | B&H |
Primoplan FX 75mm f1.9 II | photo | no | no | FF | 75 | 112.5 | 2.46' / 75 cm | 5/4 | 15R | Ø52mm | -- | B&H |
Trioplan FX 100mm f2.8 II | photo | no | no | FF | 100 | 150 | 2.95' / 89.92 cm | 3/3 | 15 | Ø52mm | -- | B&H |
Korean Lens Companies
Samyang / Rokinon XF Lenses
I own several Rokinon or Samyang lenses and have had a great experience with them. I use that 10mm on my X-T3 as an ultra-wide landscape lens, which works well. It is better than the 10mm end to Fujifilm 10-24mm, but it does have some color cast and vignetting, which will be typical with Rokinon Lenses.
If you’re looking for the best, fast, manual-focus Fuji X lenses, Rokinon / Samyang has some great options.
The 85mm f1.4, 100mm f2.8, 135mm f2, and 300mm f6.3 are full-frame lenses, so they are rather large.
Samyang/Rokinon X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Samyang X 8mm f2.8 Fisheye II | photo | no | no | APS-C | 8 | 12 | 11.81" / 30 cm | 11/8 | -- | none | 9.7 oz / 275 g | Amazon / B&H |
Rokinon X 8mm f3.5 AS MC Fisheye CS II | photo | no | no | APS-C | 8 | 12 | 11.81" / 30 cm | 10/7 | -- | none | 18.2 oz / 516 g | Amazon / B&H |
Samyang X 10mm f2.8 ED AS MCS CS | photo | no | no | APS-C | 10 | 15 | 9.45" / 24 cm | 14/9 | -- | none | 1.38 lb / 625 g | Amazon / B&H |
Samyang X 12mm f2 NCS CS | photo | no | no | APS-C | 12 | 18 | 7.87" / 20 cm | 12/10 | 6 | Ø67mm | 9.17 oz / 260 g | Amazon / B&H |
Samyang X AF 12mm f2 | photo | yes | yes | APS-C | 12 | 18 | 7.48" / 19 cm | 12/10 | 7 | Ø62mm | 7.5 oz / 213 g | Amazon / B&H |
Samyang X 14mm f2.8 ED AS IF UMC | photo | no | no | FF | 14 | 21 | 11.02" / 28 cm | 14/10 | -- | none | 20.11 oz / 570 g | Amazon / B&H |
Samyang X 14mm f2.8 II WS | photo | yes | no | FF | 14 | 21 | 11.02" / 28 cm | 14/10 | 9 | none | 1.56 lb / 708 g | B&H |
Samyang X 16mm f2 ED AS UMC CS | photo | no | no | APS-C | 16 | 24 | 7.87" / 20 cm | 13/11 | -- | Ø77mm | 1.35 lb / 615 g | B&H |
Samyang X 20mm f1.8 | photo | no | no | FF | 20 | 30 | 7.87" / 20 cm | 13/12 | 7R | Ø77mm | 1.16 lb / 525 g | B&H |
Rokinon X 21mm f1.4 | photo | no | no | APS-C | 21 | 31.5 | 11.81" / 30 cm | 8/7 | 9R | Ø58mm | 10.23 oz / 290 g | B&H |
Rokinon X 35mm f1.2 ED AS UMC CS | photo | no | no | APS-C | 35 | 52.5 | 1.25' / 38 cm | 9/7 | 9R | Ø62mm | 15.27 oz / 433 g | Amazon / B&H |
Rokinon X 35mm f1.4 AS UMC | photo | no | no | FF | 35 | 52.5 | 11.81" / 30 cm | 12/10 | 8R | Ø77mm | 1.72 lb / 780 g | B&H |
Samyang X 50mm f1.2 CSC | photo | no | no | APS-C | 50 | 75 | 1.64' / 50 cm | 9/7 | 9R | Ø62mm | 13.4 oz / 380 g | Amazon / B&H |
Samyang X AF 75mm f1.8 | photo | no | yes | APS-C | 75 | 112.5 | 27.2" / 69 cm | 10/9 | 9R | Ø62mm | 9.1 oz / 257 g | Amazon / B&H |
Samyang X MF 85mm f1.4 IF | photo | no | no | FF | 85 | 127.5 | 3.28' / 1 m | 9/6 | 8 | Ø72mm | 21.52 oz / 610 g | Amazon / B&H |
Samyang X MF 85mm f1.4 II FE WS | photo | yes | no | FF | 85 | 127.5 | 3.61' / 1.1 m | 9/7 | 9R | Ø72mm | 1.3 lb / 592 g | Amazon / B&H |
Rokinon X 85mm f1.8 | photo | no | no | APS-C | 85 | 127.5 | 2.13' / 65 cm | 9/7 | 9 | Ø62mm | 12.13 oz / 344 g | B&H |
Samyang X 100mm f2.8 ED UMC Macro | photo | no | no | FF | 100 | 150 | 1.01' / 30.7 cm | 15/12 | 9R | Ø67mm | 1.69 lb / 770 g | Amazon / B&H |
Samyang X 135mm f2.0 ED UMC | photo | no | no | APS-C | 135 | 202.5 | 2.62' / 0.8 m | 11/7 | 9R | Ø77mm | 1.94 lb / 880 g | Amazon / B&H |
Samyang X Reflex 300mm f6.3 | photo | no | no | APS-C | 300 | 450 | 2.95' / 90 cm | 9/9 | -- | none | 11.2 oz / 318 g | Amazon / B&H |
Cine | prime,sphere | no, yes | no, yes | FF/S35/APS-C | -- | -- | -- | |||||
Rokinon X 12mm T2.2 | cine,sphere | no | no | S35 | 12 | 18 | 7.9" / 20 cm | 12/10 | -- | Ø67mm | 9.3 oz / 265 g | Amazon / B&H |
Rokinon X 21mm T1.5 | cine,sphere | no | no | S35 | 21 | 31.5 | 0.98' / 0.3 m | 8/7 | 9 | Ø58mm | 10.8 oz / 305 g | Amazon / B&H |
Rokinon X 35mm T1.3 | cine,sphere | no | no | S35 | 35 | 52.5 | 15.0" / 38 cm | 9/7 | 9 | Ø62mm | 15.2 oz / 430 g | Amazon / B&H |
Rokinon X 50mm T1.3 | cine,sphere | no | no | S35 | 50 | 75 | 19.7" / 50 cm | 8/7 | 9 | Ø62mm | 13.8 oz / 390 g | B&H |
Cine - DS / DSX Lenses | cine,sphere | no, yes | no | FF/S35/APS-C | -- | -- | -- | |||||
Rokinon X 14mm T3.1 DSX | cine,sphere | yes | no | FF | 14 | 21 | 11.02" / 27.99 cm | -- | 9 | Ø87mm | 1.6 lb / 746.4 g | Amazon / B&H |
Rokinon X 21mm T1.5 | cine,sphere | no | no | S35 | 21 | 31.5 | 0.98' / 0.3 m | 8/7 | 9 | Ø58mm | 10.2 oz / 290 g | Amazon / B&H |
Rokinon X 135mm T2.2 DSX | cine,sphere | yes | no | FF | 135 | 202.5 | 2.62' / 79.86 cm | 11/7 | 9 | Ø77mm | 2 lb / 918.2 g | Amazon / B&H |
Swiss Lens Companies
Irix Cine Lenses
Irix is a Swiss-based company that manufactures lenses. It works closely with Korean optics companies to produce some amazing lenses. On its website, it says, “Swiss Precision with Korean Ingenuity.”
A collection of professional cine lenses created for video production and filmmaking is among its products. These lenses are excellent substitutes for more costly, big-brand products and provide similar quality at a more affordable cost.
IRIX X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
IRIX FX 11mm T4.3 | cine | yes | no | FF | 11 | 16.5 | 0.89' / 0.27 m | 16/10 | 9 | 95mm | -- | B&H |
IRIX FX 15mm T2.6 | cine | yes | no | FF | 15 | 22.5 | 9.8" / 25 cm | 15/10 | 9 | Ø86mm | 2.01 lb / 915 g | B&H |
IRIX FX 21mm T1.5 | cine | yes | no | FF | 21 | 31.5 | 11.8" / 0.3 m | 15/11 | 11R | 95mm | 2.4 lb / 1105 g | B&H |
IRIX FX 30mm T1.5 | cine | yes | no | FF | 30 | 45 | 1.12' / 0.34 m | -- | 11 | Ø86mm | 2.5 lb / 1.1 kg | B&H |
IRIX FX 45mm T1.5 | cine | yes | no | FF | 45 | 67.5 | 1.15' / 0.35 m | 11/9 | 9 | Ø86mm | 2.43 lb / 1.1 kg | B&H |
IRIX FX 65mm T1.5 | cine | yes | no | FF | 65 | 97.5 | 2.0' / 0.6 m | -- | 11 | Ø86mm | 2.6 lb / 1.2 kg | B&H |
IRIX FX 150mm T3.0 | cine | yes | no | FF | 150 | 225 | 2.2' / 67 cm | 12/9 | 11R | Ø86mm | 2.45 lb / 1.11 kg | B&H |
IRIX FX 150mm T3.0 Macro 1:1 | cine | yes | no | FF | 150 | 225 | 1.15' / 0.35 m | 12/9 | 11 | Ø86mm | 2.44 lb / 1110 g | B&H |
Japanese Lens Companies
Voigtlander Lenses for Fujifilm
The Voigtlander lenses are designed for the Fujifilm APS-C sensor and provide electronic information to the camera body. This means that if you have IBIS, you won’t need to tell the camera what focal length the lens is. It could also mean that it passes the focus position so that you can use a 5-axis IBIS instead of a 3-axis, but that is yet to be confirmed. You can also use the focus check function in the cameras.
Overall, Voigtlander lenses are great; stick with the lenses that have been around for a while, as they will likely have more refinement than those that come out for a year and are discontinued later. I’ve generally had many quality control issues with Voigtlander compared to official Fujifilm lenses, so be sure to go over the lens to ensure everything is good while under the return window.
Voigtlander X Mount Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | ||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Voigtlander FX 23mm f1.2 Nokton | no | no | APS-C | 23 | 34.5 | 7.1" / 18 cm | 10/6 | 12R | Ø46mm | 7.7 oz / 219 g | Amazon / B&H | ||
Voigtlander FX 27mm f2 Ultron | no | no | APS-C | 27 | 40.5 | 9.8" / 25 cm | 6/4 | 10R | Ø43mm | 4.2 oz / 120 g | Amazon / B&H | ||
Voigtlander FX 35mm f0.9 Nokton | no | no | APS-C | 35 | 52.5 | 13.78" / 35 cm | 10/8 | 12 | Ø62mm | 17.3 oz / 492g | Amazon / B&H | ||
Voigtlander FX 35mm f1.2 Nokton | no | no | APS-C | 35 | 52.5 | 11.8" / 30 cm | 8/6 | 12 | Ø46mm | 6.9 oz / 196 g | Amazon / B&H | ||
Voigtlander FX 35mm f2 APO-Ultron Macro | no | no | APS-C | 35 | 52.5 | 6.4" / 16.3 cm | 9/6 | 10 | Ø49mm | 9.3 oz / 265 g | Amazon / B&H | ||
Voigtlander FX 50mm f1.2 Nokton | no | no | APS-C | 50 | 75 | 15.4" / 39 cm | 9/8 | 12 | Ø58mm | 10.2 oz / 290 g | Amazon / B&H |
Chinese Third-Party Lens Companies
7Artisans Lenses for Fujifilm
7Artisan is a Chinese company that makes inexpensive third-party lenses for the Fujifilm X-Mount. Like many of these third-party lens companies, they’ve continued to improve their designs and tolerances over the years, and some of their lenses are nice.
