This year, Fujifilm has given us a new look called Eterna. Eterna is built for the videographer or cinematographer using Fujifilm cameras that wants a very flat, low saturation look that offers more flexibility for post color work.
With the new Fujifilm X-H1 and eventually after some firmware for the X-T2, we have the option to do both. F-log and a flat film profile called Eterna. Pretty cool, but as a photographer should you care?
All around the Fujifilm 16mm f1.4 is a phenomenal lens with very few negative characteristics other than maybe its size and weight. I chalk it up as one of the best Fujifilm lenses in terms of overall design and tuning of characteristics and probably the best ultra wide prime ever made.
The Fujinon 14mm f2.8 is one of Fujifilms oldest (of the modern) lenses, it’s slow and noisy with a stepping motor focus system, but optics are everything and this 14mm captures some incredible images for both landscape photographers or those just looking to have a little fun with an ultra-wide.