When I first started using prime lenses, I liked 7Artisans, which allowed me to test a specific focal length as a prime lens before buying the more expensive official Fujifilm lens.
7Artisans X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
7Artisans FX 4mm f2.8 Drone | photo | no | no | APS-C | 4 | 6 | 0.85m | 10/8 | 7 | -- | 201g | Amazon / B&H |
7Artisans FX 7.5mm f2.8 II | photo | no | no | APS-C | 7.5 | 11.25 | 5.9" / 15 cm | 11/9 | 7 | Ø58mm | 9.3 oz / 265 g | Amazon / B&H |
7Artisans FX 12mm f2.8 II | photo | no | no | APS-C | 12 | 18 | 5.9" / 15 cm | 12/10 | 5 | Ø67mm | Amazon / B&H | |
7Artisans FX 18mm f6.3 UFO II | photo | no | no | APS-C | 18 | 27 | 0.3m | 6/5 | 0 | -- | 2 oz / 58 g | Amazon / B&H |
7Artisans FX 24mm f1.4 | photo | no | no | APS-C | 24 | 36 | 11.8" / 30 cm | 7/6 | 9 | Ø49mm | 12.1 oz / 344 g | Amazon / B&H |
7Artisans FX 25mm f0.95 | photo | no | no | APS-C | 25 | 37.5 | 9.84" / 0.25 m | 11/9 | 13 | Ø52mm | 20.7 oz / 587 g | Amazon / B&H |
7Artisans FX 25mm f1.8 | photo | no | no | APS-C | 25 | 37.5 | 7.09" / 18 cm | 7/5 | 12R | Ø46mm | 5.04 oz / 143 g | Amazon / B&H |
7Artisans FX 35mm f0.95 | photo | no | no | APS-C | 35 | 52.5 | 1.2' / 37 cm | 11/8 | 12 | Ø52mm | 13 oz / 369 g | Amazon / B&H |
7Artisans FX 35mm f1.2 II | photo | no | no | APS-C | 35 | 52.5 | 11" / 28 cm | 6/5 | 10R | Ø46mm | 5.3 oz / 150 g | Amazon / B&H |
7Artisans FX 35mm f1.4 | photo | no | no | APS-C | 35 | 52.5 | 13.8" / 35 cm | 8/5 | 9 | Ø49mm | 8 oz / 228 g | Amazon / B&H |
7Artisans FX 35mm f1.4 AF | photo | no | yes | APS-C | 35 | 52.5 | 1.15' / 0.35 m | 5/8 | 9R | Ø62mm | 8 oz / 228 g | B&H |
7Artisans FX 50mm f0.95 | photo | no | no | APS-C | 50 | 75 | 17.7" / 45 cm | 7/5 | 13 | Ø62mm | 14.8 oz / 420 g | Amazon / B&H |
7Artisans FX 50mm f1.8 | photo | no | no | APS-C | 50 | 75 | 1.64' / 50 cm | 6/5 | 12R | Ø52mm | 5.93 oz / 168 g | Amazon / B&H |
7Artisans FX 55mm f1.4 II | photo | no | no | APS-C | 55 | 82.5 | 1.4' / 42 cm | 6/5 | 9 | Ø52mm | 12.6 oz / 358 g | Amazon / B&H |
7Artisans FX 50mm F1.4 Tilt-Shift | photo | no | no | APS-C | 50 | 75 | 0.5 m | 7/6 | 12 | Ø46mm | 364g | Amazon / B&H |
7Artisans FX 60mm f2.8 Macro II | photo | no | no | APS-C | 60 | 90 | 6.9" / 175 mm | 11/8 | 9 | Ø49mm | 12 oz / 339 g | Amazon / B&H |
Cine | cine | no | no | FF/S35 | -- | -- | -- | -- | -- | -- | -- | |
7Artisans FX 10mm T2.1 Hope | cine | no | no | S35 | 10 | 15 | 11.8" / 30 cm | 15/12 | 10 | Ø77mm | 21.9 oz / 620 g | Amazon / B&H |
7Artisans FX 12mm T2.9 | cine | no | no | FF | 12 | 18 | 5.5" / 140 mm | 12/10 | 9 | Ø82mm | 602g | Amazon / B&H |
7Artisans FX 16mm T2.1 Hope | cine | no | no | S35 | 16 | 24 | 7.9" / 20 cm | 13/10 | 10 | Ø77mm | 24.9 oz / 706 g | Amazon / B&H |
7Artisans FX 25mm T1.05 Vision | cine | no | no | S35 | 25 | 37.5 | 9.06" / 0.23 m | 11/9 | 13 | Ø82mm | 33.7 oz / 956 g | Amazon / B&H |
7Artisans FX 25mm T2.1 Hope | cine | no | no | S35 | 25 | 37.5 | 9.8" / 25 cm | 10/8 | 11 | Ø77mm | 25.1 oz / 712 g | Amazon / B&H |
7Artisans FX 35mm T1.05 Vision | cine | no | no | S35 | 35 | 52.5 | 14.57" / 0.37 m | 11/8 | 12 | Ø82mm | 26.6 oz / 753 g | Amazon / B&H |
7Artisans FX 35mm T2.1 Hope | cine | no | no | S35 | 35 | 52.5 | 20.1" / 51 cm | 10/8 | 10 | Ø77mm | 21.2 oz / 602 g | Amazon / B&H |
7Artisans FX 50mm T1.05 Vision | cine | no | no | S35 | 50 | 75 | 19.7" / 0.5 m | 7/5 | 13 | Ø82mm | 24 oz / 679 g | Amazon / B&H |
7Artisans FX 50mm T2.1 Hope | cine | no | no | S35 | 50 | 75 | 23.6" / 60 cm | 9/7 | 10 | Ø77mm | 24.9 oz / 705 g | Amazon / B&H |
7Artisans FX 85mm T2.1 Hope | cine | no | no | S35 | 85 | 127.5 | 35.4" / 90 cm | 9/7 | 10 | Ø77mm | 28.4 oz / 805 g | Amazon / B&H |
Astra Labs
Astra Labs has a few interesting designs for the Fujifilm FX mount. Some of these seem pretty similar to what Pergear or 7Artisans is offering, like the 12mm f2, which looks like the older Pergear 12mm f2, and that 60mm macro. They all use a similar optical formula with different housings, either 10/7 or 11/8 element designs. Astra Labs uses the 10/7 design, identical to the Brightin Star.
Astra Labs also has some unique full-frame and retro-style lenses that might be fun on the Fujifilm APS-C system since you’re primarily using that center portion of the lens.
These lenses are all manual focus with no electronic controls or exif data passed to the camera.
Astra Lab X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Astra Lab FX Oculilumen 7.5mm f2.8 | photo | no | no | APS-C | 7.5 | 11.25 | 0.39' / 0.12 m | 9/8 | 10 | 0.7 lb / 320 g | B&H | |
Astra Lab FX Oculilumen 10mm f5.6 Fisheye | photo | no | no | APS-C | 10 | 15 | 7.9" / 0.2 m | 6/5 | 10 | 0.3 lb / 120 g | B&H | |
Astra Lab FX Nonikkor 11mm f1.8 | photo | no | no | APS-C | 11 | 16.5 | 7.09" / 0.18 m | 13/9 | 10 | Ø62mm | 12.3 oz / 350 g | B&H |
Astra Lab FX Latalumen 12mm f2 | photo | no | no | APS-C | 12 | 18 | 7.9" / 0.2 m | 12/9 | 10 | Ø62mm | 0.6 lb / 275 g | B&H |
Astra Lab FX Nonikkor 24mm f1.7 | photo | no | no | FF | 24 | 36 | 0.75' / 0.23 m | 7/5 | 10 | Ø52mm | 0.5 lb / 210 g | B&H |
Astra Lab FX Nocty-Nonikkor 50mm f1.2 | photo | no | no | FF | 50 | 75 | 1.15' / 0.35 m | 8/6 | 11R | Ø52mm | 1.2 lb / 560 g | B&H |
Astra Lab FX Motus 50mm f1.6 Tilt-Shift | photo | no | no | FF | 50 | 75 | 1.6' / 0.5 m | 6/5 | 14R | Ø43mm | 0.4 lb / 200 g | B&H |
Astra Lab FX Artolumen 60mm f2.8 2x Macro | photo | no | no | FF | 50 | 75 | 0.59' / 0.18 m | 10/7 | 10 | Ø62mm | 1.3 lb / 600 g | B&H |
AstrHori Lenses
AstrHori is another Chinese lens company that makes some interesting lenses with unique properties, such as their macro tilt-shift and probe lenses. They’ve won a few awards for some of their designs and are doing a pretty good job of making an impact in what is a very crowded space.
The AstroHori probe lens also comes in two variants: a standard barrel and a 90-degree barrel.
AstrHori X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
AstrHori FX 6.5mm f2 Fisheye | photo | no | no | APS-C | 6.5 | 9.75 | 7.9" / 20 cm | 6/5 | 9 | 9.5 oz / 268 g | B&H | |
AstrHori FX 10mm f8 II | photo | no | no | APS-C | 10 | 15 | 5/4 | -- | Ø55mm | 130 g | Amazon / B&H | |
AstrHori FX 12mm f2.8 Fisheye | photo | no | no | FF | 12 | 18 | 20cm | 11/8 | 5 | -- | 757.5 g | B&H |
AstrHori FX 14mm f4.5 | photo | no | no | APS-C | 14 | 21 | 0.45m | 6/5 | -- | Ø55mm | 0.26 lbs | Amazon / B&H |
AstrHori FX 18mm f8 2x Probe 90° | photo | no | no | APS-C | 18 | 27 | 0.05m | 23/16 | -- | -- | 697 g | Amazon / B&H |
AstrHori FX 18mm f8 2x Probe 90° | photo | no | no | APS-C | 18 | 27 | 0.05m | 23/17 | -- | -- | 698 g | Amazon / B&H |
AstrHori FX 25mm f2.8 2-5x Ultra Macro | photo | no | no | APS-C | 25 | 37.5 | 4.4" / 113 mm | 10/7 | -- | -- | 1 lb / 474 g | Amazon / B&H |
AstrHori FX 27mm f2.8 II | photo | no | no | APS-C | 27 | 40.5 | 6/5 | -- | Ø52mm | 0.31 lbs | Amazon / B&H | |
AstrHori FX 28mm f13 2x Macro | photo | no | no | FF | 28 | 42 | 0.48m | 21/16 | 7 | -- | 698 g | Amazon / B&H |
AstrHori FX 28mm f13 2x Macro 90° | photo | no | no | FF | 28 | 42 | -- | -- | -- | Amazon / B&H | ||
AstrHori FX 50mm f1.4 Tilt | photo | no | no | FF | 50 | 75 | 0.4m | 7/6 | -- | Ø46mm | 0.75 lbs | Amazon / B&H |
AstrHori FX 50mm f2 | photo | no | no | FF | 50 | 75 | 0.5m | 6/5 | -- | Ø52mm | 0.7 lbs | Amazon / B&H |
AstrHori FX 85mm f2.8 Macro & Tilt 1:1 | photo | no | no | FF | 85 | 127.5 | 0.25m | 11/8 | 12 | Ø55mm | 2.2 lbs | Amazon / B&H |
Brightin Star Lenses
Brightin Star has a few interesting lenses. I’ve reviewed the 50mm f1.4, a full-frame lens, and so far, so good. These are also sold and distributed by Pergear and share some of the same characteristics as other lenses by 7Artisans and Pergear. Even though they now have an AF lens, their lenses seem to be getting more difficult to find, and I no longer see Pergear offering them.
Sirui X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Brightin Star FX 7.5mm f2.8 | photo | no | no | APS-C | 7.5 | 11.25 | -- | 11/9 | -- | -- | 283 | Brightin Star |
Brightin Star FX 10mm f5.6 | photo | no | no | APS-C | 10 | 15 | -- | 6/5 | -- | -- | 120g | Amazon |
Brightin Star FX 12mm f2 | photo | no | no | APS-C | 18 | 27 | -- | 12/9 | -- | Ø62mm | 277g | Brightin Star |
Brightin Star FX 12mm f2 III | photo | no | no | APS-C | 12 | 18 | -- | 12/9 | -- | -- | 270g | Brightin Star |
Brightin Star FX 35mm f1.7 | photo | no | no | APS-C | 35 | 52.5 | -- | 6/4 | -- | Ø43mm | 750g | Brightin Star |
Brightin Star FX 35mm f0.95 | photo | no | no | APS-C | 35 | 52.5 | -- | -- | -- | -- | Amazon / Brightin Star | |
Brightin Star FX 50mm f1.4 | photo | no | no | APS-C | 50 | 75 | -- | 6/6 | -- | Ø52mm | 301g | Amazon / Brightin Star |
Brightin Star FX 50mm f1.4 AF | photo | no | yes | APS-C | 50 | 75 | 0.5m | -- | Ø58mm | -- | Brightin Star | |
Brightin Star FX 60mm f2.8 2x Macro | photo | no | no | APS-C | 60 | 90 | -- | 10/7 | -- | Ø62mm | 600g | Brightin Star |
Funleader
For the Fujifilm APS-C mount, Funleader only has their cap lenses, both the Pro and the standard versions. They have some interesting Leica M lens offerings, so if you’re into adapting M-mount lenses, check them out.
Funleader X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Funleader FX Caplens 18mm f8 Pro | photo | no | no | FF | 18 | 27 | 0.3m | 6/5 | fixed | -- | 71g | Funleader |
Funleader FX Caplens 18mm f8 | photo | no | no | FF | 18 | 27 | 0.8m | 6/5 | fixed | -- | 80g | Funleader |
KamLan XF Lenses for Fujifilm
Their lenses can be difficult to find, so check their official website for availability.
It does look like they’ve been slowly phasing out their lenses. They’re fairly difficult to find, and they only offer a few on their site for the Fujifilm FX mount.
KamLan X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
KamLan FX 50mm f1.1 | photo | no | no | APS-C | 50 | 75 | -- | 5/5 | 11 | Ø52mm | -- | Amazon |
KamLan FX 50mm f1.1 II | photo | no | no | APS-C | 50 | 75 | 0.4m | 8/7 | 11 | Ø62mm | 600 g /1.32 lbs | Kamlan |
Kipon X-Mount Lenses For Fujifilm
Kipon’s Website: Kipon.com
Kipon started as a German-Chinese joint venture. These lenses are designed in Germany and then mass-produced in China with a German level of quality control. They are always working on some new projects and a new factory in Japan, so expect some exciting new lenses or accessories from them.
These lenses are made with high-quality anodized aluminum, brass, and stainless steel. They are great because they combine classic lenses with modern precision.
The Handevision 40mm f0.85 is known to be the fastest lens in the world, and they don’t cheat on their stats.
Kipon is now making cine lens builds out of its Iberit lens designs. These have classic renderings similar to the Cooke Classics, and Kipon now has very high build quality with some of the best machines, making them a great option for classic cine lenses.
Kipon X Mount Lenses | Reviews | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
KIPON FX Iberit 24mm f2.4 M | photo | no | no | FF | 24 | 36 | 2.3' / 70 cm | 8/7 | 6 | Ø49mm | 10.6 oz / 300 g | Amazon / B&H | |
KIPON FX Iberit 35mm f2.4 | KIPON 35mm f/2.4 Review & Sample Photos | photo | no | no | FF | 35 | 52.5 | 2.3' / 70 cm | 6/6 | 6 | Ø49mm | 7.8 oz / 220 g | Amazon / B&H |
KIPON FX IBELUX 40mm f0.85 mkIII | KIPON 40mm f0.85 mk II Review & Sample Photos | photo | no | no | APS-C | 40 | 60 | 2.5' / 75 cm | 10/9 | 10 | Ø67mm | 2.5 lb / 1150 g | Amazon / B&H |
KIPON FX Iberit 50mm f2.4 M | KIPON 50mm f/2.4 Review & Sample Photos | photo | no | no | FF | 50 | 75 | 2.3' / 70 cm | 6/6 | 6 | Ø49mm | 8.8 oz / 250 g | Amazon / B&H |
KIPON FX Iberit 75mm f2.4 M | KIPON 75mm f/2.4 Review & Sample Photos | photo | no | no | FF | 75 | 112.5 | 2.3' / 70 cm | 5/5 | 6 | Ø49mm | 9.5 oz / 270 g | Amazon / B&H |
KIPON FX Iberit 90mm f2.4 M | photo | no | no | FF | 90 | 135 | 2.3' / 70 cm | 4/4 | 10 | Ø49mm | 9.9 oz / 280 g | Amazon / B&H | |
Cine | Cine | cine | -- | -- | FF | -- | -- | -- | -- | -- | -- | -- | |
KIPON FX Colibri Set | cine | -- | -- | FF | -- | -- | -- | -- | -- | -- | -- | B&H | |
KIPON FX Colibri 24mm T2.5 | cine | no | no | FF | 24 | 36 | 9.84" / 25 cm | 8/7 | 10 | -- | 484 g | ||
KIPON FX Colibri 35mm T2.5 | cine | no | no | FF | 35 | 52.5 | 1.15' / 35 cm | 6/6 | 10 | -- | 409 g | ||
KIPON FX Colibri 50mm T2.5 | cine | no | no | FF | 50 | 75 | 1.97' / 60 cm | 6/6 | 10 | -- | 499 g | ||
KIPON FX Colibri 75mm T2.5 | cine | no | no | FF | 75 | 112.5 | 1.97' / 60 cm | 5/5 | 10 | -- | 553 g | ||
KIPON FX Colibri 90mm T2.5 | cine | no | no | FF | 90 | 135 | 2.3' / 70 cm | 4/4 | 10 | -- | 550 g |
Meike Lenses
Meike now has many different types of lenses for the different camera mounts, including primes, zooms, cine lenses, and now autofocus lenses. Their lenses are fun and cheap, and for a long time, I was having a lot of fun with the 35mm f1.7.
Meike X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Meike FX 6.5mm Fisheye f2.0 | photo | no | no | APS-C | 6.5 | 9.75 | 19 cm | 6/5 | -- | -- | 10.58 oz / 300 g | Amazon / B&H |
Meike FX 7.5mm f2.8 Fisheye | photo | no | no | APS-C | 7.5 | 11.25 | 5.9" / 15 cm | 11/9 | -- | -- | 9.2 oz / 260 g | Amazon / B&H |
Meike FX 10mm f2 | photo | no | no | APS-C | 10 | 15 | 1' / 0.3 m | 15/12 | 10 | Ø77mm | 1.2 lb / 550 g | Amazon / B&H |
Meike FX 12mm f2 | photo | no | no | APS-C | 12 | 18 | 20 cm | 12/9 | -- | Ø62mm | 277g | Amazon / B&H |
Meike FX 12mm f2.8 | photo | no | no | APS-C | 12 | 18 | 3.94" | 12/10 | -- | Ø72mm | 360g | Amazon / B&H |
Meike FX 25mm f0.95 | photo | no | no | APS-C | 25 | 37.5 | 0.25m / 10 inches | 11/9 | 13 | Ø62mm | -- | Amazon |
Meike FX 25mm f1.8 | photo | no | no | APS-C | 25 | 37.5 | 9.84" / 25 cm | 7/5 | -- | Ø49mm | 6.7 oz / 190 g | Amazon / B&H |
Meike FX 25mm f2 | photo | no | no | APS-C | 25 | 37.5 | 0.25m | 10/8 | 7 | Ø43mm | 166g | Amazon |
Meike FX 28mm f2.8 | photo | no | no | APS-C | 28 | 42 | 9.84" / 25 cm | 6/5 | -- | Ø49mm | 3.6 oz / 102 g | Amazon / B&H |
Meike FX 33mm f1.4 AF | photo | no | yes | APS-C | 33 | 49.5 | 15.7" / 0.4 m | 12/9 | 9 | Ø55mm | 11.1 oz / 314.5 g | Amazon / B&H |
Meike FX 35mm f0.95 | photo | no | no | APS-C | 35 | 52.5 | Amazon / B&H | |||||
Meike FX 35mm f1.4 | photo | no | no | APS-C | 35 | 52.5 | 15.75" / 40 cm | 8/5 | -- | Ø49mm | 7.76 oz / 220 g | Amazon / B&H |
Meike FX 35mm f1.7 | photo | no | no | APS-C | 35 | 52.5 | 11.81" / 30 cm | 6/5 | -- | Ø49mm | 6.21 oz / 176 g | Amazon / B&H |
Meike FX 50mm f0.95 | photo | no | no | APS-C | 50 | 75 | 17.7" / 45 cm | 7/5 | 13 | Ø62mm | 14.8 oz / 420 g | Amazon / B&H |
Meike FX 50mm f1.7 | photo | no | no | FF | 50 | 75 | 1.64' / 50 cm | 6/5 | -- | Ø52mm | 10.93 oz / 310 g | Amazon / B&H |
Meike FX 55mm f1.4 AF | photo | no | yes | APS-C | 55 | 82.5 | 2' / 61 cm | 11/8 | 9 | Ø52mm | 10.1 oz / 286 g | Amazon / B&H |
Meike FX 60mm f2.8 Macro | photo | no | no | APS-C | 60 | 90 | 0.175m | 11/8 | 9 | Ø49mm | 0.66lb / 300g | Amazon |
Meike FX 85mm f1.8 AF | photo | no | yes | FF | 50 | 75 | 33.5" / 85 cm | 9/6 | 9R | Ø67mm | 13.6 oz / 386 g | Amazon / B&H |
Meike FX 85mm f2.8 | photo | no | no | APS-C | 85 | 127.5 | 0.25m | 11/8 | 12 | Ø55mm | 500g | |
Zoom | photo | no | no | APS-C | ||||||||
Meike FX 6-11mm f3.5 | photo | no | no | APS-C | 6,11 | 9-16.5mm | 5.91" / 15 cm | 11/8 | -- | -- | -- | Amazon / B&H |
Cine | cine | no | no | FF,S35,MFT | ||||||||
Meike FX 10mm T2.2 | cine | no | no | S35 | 10 | 15 | 1.8" / 4.57 cm | 15/12 | -- | -- | -- | Amazon / B&H |
Meike FX 25mm T2.2 | cine | no | no | S35 | 25 | 37.5 | 9.8" / 24.9 cm | 10/8 | -- | Ø77mm | 1.23 lb / 557 g | Amazon / B&H |
Meike FX 35mm T2.2 | cine | no | no | S35 | 35 | 52.5 | 16.5" / 42 cm | 10/8 | -- | Ø77mm | 1.5 lb / 660 g | Amazon / B&H |
Meike FX 50mm T2.2 | cine | no | no | S35 | 50 | 75 | 23.6" / 60 cm | 9/7 | -- | Ø77mm | 1.45 lb / 660 g | Amazon / B&H |
Meike FX 65mm T2.2 | cine | no | no | S35 | 65 | 97.5 | 9.8" / 24.9 cm | 10/7 | -- | Ø77mm | 1.2 lb / 550 g | Amazon / B&H |
Meike FX 85mm T2.2 | cine | no | no | S35 | 85 | 127.5 | 35.4" / 90 cm | 9/7 | -- | Ø82mm | 1.4 lb / 640 g | Amazon / B&H |
Mitakon / ZY Optics Lenses
Mitakon / ZY Optics is one of the big providers of lenses in China.
The Mitakon 35mm f0.95 is a very popular lens. It’s a lot of fun, and for the price, it’s fantastic.
Mitakon X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Mitakon FX Speedmaster 20mm f0.95 | photo | no | no | APS-C | 20 | 30 | 11.7" / 29.7 cm | 13/8 | 9 | Ø72mm | 1.3 lb / 600 g | B&H |
Mitakon FX 20mm f2 4.5x Macro | photo | no | no | APS-C | 20 | 30 | 0.79" / 20 mm | 6/4 | 3 | -- | 8.1 oz / 230 g | B&H |
Mitakon FX Creator 28mm f5.6 | photo | no | no | FF | 28 | 42 | 13.8" / 35 cm | 8/7 | 5 | Ø37mm | 4.6 oz / 130 g | B&H |
Mitakon FX 35mm f0.95 Mk II | photo | no | no | APS-C | 35 | 52.5 | 1.15' / 35 cm | 11/8 | 9 | Ø55mm | 1.01 lb / 460 g | B&H |
Mitakon FX Creator 85mm f2.8 Macro | photo | no | no | APS-C | 85 | 127.5 | 8.74" / 22.2 cm | 12/8 | 9 | Ø58mm | 1.65 lb / 750 g | B&H |
Cine | cine | no | no | FF,S35 | ||||||||
Mitakon FX Speedmaster 20mm T1 | cine | no | no | S35 | 20 | 30 | 12.2" / 31 cm | 13/8 | 9 | Ø77mm | 1.6 lb / 730 g | B&H |
Mitakon FX Speedmaster 35mm T1 V2 | cine | no | no | S35 | 35 | 52.5 | 13.8" / 35 cm | 11/8 | 9 | Ø77mm | 1.4 lb / 615 g | B&H |
Mitakon FX Speedmaster 50mm T1 | cine | no | no | S35 | 50 | 75 | 23.6" / 59.9 cm | -- | 9 | Ø77mm | 1.59 lb / 0.72 kg | B&H |
NiSi Lenses
NiSi, a popular third-party lens company known for its ND and UV filters, has started making standard lenses.
They also have a line of Cine lenses in the PL, E, and EF mounts that can be adapted to Fujifilm X-mount cameras.
Nisi X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Photo | ||||||||||||
NiSi FX 9mm f2.8 Sunstar ASPH | photo | no | no | APS-C | 9 | 13.5 | 7.9" / 0.2 m | 14/12 | 10 | Ø67mm | 12.8 oz / 364 g | B&H |
NiSi FX 15mm f4 Sunstar ASPH | photo | no | no | FF | 15 | 22.5 | 7.9" / 20 cm | 12/10 | 10 | Ø72mm | 1 lb / 470 g | B&H |
NiSi FX 250mm f2.5 Reflex Lens | photo | no | no | APS-C | 250 | 375 | 6.6' / 2 m | 6/3 | Ø672m | B&H |
Opteka Lenses
Samyang owns Opteka, but many of its lenses are also made in China. Meike and Opteka lenses seem to share similar builds.
Opteka X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Opteka FX 6.5mm f2 Fisheye | photo | no | no | APS-C | 6.5 | 9.75 | 1.9" / 4.83 cm | 6/5 | 9 | -- | 9.4 oz / 266 g | Amazon / B&H |
Opteka FX 12mm f2.8 | photo | no | no | APS-C | 12 | 18 | 3.94" / 10 cm | 12/10 | 9 | Ø72mm | -- | B&H |
Opteka FX 28mm f2.8 | photo | no | no | APS-C | 28 | 42 | 9.84" / 25 cm | 6/5 | 9 | Ø49mm | 4.8 oz / 136 g | Amazon / B&H |
Opteka FX 35mm f1.7 | photo | no | no | APS-C | 35 | 52.5 | 11.81" / 30 cm | 6/5 | 9 | Ø49mm | 7.2 oz / 204 g | B&H |
Opteka FX 50mm f2 | photo | no | no | APS-C | 50 | 75 | 2.13' / 64.8 cm | 6/5 | 9 | Ø49mm | 6.8 oz / 193 g | B&H |
Opteka FX 420mm / 800mm | photo | no | no | FF | 420 | 630 | 5.25' / 1.6m | 4/2 | -- | Ø62mm | 19.2oz / 544g | Amazon |
Opteka FX 500mm f6.3 | photo | no | no | FF | 500 | 750 | 6.56' / 2m | 7/6 | -- | Ø95mm | 24.87 oz / 705g | Amazon |
Opteka FX 500mm / 1000m f8 | photo | no | no | FF | 500 | 750 | 33.0' / 10.0 m | 4/4 | -- | Ø67mm | 1.41 lbs / 640g | Amazon |
Opteka FX 650mm / 1300mm | photo | no | no | FF | 650 | 975 | 16' / 4.9 m | 6/5 | -- | Ø95mm | 4.4 lb / 2 kg | Amazon |
Pergear Lenses
PerGear has released a few lenses for the X-Mount. Their 25mm f1.8 is not the same as the ever-so-popular 7Artisans because their website says this lens has 5 elements in 3 groups, but the 7Artisans has 7.
The Pergear 35mm f1.6 is very nice, with a great build and image quality that matches.
All the Pergear lenses come with a lens hood.
Pergear X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Pergear FX 7.5mm f2.8 | photo | no | no | APS-C | 7.5 | 11.25 | -- | 9/8 | 10R | -- | -- | Pergear |
Pergear FX 10mm f8 Pancake | photo | no | no | APS-C | 10 | 15 | -- | 5/4 | fixed | -- | -- | Pergear |
Pergear FX 12mm f2 II | photo | no | no | APS-C | 12 | 18 | -- | 12/9 | 10 | Ø62mm | -- | Pergear |
Pergear FX 25mm f1.7 | photo | no | no | APS-C | 25 | 37.5 | 7.87" / 20 cm | 7/5 | 10 | Ø37mm | 5.82oz / 165g | Amazon |
Pergear FX 25mm f1.8 | photo | no | no | APS-C | 25 | 37.5 | -- | 5/3 | 12 | Ø43mm | -- | Amazon / Pergear |
Pergear FX 35mm f1.2 Review | photo | no | no | APS-C | 35 | 52.5 | -- | 6/5 | 10 | Ø43mm | -- | Pergear |
Pergear FX 35mm f1.6 | photo | no | no | APS-C | 35 | 52.5 | -- | 6/4 | 12 | Ø43mm | -- | Pergear |
Pergear FX 50mm f1.8 | photo | no | no | APS-C | 50 | 75 | -- | 6/4 | 10 | Ø43mm | -- | Pergear |
Pergear FX 60mm f2.8 2x Macro | photo | no | no | APC-C | 50 | 75 | 19.1cm | 11/8 | 10 | Ø62mm | -- | Pergear |
Pergear FX 60mm f2.8 2x Macro II | photo | no | no | FF | 60 | 90 | 19.1cm | 10/7 | 10 | Ø62mm | 600g | Pergear |
Sirui XF Lenses
Sirui is a Chinese camera & accessories company producing interesting anamorphic lenses for the APS-C mount.
They now make some nice AF, standard Cine, and Anamorphic lenses. Their Anamorphic lenses can be ordered with different-colored coatings for different-colored flares.
Sirui X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Photo | photo | |||||||||||
Sirui FX Sniper 16mm f1.2 AF | photo | no | yes | S35/APS-C | 16 | 24 | 11.8" / 30 cm | 14/5 | 13 | Ø58mm | 0.8 lb / 386 g | B&H |
Sirui FX Sniper 23mm f1.2 AF | photo | no | yes | S35/APS-C | 23 | 34.5 | 11.8" / 0.3 m | 12/11 | 11 | Ø58mm | 13.4 oz / 380 g | Amazon / B&H |
Sirui FX Sniper 33mm f1.2 AF | photo | no | yes | S35/APS-C | 33 | 49.5 | 15.7" / 40 cm | 11/10 | 11 | Ø58mm | 14.1 oz / 400 g | Amazon / B&H |
Sirui FX Sniper 56mm f1.2 AF | photo | no | yes | S35/APS-C | 56 | 84 | 23.6" / 0.6 m | 12/11 | 11 | Ø58mm | 14.8 oz / 419 g | Amazon / B&H |
Sirui FX Sniper 75mm f1.2 AF | photo | no | yes | S35/APS-C | 75 | 112.5 | 27.6" / 70 cm | 13/9 | 15 | -- | 16.4 oz / 466 g | B&H |
Sirui FX Aurora 85mm f1.4 AF | photo | no | yes | FF | 85 | 127.5 | 2.79' / 85.04 cm | 14/9 | 15 | Ø67mm | 1.2 lb / 540 g | Amazon / B&H |
Cine | cine | |||||||||||
Sirui FX Night Walker 16mm T1.2 | cine | no | no | S35/APS-C | 16 | 24 | 11.8" / 30 cm | 14/5 | 13 | Ø67mm | 1.3 lb / 590 g | Amazon / B&H |
Sirui FX Night Walker 24mm f1.2 | cine | no | no | S35/APS-C | 24 | 36 | 11.8" / 30 cm | 12/11 | 12 | Ø67mm | 1.1 lb / 505 g | B&H |
Sirui FX Night Walker 35mm f1.2 | cine | no | no | S35/APS-C | 35 | 52.5 | 15.7" / 40 cm | 11/10 | 12 | Ø67mm | 1.1 lb / 513 g | Amazon / B&H |
Sirui FX Night Walker 55mm T1.2 | cine | no | no | S35/APS-C | 55 | 82.5 | 23.6" / 60 cm | 11/10 | 12 | Ø67mm | 1.3 lb / 585 g | B&H |
Sirui FX Night Walker 75mm T1.2 | cine | no | no | S35/APS-C | 75 | 112.5 | 27.6" / 70 cm | 13/4 | 18 | Ø67mm | 1.3 lb / 590 g | Amazon / B&H |
Anamorphic | cine, ana | |||||||||||
Sirui FX Mars 24mm T2.8 1.33x | cine, ana | no | no | S35/APS-C | 24 | 36 | 23.6" / 0.6 m | 13/10 | 8 | Ø72mm | 28.4 oz / 805 g | Amazon / B&H |
Sirui FX Saturn 35mm T2.9 1.6x Carbon Fiber | cine, ana | no | no | FF | 50 | 75 | 3.0' / 90 cm | 18/12 | 10 | Ø60mm | 0.9 lb / 415 g | B&H |
Sirui FX Venus 35mm T2.9 1.6x | cine, ana | no | no | FF | 50 | 75 | 3.0' / 90 cm | 18/13 | 10 | Ø82mm | 2 lb / 930 g | B&H |
Sirui FX 50mm f1.8 1.33x | cine, ana | no | no | S35/APS-C | 50 | 75 | 33.5" / 85 cm | 11/8 | 10 | Ø67mm | 1.23 lb / 560 g | Amazon / B&H |
Sirui FX Saturn 50mm T2.9 1.6x Carbon Fiber | cine, ana | no | no | FF | 50 | 75 | 2.46' / 0.75 m | 16/12 | 10 | Ø62mm | 1 lb / 465 g | B&H |
Sirui FX 75mm f1.8 1.33x | cine, ana | no | no | S35/APS-C | 75 | 112.5 | 47.2" / 1.2 m | 16/12 | 13 | Ø67mm | 1.8 lb / 800 g | B&H |
Sirui FX Saturn 75mm T2.9 1.6x Carbon Fiber | cine, ana | no | no | FF | 75 | 112.5 | 2.8' / 85 cm | 15/12 | 10 | Ø62mm | 1 lb / 445 g | B&H |
SLR Magic Cine Lenses
Based in Hong Kong, SLR Magic makes some pretty nice lenses for the amateur cinematographer. We’re not seeing anamorphic lenses yet for the Fujifilm X-Mount, but hopefully, those come soon.
SLR Magic X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
SLR Magic FX MicroPrime 12mm T2.8 | cine | no | no | S35 | 12 | 18 | -- | -- | -- | Ø82mm | -- | B&H |
SLR Magic FX MicroPrime 15mm T3.5 | cine | no | no | S35 | 15 | 22.5 | -- | -- | -- | Ø82mm | -- | B&H |
SLR Magic FX MicroPrime 17mm T1.5 | cine | no | no | S35 | 17 | 25.5 | -- | 9/8 | 11 | Ø82mm | 1.39 lb / 0.63 kg | B&H |
SLR Magic FX 18mm f2.8 | cine | no | no | FF | 18 | 27 | 0.7' / 0.2 m | 10/8 | 9 | Ø62mm | 15.7 oz / 445 g | B&H |
SLR Magic FX MicroPrime 18mm T2.8 | cine | no | no | FF | 18 | 27 | 6.69" / 0.17 m | 10/9 | 7 | Ø82mm | 1.28 lb / 580 g | B&H |
SLR Magic FX MicroPrime 21mm T1.6 | cine | no | no | FF | 21 | 31.5 | -- | 13/11 | 11 | -- | -- | B&H |
SLR Magic FX 35mm T0.95 II | cine | no | no | S35 | 35 | 52.5 | -- | -- | -- | Ø62mm | 27.2 oz / 770 g | B&H |
SLR Magic FX 35mm f1.2 | cine | no | no | FF | 35 | 52.5 | 1.0' / 0.3 m | 9/8 | Ø52mm | 18.9 oz / 535 g | B&H | |
SLR Magic FX 35mm T1.3 | cine | no | no | FF | 35 | 52.5 | -- | 9/8 | 13 | Ø82mm | 1.54 lb / 700 g | B&H |
SLR Magic FX 35mm T1.4 II | cine | no | no | S35 | 35 | 52.5 | 11.8" / 30 cm | -- | -- | Ø52mm | 13.1 oz / 370 g | B&H |
SLR Magic FX MicroPrime 35mm T1.5 | cine | no | no | FF | 35 | 52.5 | -- | 9/8 | 13 | Ø82mm | 1.54 lb / 700 g | B&H |
SLR Magic FX HyperPrime 50mm T0.95 | cine | no | no | S35 | 50 | 75 | 19.7" / 0.5 m | 7/10 | 12 | Ø62mm | 23.5 oz / 665 g | B&H |
SLR Magic FX 50mm f1.1 | cine | no | no | S35 | 50 | 75 | 1.6' / 0.5 m | 7/6 | 13 | Ø52mm | 14.1 oz / 400 g | B&H |
SLR Magic FX MicroPrime 50mm T1.2 | cine | no | no | FF | 50 | 75 | -- | 7/6 | 13 | Ø82mm | 1.54 lb / 700 g | B&H |
SLR Magic FX MicroPrime 75mm T1.5 | cine | no | no | FF | 75 | 112.5 | -- | 6/6 | 13 | Ø82mm | 1.54 lb / 700 g | B&H |
TTArtisan Lenses
TTArtisan, founded in 2019, makes many fun lenses with high-quality build. I’ve reviewed several of their lenses and have enjoyed shooting with them.
I compared the autofocus TTArtisan AF 27mm f2.8 to the Fujifilm 27mm f2.8. The results are interesting. Both lenses are great in their way.
TTArtisan X Mount Lenses | Reviews | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
TTArtisan FX 7.5mm f2 Fisheye | no | no | APS-C | 7.5 | 11.25 | 4.9" / 12.5 cm | 11/8 | 7 | Ø58mm | 13.1 oz / 370 g | Amazon / B&H | ||
TTArtisan FX 10mm f2 | no | no | APS-C | 10 | 15 | 0.25m | 13/10 | 7 | Ø72mm | 345g | Amazon | ||
TTArtisan FX 17mm f1.4 | no | no | APS-C | 17 | 25.5 | 7.9" / 20 cm | 9/8 | 10 | Ø40.5mm | 8.7 oz / 248 g | Amazon / B&H | ||
TTArtisan FX 23mm f1.4 | no | no | APS-C | 23 | 34.5 | 7.9" / 20 cm | 8/6 | 10 | Ø43mm | -- | Amazon / B&H | ||
TTArtisan FX 23mm f1.8 AF | https://alikgriffin.com/ttartisan-af-23mm-f1-8-lens-review-sample-photos/ | no | yes | APS-C | 23 | 34.5 | 7.9" / 20 cm | Amazon / B&H | |||||
TTArtisan FX 25mm f2 | no | no | APS-C | 25 | 37.5 | 9.8" / 25 cm | 7/5 | 7 | Ø43mm | -- | Amazon / B&H | ||
TTArtisan FX 27mm f2.8 AF | https://alikgriffin.com/ttartisan-27mm-f2-8-af-review/ | no | yes | APS-C | 27 | 40.5 | 3.1 oz / 88 g | 6/5 | 7 | Ø39mm | 13.8" / 35.1 cm | Amazon / B&H | |
TTArtisan FX 35mm f0.95 | no | no | APS-C | 35 | 52.5 | 13.8" / 35 cm | 7/5 | 10 | Ø52mm | Amazon / B&H | |||
TTArtisan FX 35mm f1.4 | https://alikgriffin.com/hands-on-with-ttartisan-35mm-f1-4-review/ | no | no | APS-C | 35 | 52.5 | 11" / 28 cm | 7/6 | 10 | Ø39mm | 6.3 oz / 180 g | Amazon / B&H | |
TTArtisan FX 35mm f 1.8 AF | no | yes | APS-C | 35 | 52.5 | 2' / 60 cm | 10/8 | 9 | Ø52mm | 0.4 lb / 199 g | |||
TTArtisan FX 35mm f1.8 AF II | no | yes | APS-C | 35 | 52.5 | 15.7" / 39.9 cm | 10/7 | 9 | Ø52mm | 6.2 oz / 176 g | Amazon / B&H | ||
TTArtisan FX 40mm f2.8 Macro | no | no | APS-C | 40 | 60 | 6.7" / 17 cm | 8/7 | 11 | Ø52mm | 13.1 oz / 371 g | Amazon / B&H | ||
TTArtisan FX 50mm f0.95 | no | no | APS-C | 50 | 75 | 19.7" / 50 cm | 8/6 | 10 | Ø58mm | 14.5 oz / 411 g | Amazon / B&H | ||
TTArtisan FX 50mm f1.2 | https://alikgriffin.com/ttartisan-50mm-f1-2-review-the-best-casual-50mm/ | no | no | APS-C | 50 | 75 | 1.6' / 48.77 cm | -- | 10 | Ø52mm | -- | Amazon / B&H | |
TTArtisan FX 50mm f1.4 Tilt | no | no | FF | 50 | 75 | 19.7" / 50 cm | 7/6 | 12 | Ø62mm | 15.9 oz / 452 g | Amazon / B&H | ||
TTArtisan FX 56mm f1.8 AF | no | yes | APS-C | 56 | 84 | 1.6' / 50 cm | 10/9 | 9 | Ø52mm | 0.5 lb / 245 g | Amazon / B&H | ||
TTArtisan FX 50mm f2 | no | no | FF | 50 | 75 | 1.6' / 50 cm | 6/5 | 10 | Ø43mm | -- | Amazon / B&H | ||
TTArtisan FX 100mm f2.8 Tilt Macro 2x | no | no | FF | 100 | 150 | 9.8" / 25 cm | 14/10 | 12 | Ø67mm | Amazon / B&H | |||
TTArtisan FX 500mm f6.3 | no | no | FF | 500 | 750 | 129.9" / 3.3 m | 8/5 | Ø82mm | Amazon / B&H |
Thypoch FX Lenses
Although made for full-frame cameras, Typoch has released some designs in the FX mount.
Thypoch X Mount Lenses | AF | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Thypoch FX Simera 28mm f1.4 | photo | no | no | FF | 28 | 42 | 1.3' / 0.4 m | 11/7 | 14 | Ø49mm | 0.8 lb / 368 g | B&H |
Thypoch Simera 35mm f1.4 | photo | no | no | FF | 35 | 52.5 | 1.5' / 45.7 cm | 9/5 | Ø49mm | 0.7 lb / 296 g | B&H |
Venus Optics Laowa Lenses For Fujifilm
Venus Laowa has started making some APS-C lenses, and they finally have one available for Fujifilm that is getting nothing but praise. What’s supposedly so great about these Venus lenses is they have zero distortion, which is very friendly and rare for ultra-wide lenses.
Venu Optics X Mount Lenses | AF | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Store Links | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Laowa FX 4mm f2.8 Fisheye | photo | no | no | APS-C | 4 | 6 | 3.15" / 8 cm | 7/6 | 7 | none | 4.8oz / 135g | Amazon / B&H |
Laowa FX 9mm f2.8 Zero-D | photo | no | no | APS-C | 9 | 13.5 | 4.72" / 12 cm | 15/10 | 7 | Ø49mm | 1.34lb / 609g | Amazon / B&H |
Laowa FX 10mm f4 Cookie | photo | no | no | APS-C | 10 | 15 | 3.9" / 10 cm | 12/8 | 5 | Ø37mm | 4.6oz / 130g | Amazon / B&H |
Laowa FX Argus 33mm f0.95 CF APO | photo | no | no | APS-C | 33 | 49.5 | 13.8" / 35 cm | 14/9 | 9 | Ø62mm | 20.8oz / 590g | Amazon / B&H |
Laowa FX 65mm f2.8 Ultra Macro APO 2x | photo | no | no | APS-C | 65 | 97.5 | 6.69" / 17 cm | 14/10 | 9 | Ø52mm | 11.82oz / 335g | Amazon / B&H |
Photo Zooms | photo | no | no | FF/APS-C | -- | -- | -- | -- | -- | -- | -- | |
Laowa FX CF 8-16mm f3.5-5 C-Dreamer | photo | no | no | APS-C | 8,16 | 12-24 | 7.87" / 19.99 cm | 16/12 | 5 | Ø86mm | 1.02 lb / 463 g | B&H |
Cine Spherical | cine | no | no | FF/S35/APS-C | -- | -- | -- | -- | -- | -- | -- | |
Laowa FX 7.5mm T2.9 Zero-D | cine | no | no | S35 | 7.5 | 11.25 | 9.8" / 25 cm | 16/10 | 7 | Ø77mm | 21.5oz / 610g | Amazon / B&H |
Laowa FX 9mm T2.9 Zero-D | cine | no | no | S35 | 9 | 13.5 | 4.7" / 12 cm | 15/10 | 7 | Ø55mm | 8.71oz / 247g | Amazon / B&H |
Laowa FX 65mm T2.9 2x Macro APO | cine | no | no | S35 | 65 | 97.5 | 6.7" / 17 cm | 14/10 | 9 | Ø77mm | 19.4 oz / 550 g | B&H |
Argus FX 18mm T1 | cine | no | no | S35 | 18 | 27 | 9.84” / 0.25m | 15/10 | 15 | Ø77mm | 2.09lbs / 950g | B&H |
Argus FX 25mm T1 | cine | no | no | S35 | 25 | 37.5 | 1’1” / 0.34m | 14/9 | 9 | Ø77mm | 1.68lb / 762g | B&H |
Argus FX 33mm T1 | cine | no | no | S35 | 33 | 49.5 | 1’1” / 0.35m | 14/9 | 9 | Ø77mm | 1.54lb / 700g | B&H |
Cine Anamorphic | cine, ana | no | no | S35/APS-C | -- | -- | -- | -- | -- | -- | -- | |
Laowa FX Nanomorph 27mm T2.8 1.5x | cine, ana | no | no | S35 | 27 | 40.5 | 16.9" / 43 cm | 15/14 | 13 | Ø55mm | -- | B&H |
Laowa FX Nanomorph 35mm T2.4 1.5x | cine, ana | no | no | S35 | 35 | 52.5 | 23.6" / 60 cm | 15/13 | 13 | Ø55mm | -- | B&H |
Laowa FX Nanomorph 50mm T2.4 1.5x | cine, ana | no | no | S35 | 50 | 75 | 27.6" / 70 cm | 15/13 | 13 | Ø55mm | -- | B&H |
Laowa FX Nanomorph 65mm T2.4 1.5x | cine, ana | no | no | S35 | 65 | 97.5 | 2.3' / 70 cm | 15/13 | 13 | Ø62mm | 1.5 lb / 690 g | B&H |
Laowa FX Nanomorph 80mm T2.4 1.5x | cine, ana | no | no | S35 | 80 | 120 | 2.8" / 70 mm | 14/13 | 13 | Ø62mm | 1.6 lb / 710 g | B&H |
Using Leica Lenses On Your Fujifilm
If you already have Leica lenses or would prefer to invest in full-frame lenses, you can adapt your Leica M lenses to your Fuji camera. Not all lenses work correctly with the Fujifilm adapter, so I’ve included only a list of working lenses that Fuji has listed on its M-mount compatibility lens chart.
This doesn’t mean other lenses will not work. I’m sure most of the Voigtlander and new Leica lenses would work fine, but with that Fuji adapter, there is some risk that the rear element will not have enough clearance. The alternative is to try some other adapters. I’ll list a few that I’ve seen people mention on the forums.
Leica M Mount Lens Adapters
I’ve researched and found the best Leica M to Fujifilm X-Mount adapters.
Some adapters don’t allow clearance on some lenses. It’s hard to know unless you own many Leica lenses and can test them. From my research on the subject, I’ve seen most people say that even the Fuji adapter is great for most lenses despite what Fuji says about its compatibility list. Still, some lenses, like the Voigtlander 35mm f1.2, have a protruding rear element and will not adapt.
Fujifilm M-Mount Adapter For X-Mount

I use the Fujifilm M-Mount adapter to mount my Leica M lenses. It has a very nice construction and is a perfect fit for both the camera and the Leica M lenses. The adapter also has a button that instantly sends you to the Mount Adapter Settings, so you can quickly select which lens you’re using for the EXIF data. – Amazon / Adorama / B&H
FotodioX Leica M Pro to Fuji X Adapter

It’s a great adapter at half the price of the other adapters. I believe it works on most, if not all, of the lenses. It is built with brass and a stainless steel finish. – B&H
Novoflex Leica M To Fuji X Adapter

Novoflex makes one of the best adapters for Leica M lenses. However, it is expensive. The matte black interior is supposed to reduce internal flaring. To release the lenses with this adapter, you must push the release button, not pull it. – Adorama / B&H
Leica M Mount Lenses
Visit the Leica M-Mount Lens List to see all available M-Lenses.
Using Vintage Lenses With Fujifilm
I have quite a few vintage lenses for my Fujifilm cameras, and they work very well on these APS-C bodies compared to my other full-frame cameras.
It seems modern lenses are better designed to work with our flat sensors with microlens designs, so you typically get better resolution in the corners and edges on new lenses than with some vintage lenses. Still, because Fujifilm uses APS-C sensors, most unwanted characteristics are already cropped off. So, vintage lenses work very well on Fujifilm bodies.
To use M42 lenses, you need to get an adapter.
Top 3 Best M42 to Fujifilm X Adapters
Here are the top three best M42 Mounts for the Fujifilm X-Series camera. I’ve listed these three because they come at different quality levels and prices.
Fotasy M42-Mount to Fujifilm X-Mount Adapter

This is the adapter I use. It’s very inexpensive, so occasionally, you’ll need to tighten up the inner screw mount with a hex key, but it works. – Amazon
FotodioX M42 Screw-Mount To Fujifilm X-Mount Adapter – Helicoid

This is a much higher-quality M42 Screw-Mount lens for your Fujifilm. It has an extendable helicoid for closer focusing.
It’s an all-metal construction with a chrome base plate. – B&H
Novoflex M42 Mount To Fujifilm X-Mount Adapter

This is the most expensive and beautiful adapter with a matte black internal finish to reduce flaring. It also has a precise infinity focus for these M42 mount lenses. – B&H
One thing to be careful of—If you remember being a kid and burning things with a magnifying glass, many of these old 35mm lenses will do that if you leave them in the sun wide open on your camera body without a lens cap. Even some new lenses will do it; burning your sensor or the area around it takes a few seconds.
If you’re not using your lens cap, stop the lens down to at least f5.6 to f8. This typically reduces the burning effect.
Generally, never leave your camera out in the sun without a lens cap. I’ve burnt the interior of my X-Pro2 a little, and my friend has burnt his X-T1. The sensor was not damaged, but these were close calls.
Some cool M42 lenses that work great with Fujifilm
I have four Helios lenses now. The 44M, 44-2, 44-4, and 44-7.
I like the 44-4 and the 44-7 the most. I really don’t love the 44-2, but it does have a de-click preset aperture that could be interesting for video folk. I think the 44-2 is not great wide open unless you’re shooting video and are okay with a little softness.
The Helios lenses are based on the Zeiss Biotar design. You’re probably better off buying a Zeiss Biotar, but they are more complicated to find and a little more expensive.
Industar 50mm f3.5 50-2 Review
I also have the Jupiter 9, which isn’t sharp at all.
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Hi I notice you have no information about the Fuji S990w.I am looking for the size of a petal lense hood,could you lead me in the right direction please.
Kind regards
Kitty
Is it possible to declick the aperture in Fuji lenses for video?
I haven’t heard anything about this. But, Canon or Nikon, I think Canon just did a thing where you can send your lenses in for them to be declicked.
So now I’m curious. Do you rack aperture? Or do you want it so that you can get your exposure just perfect.
That’s exactly why I’m curious the fact that Canon announced this. Almost every Fuji lens has an aperture control ring on it’s lenses. And for video work the ability to change your iris smoothly is vitally important so you don’t see those jumps with the clicks. Maybe it’s a question for Fuji directly!
It is strange that they release a video focused X-H1, then the GFX100 that is suppose to be sort of a hybrid system that can shoot video, but then there isn’t too much emphasis on video lenses. Just those MK lenses. It seems like their release of new lenses has slowed down a little lately as well. Maybe that medium format system is eating up a lot of their recourses.
I just now realized their MK lenses aren’t on the list. I’ll update that today.
How about Arri PL mount lenses? There is a Metabones adapter.
Will you review Fujinon 18-135? Why u don’t like zoom lens? I see minimum zoom lens you’ve been reviewed 😂🙈
I’ll be honest. 🙂
Reviewing lenses doesn’t really make any money for this site and sometimes doesn’t drive much traffic since there are so many other sites that do it. It takes me about a week to go a good review. So I end up only reviewing the stuff that is cheap or is something I want or am interested in or I will review things that nobody else has reviewed before which can provide a good service to the community.
Zoom lenses aren’t necessarily easy to review because there is nothing really to compare them too, or at least you have limited options with Fujifilm. There are only a handful of zoom lenses, so you’re stuck just picking if your focal length, the f2.8 version, variable aperture or the f4 version.
If I ever can get a contact with Fujifilm and can get sample prices on their zooms, I would review every one of them but right now it’s to expensive for me to do it, especially since I’m not working a second job at the moment.
Also, back when I was in the United States I could borrow lenses from B&H for up to a month at no cost so that was super helpful, but in Japan I don’t have any contacts like that.
So for now I just review cheap primes or the stuff that I really like. I still have about 4 Fujinon lenses I’ve yet to review that I’ve had for awhile so I’ll get those up eventually. But right now people keep asking me about the Chinese lenses since they are so cheap, so I’m working through all those as quickly as possible, so people can know what to get.
That’s a very helpful list! However, there seems to be one mistake: The zoom listed as “XF 100-200” is actually not an X-mount but a G-mount lens for Fujifilm’s GFX medium format system. The correct name of that lens is GF 100-200mm f/5.6 R LM OIS WR.
Ah thanks, I might have just messed up the links when updating the articles. I moved it over to the GFX list https://alikgriffin.com/fujifilm-g-lenses-the-ultimate-list/
Thank you for the effort you have put into this. I’ve bookmarked it so I have it as a permanent reference for future lens shopping. I hope it earns you all the views it deserves!
Thanks! This started off as something I just put together for myself to keep track of the different lenses and it’s cool to see it grow into a useful tool. In terms of views, it does decent.
It should. It’s good, comprehensive content that addresses a searched for requirement. All the best to you 👍
Hi,
I am waiting for the delivery of a Fuji X-T2 + XF 18-55mm f2.8-f4.0 R LM OIS.
I was wandering if you did test on that kind of camera with vintage lenses ? I still have few Minolta ones and would like to know if I should take an adapter or invest in third parts lenses like the Meike 35mm f/1.7 ? (Minolta 28mm f/2.5 W-Rokkor SI MC MD / Minolta 35mm f/2.8 W-Rokkor HG MC / Minolta 58mm f/1.4 Rokkor PF MC / Minolta 100mm f/2.5 Tele Rokkor-QE MC / Minolta 135mm f/2.8 Tele Rokkor-PF MC / Minolta 300mm f/4.5 Tele Rokkor HF MC).
Also, I left Adobe world for Skylum Luminar and Affinity Photo ? Have you tried them on your side, or other alternatives to the leader ?
Thank you.
I’ve been using Luminar for its effects since the beginning. It keeps getting better and now has a catalogue which is cool. I’ve also used Capture One which is great, but I’ve never used Affinity.
I was using the X-T2 with third party lenses like Helios, Industar, Jupiter, etc. It works great. If you already have those Minolta lenses I would look to adapt those. Minolta lenses are very good, very well built. A friend of mine uses Minolta lenses on his X-T2. But if you need something faster for street photography or just fun, check out that Meike 35mm f1.7.
Thank you for your quick answer. And also for what you are sharing with us, it is well done !
Maybe you could add a date of when you did the post and eventually the last update.
Also, I saw you are developing filters effects on Lightroom. Are you doing them too on Luminar ?
I will definitely try the Meike 35mm after few weeks with the X-T2 (I am coming from a 5D mark II so it is a brand new world for me).
🙂
No presets for Luminar yet. Still trying to refine the Lightroom ones.
This post is updated regularly and I change the date every so often to reflect the update for the year. But I don’t change the date too often because it will move to front page if I do. When ever I see a new lens I pretty much add it that week.
👍🏻
I saw this earlier, maybe it could interest you :
There is also McoPlus 14mm f3.5 for Fuji. Viltrox is about to release 23/33/53mm f1.4 AF lenses – looking forward to it!!!
Thanks just updated!
Also there is 7artisans 12mm f2.8 which missing from the list 🙂 Awesome work putting it all together!
Foveon x3 with lens with low elements, would it have great micro contrast?
Kamlan’s 21mm is 52mm filter thread btw. Also, Kamlan just announced a 15mm f/2.0 for the XF mount too (not yet out, but soon).
Awesome thanks!
If you have any old Minolta Rokkor MD/MC lenses they work wonderfully on Fuji X cameras with the Quenox adapter. I have the 58mm 1.4, 35mm 2.8 and 135mm 2.8 and they all produce excellent results. Manual focus only, of course.
Thanks. I keep hearing great things about those Minolta. I’ll have to grab a few before I go back to Japan next month.
The top choice is the 58mm f1.2, which was already legendary back when it was current. Unfortunately, that also makes it very expensive now.
Thanks a lot for the information! A few things that could be added:
1. I have seen some good reviews on Brightin Star 50mm f1.4 manual lens. This is also a Chinese brand and this lens seems to have better image quality than 7artisans 55mm f1.4
2. Fringer EF-XF pro II adaptor is great with autofocus enabled for adapting Canon EF lenses. A popular option is to work with Sigma 18-35mm f1.8
Thanks I added the Brightin Star to my other lists, I’ll get it on here too. I’ve been slowly rolling through and updating these lists but it takes days. There are actually a few others I’m missing now too. It’s crazy, every month there are like 3 new lenses at least.
It’s funny you mention the Sigma with Fuji, my friend just started doing that with his X-H1 and it works great.
that sigma is a very good option if the AF works perfect in fuji, do you know the performance of it ?
amazing website btw, first site in my favs bar.
Dannyx, do you have experience using that Fringer EF-XF adaptor with Canon EF lenses? Have seen a couple people on Youtube reviewing it. I’d welcome impressions from others who have first hand experience. Thanks, Craig
You know my friend uses that lens with the Sigma mentioned on his X-H1. Looks good and focuses well, but it does pulse a little bit when using CDAF. When I’m back in Japan I’ll try it on my X-T3 and maybe do a little writeup.
Oh and Danny, I got the Bright Star. It’s looking good. Nice build quality and feels great. It comes with plastic lens hood and the metal lens hood which I thought was a cool touch.
I’ll compare it to the 7Art when I get home, which who knows when that will be. Hopefully next month.
Wow, quite a piece of work you did to assemble all this information. Much appreciated. I’d vote for keeping the table of contents.
So, given all the cameras and lenses you’ve tried, if you woke up one morning and found your wife had sold all your camera gear and put the cash back in your ‘fun’ bank account, and you wanted to restock with just one mirrorless camera and only two lenses, prioritizing portability and image quality, what would you pick? I’ve got a family of Canon DSLRs and lenses, but i’m jone’sen to get in to mirrorless for EVF, smaller size, quieter shutter, etc. I’ve been falling back and forth on each side of the Fuji X-T3 vs. Nikon Z6. (But hesitate with Fuji due to the LR issues with sharpening the X-Tran sensors, and crop sensor, but hesitate on the Nikon for limited and pricier lens selection). I know, completely unfair question, but what the heck, its Friday afternoon here in the U.S., almost happy hour time. Why not some loose talk and opinions?! I promise not to quote you on it! 😉 Craig
X-T3 vs Z6, that’s a really tough one. The big thing about the Z6 is that’s it’s substantially bigger with those f1.8 lenses. However, if you’re using to carrying around a 5D or something then yeah the Z6 is going to feel way smaller, I’ve just got use to mirrorless and when I go back and pick up my 5DII, I’m like, my god this thing is massive.
Then there is the thing that the f1.8 Nikon Z lenses will equal out to about an f1.2 APS-C in terms of general look of the bokeh. So if Fujifilm had more modern f1.2 lenses it would be amazing. The 56mm f1.2 is an amazing lens, but when it’s engaging CDAF it’s a bit clunky and slow, it’s also not weather sealed where as the Nikon 85mm f1.8 has dual element focusing for improved sharpness up close, internal focus design weather sealed and pretty quick AF. Ultimately a much better lens in terms of tech and they are the same price. In terms of rendering though I still thing the Fujifilm 56mm f1.2 has something special too it that’s hard to put my finger on. I just love the XF56mm. Fujifilm also has another 50mm f1.1 lens on the way. I imagine this is their answer to what Nikon is doing. It will have all the modern bells and whistles hopefully but it will probably be expensive. I just need a 35mm f1.2 or something then I’ll be happy with Fujifilm.
Looking at video, I really like the pro video features of the X-T3 with the 400mbps 4k 10-bit video. Nikon 4k video only runs at about 120mbps, still only 8-bit and still only h.264. They say they will offer RAW HDMI out at some point but we don’t have it yet. You also can’t shoot Nikon Log unless you go HDMI out. Also, the Nikon with IBIS engaged is stable, but doesn’t handle panning well, it’s like it’s really only designed for photos. I say this comparing it to something like an EOS R with the 35mm f1.8 IS (which I own) where it’s super smooth all the time. So compared to the Z6 the X-T3 would be easier to use with a gimble if that’s your thing.
For photos Nikon also has one of the best IBIS systems on the market. Some say the Panasonic FF system is a touch better. But, the Nikon Z6 with the 85mm f1.8 with IBIS still smokes my Sony A7rIII stabilization even with the Stabilized Zeiss Batis 85mm f1.8 IS. The Sony is not even close with that IS lens. Zeiss probably used the smallest hardware possible to keep the size and weight down though. It’s a really cool lens though. The Fujifilm X-H1 also is absolutely amazing IBIS. The X-H2 could be a game changer for Fujifilm if they can improve that battery life. But then again, the X-H1 is just about the same size as the Z6, so why not just go with the Z6.
When comparing color, Nikon, Canon, Fujifilm (i’m talking RAW color not JPG color) The Nikon is my least favorite of the three. Fujifilm is just amazing, Canon colors are so unique, the way they render tones is unmatched and color gradations is probably still unmatched, Fujifilm is close though and I do like the Fujifilm colors are a bit more neutral / natural with the RAW and you can add all the cool profiles in LR if you want. Where as the Canon RAW files as well as the Nikon RAW files always have a sort of baked in look. It’s a good look but sometimes I don’t want it. Canon’s being a bit more punchy with the warm colors, Nikon colors seem a bit softer more pastel. Especially when you mix blues and greens which actually looks cool for landscape photography.
The X-Trans thing I haven’t had any issues with. Sometimes I get those wormy artifacts but I usually only see that if I’m using a second monitor where the scaling is off. A lot of people are saying Capture One completely eliminate the wormy artifacts, but it hasn’t been enough of an issue for me to care about switching to Capture One. And again, I only see it if I blast my sharpness or am using a second monitor out from my Macbook pro that is only 1080p. So the way around it is to render out PS from LR before you sharpen. Then sharpen the PSD which uses the edge detail instead of looking at the pixel array from the X-Trans. Problem solved. Or just use Capture One.
So, final thoughts.
It’s tough, it really is, mainly because the Nikon system is bigger, and the Fujifilm color system is pretty dang fun to play around with. But, in terms of tech and performance, the Nikon Z6, with the 50mm f1.8 Z lens, is the best experience I’ve ever had with a camera ever. I have yet to see a system that matches that lens with that body.
There is the Sony A9 with the fast very customizable autofocus, but the Nikon Z6 is easier to control and I think still has a better initial acquisition system than the Sony. It like instantly has eyes and faces tracking before I can bring the camera up to my eye. And the 50mm Z, for an f1.8 lens is significantly better than anything anyone else has right now for a do it all lens. I still say it’s the best 50mm ever made.
So the AF on the Z6 with the 50mm is better than anything Fujifilm offers right now, but, I feel like the Fujifilm X-T3 is still better at autofocus in low light and the Fujifilm X-T3 is very customizable for continuous autofocus tracking so it’s a little bit easier to make it work for exactly the situation you’re shooting in if you spend the time noodling the settings to fit your exact needs.
Ok, so if my house burned down and killed all my cameras and I had to start over. I would buy a Nikon Z7 first. Simply because I shoot landscape a lot, and street a lot. And the Z7 is great for landscape and with that Z7 sensor I could crop it down to APS-C and get a 135mm field of view out of my 85mm lens and still get 19-20MP which would be super fun. But I would definitely get an X-T3 or probably an X-Pro2 or X-Pro3 as soon as possible. I shot with the X-Pro2 for a few years as my primary camera and it was just such an amazing experience and all those super cheap Chinese lenses are a ton of fun to mess around with. I imagine we’ll see them in the Z mount soon now that Nikon has an APS-C Z system, which is also going to turn into something really cool.
I’m pretty sold on the Nikon as the Full frame system of choice for me, they are not perfect yet but doing all the right things and going in the right direction. They have the best screens, top tier IBIS and they’ve been rolling out some really cool lenses at great prices if you compare the 85mm f1.8 to the XF 56mm f1.2. Both around $900.
The Sony’s are cool too the A7rIII is now priced really competitively ( I still own mine ), but they’re a little behind these days in terms of user interface, rear screens size and resolution and video features, with no plans for improvement in sight. So I think the Nikon is just way more fun to shoot with and more versatile and Nikon lenses are proving to be more interesting for sure than Sony. Fujifilm overall has a more complete system, it’s all dialed in, all the focus features and video features just work, the X-T3 is pretty much a perfect camera.
So there you go! I was late to reply but enjoy your next happy hour! 🙂
Oh and Canon. The AF on the EOS R is actually pretty good now. Just Canon isn’t offering any EOS R lenses that interest me right now. I don’t care about ultra fast zoom. F4 zoom lenses are fine for landscape really and then ‘cheap’ Canon lenses always have some annoying crippling flaw like the crazy astigmatism on the RF35mm f1.8.
Wow, quite a piece of work you did to assemble all this information. Much appreciated. I’d vote for keeping the table of contents.
So, given all the cameras and lenses you’ve tried, if you woke up one morning and found your wife had sold all your camera gear and put the cash back in your ‘fun’ bank account, and you wanted to restock with just one mirrorless camera and only two lenses, prioritizing portability and image quality, what would you pick? I’ve got a family of Canon DSLRs and lenses, but i’m jone’sen to get in to mirrorless for EVF, smaller size, quieter shutter, etc. I’ve been falling back and forth on each side of the Fuji X-T3 vs. Nikon Z6. (But hesitate with Fuji due to the LR issues with sharpening the X-Tran sensors, and crop sensor, but hesitate on the Nikon for limited and pricier lens selection). I know, completely unfair question, but what the heck, its Friday afternoon here in the U.S., almost happy hour time. Why not some loose talk and opinions?! I promise not to quote you on it! 😉 Craig
Are Canon lenses compatible with Fuji xt3‽ If yes, how do they perform?
I have Canon 70-200MM f4 IS II & 40MM f2.8
Are these above lenses compatible?
Amazing work there. Very helpful. Appreciated.
I am planning to get into the fuji system and start with a XT3. What would be a good third party lens for capturing landscapes?
You are missing one lens, the Fujifilm XM-FL 28mm f2 lens. It was only sold in Japan and while it is OOP it is still available on ebay for around $90 USD. It comes in either sliver or black.
https://petapixel.com/2015/02/06/fujis-new-xm-fl-x-mount-body-cap-lens-built-photo-filters/
https://www.ebay.com/sch/625/i.html?_from=R40&_nkw=xm-fl&LH_TitleDesc=0&_sop=15
https://www.flickr.com/groups/fujifilm_xm-fl/pool/
https://www.haozhexu.me/article/2019/bestfujistreetlens/
This reviewer does a comparison of the XM-FL against the XF 23 f1.4.
https://www.macfilos.com/2016/02/10/2016-2-8-fuji-xm-fl-vs-xf23mm-the-most-fun-you-can-have-with-your-lenses-on/
Just wanted to update my favorite Fuji site that there’s a 7artisans 12mm f2.8 missing from the list. Keep up the great content, Alik!
Man, I thought I added that one already, I guess not. I think there is a Kipon 12mm coming too.
Is there any way to mount Nikkor F lenses on the Fuji Xt series retaining the AF?
Not that I know of.
As it seems now, the long awaited new Viltrox lenses for the Fuji X system will be labelled as Tokina instead. At least Tokina has officially announced three lenses with the exact same specifications and looks for 2020:
https://tokinalens.com/news/tokina_new_lenses_2020_line_up_development_announcement/
The Tokina lenses might be more expensive though. Even though they share some of the same optical formulas as Viltrox, they have upgraded builds, coatings and usually better autofocus. I’m not sure if they are using Fujifilm-licensed specifications for the mount communications, but they are with Sony and this results in improved AF.
Great list 🙂
Btw, the photos you use for illustration in this article, where/how did you find them?
The photo on the top I shot, the photos in the article I pull from BHphoto or Amazon.
I never have and would never use UV or skylights filters. As a retired Fujifilm Professional Products Rep, I can tell you, use a lens hood on every lens, NOT a “protective” filter.
Air-to-glass surfaces cause refraction. ANY filter can cause refraction, regardless of brand.
I ONLY recomend polarizers and only for correcting glare, color saturation, etc.
I also ran specialty camera stores for 15 years prior to my 20 years at Fujifilm. I sent MANY customer lenses in for repairs because they were dropped with “protective filters” on them which were: jammed, bent lens threads, threw glass into the camera lens and other problems.
Thanks. I have an old UV filter post I’ve been meaning to update. I’ll be sure to share your experience. I’ve also been studying a lot of physics the last few years and yes, the refraction with surfaces is a pretty big issue, especially if the coatings are not great. Every single surface creates a potential for light to scatter but there are some pretty cool advancements in glass that have been going on in the last few years. LIGO for example is getting a new glass mirror upgrade soon and it has some pretty advance glass going into its mirrors.
I personally actually rarely use UV filters anymore unless i’m in a situation where I need additional weather sealing. I find the lens hoods are more than enough to protect most lenses form any issues.
Fantastic list. New to the wide world of lenses, and curious as to thoughts about using a speedbooster vs adapter, particularly for vintage lenses.
Been following this site for quite a while. Missing opinions for adapted lenses on Fuji. Tried a Viltrox EF_FX adapter (disaster), currently using a Fringer FX-EF pro I with several old Canon lenses, USM types okayish, older Lens Motors struggle, no info on USM. Are U planning on reviewing the adapter world? (Counts for Sony too, since Metabones IV allows me to use my Canon lenses on Fuji and Sony A7Rii)
I have a lot of adapters for MF, but using AF adapters just never gets me excited. They always have some sort of issue or under perform in some form. So I never really got into reviewing them. Speed boosters are fun though since they all bring their own craziness to the adapted lenses.
I have an older metabones for Canon EF to Sony E. I still use it from time to time on my 70-200 EF and it’s fine. But still not as good as just using the Sony lens on the Sony body.
I also have the techart adapter for Sony E to Nikon Z, but it just kind of sucks. I’ll still use it for my E-Mount SLR Magic MF lenses though but don’t have too much fun with it on the AF lenses. Sometimes I’ll use it on my Sony Zeiss 35mm f2.8, because that lens has such a unique look and it’s fun to pair it with the Nikon, but it’s only really good to use in full day light.
But for manually focus lenses, I’ve pretty much found Kipon to be the best value for adapters. Very high quality and reasonably priced. I don’t usually buy anything else anymore.
May be from interest: Pinhole lenses from https://thingyfy.com/ .
Also listed at Amazon.
you could add a tilt adapter for M442 to X mount…i have a cheap one from amazon and it’s great
Thanks man. Typing fast + Dyslexia always produces some fun results. 🙂
Rokinon released a 14mm F2.8 MF WR earlier this year that should be added.
Great job on the list though! This has been a great help in my search for a “perfect” set up.
Since the last update the xf 70-300 has come out and the 18-300 tamron is released. Thanks for this list!
Come across this X-mount collection and your site is very comprehensive indeed. Would suggest adding weight info in the lens table as this is one of the key selection factors. Besides, whether there is electronic contract with camera would also be an important feature for 3rd party lens.
Finally added the Gizmon lenses. 3 years later. 🙂
What do you think about adapt Nikon AF-S and Canon EF lenses on a Fuji camera? There are autofocus adapters and I could use my old lenses
If you have the lenses try them. I’m always adapting different brand lenses on different cameras. Even using Sony E lenses on my Nikon Z body and I used EF lenses on my Sony for years. There are some decent adapters now but you will still have some AF limitations. Just make sure those Nikon lenses aren’t screw drive or they won’t be able to focus.
What do you think about adapt Nikon AF-S and Canon EF lenses on a Fuji camera? There are autofocus adapters and I could use my old lenses
The XF 33mm also has a linear motor (LM) – it’s missing in your entry of the xf 33mm.
Nice List, very detailed!
Thanks! Updating now.
I don’t think it’s discontinued but Samyang makes the TILT/SHIFT LENS 24mm F3.5 ED AS UMC for Fuji according to their website
You’re right, I found it on Amazon in Japan. Thanks!
Hallo,
Samyang has now 2 AF Lenses for Fujifilm:
Samyang AF 12mm f/2.0 Foto Objektiv für Fuji X AF 75mm f/1.8 Foto Objektiv für Fuji X https://www.samyang.de/af-75mm-f-1.8-fuji-x-mount
BR
T.
Thanks Tomasz.
The 12mm should be on the list but I was missing that 75mm. I’ve updated and you should start seeing it in a few days.
HiI mainly shoot portraits. I’m curious about your thoughts on a lens. I’m using the 7Artisans 55mm f/1.4 II Fujifilm xt20. Would you recommend it?Is this lens a good lens in terms of focusing? Can we consider this lens as an equivalent to which lens in the
Hi, there is a small mistake, the Fujifilm XF 33mm f1.4 R LM WR is listed as a 35mm lens on the left column.
Thanks Alex, I’ll correct that!
Hi Alik! This is really my go-to reference page for lenses for my Fuji. So thanks for that!
I see the mkii XF16-55/f2.8 is still missing. DPReview’s spec page has all the info: https://www.dpreview.com/products/fujifilm/lenses/fujifilm_xf_16-55_2p8_r_lm_wr_ii/specifications
Hi, good site! But let me say, you wrote:‘I use the Fujifilm M-Mount adapter to mount my Leica M lenses. It has a very nice construction and is a perfect fit for both the camera and the Leica M lenses. The adapter also has a button that instantly sends you to the Mount Adapter Settings, so you can quickly select which lens you’re using for the EXIF data. This is a function of the adapter, the more important , the far more important, but the influence on the lens correction. Greetings
Yes, but you have to set that all up for each lens. I don’t usually have lens corrections set up for each focal length.
The big thing now is setting the correct focal length so that IBIS can work correctly on the new cameras.