This is a complete list of Canon RF Lenses, updated regularly. It now includes APS-C lenses. This list includes all the official Canon and third-party lenses for the RF system. I also occasionally add lenses from Canon’s Lens Roadmap.
Canon also makes a series of PL lenses that can be adapted to the RF mount. See the complete list of every PL Mount lens to see your options if you need more lenses of this type. PL mount lenses can easily be adapted to the Canon RF bodies.
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Official Canon RF Lenses – Lens List
This section features all the available official Canon RF lenses. See the list of Canon RF cameras.
Canon RF Prime & Zoom Lens List
Check out the Canon RF Lenses from the Official Canon USA store for more stats, pricing, and features that may not be listed here.
Canon Prime Lenses:
L-series primes: The Canon L lenses are the pinnacle of image quality, and they are crafted with top-tier elements, coatings, and mechanics. Weather sealing adds another layer of protection for challenging environments.
Non-L primes: Ideal for casual photography, these lenses offer good value and often possess unique characteristics.
Canon Zoom Lenses:
The Canon Zoom lenses also come in L and non-L builds. Their range of zooms, including f2 zoom lenses, stretches from an ultra-wide 15mm to a telephoto reaching 800mm, catering to various shooting styles.
Remember, the best lens choice depends on your needs and shooting style. When selecting, consider factors like budget, desired focal length, aperture range, and image quality priorities.
Lens Name | Format | Focal Length | FF Equiv | Min. Focus | Elements | Aperture | Filters | Weight | Store Links | |||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Prime Lenses | Prime | no,yes | no,yes | FF, APS-C | ||||||||||
Canon RF-S 3.9mm f3.5 Dual Fisheye | prime | no | no | APS-C | 3.9 | 6.24 | 7.9" / 200.7 mm | 11/8 | 7 | Gel Filter (Rear) | 10.2 oz / 289 g | Amazon | ||
Canon RF 5.2mm f2.8 L Dual Fisheye 3D | With the Canon 5.2mm f/2.8 L Dual Fisheye 3D VR lens, you can now capture breathtaking 180ยฐ VR in stunning 3D, all in one shot. Ditch the stitching, embrace the ease โ seamlessly switch between traditional captures and immersive 3D VR with this innovative lens. Paired with the EOS R5 camera, it unlocks high-resolution 8K DCI 30fps or 4K DCI 60fps for incredibly detailed and captivating experiences. | prime | yes | no | FF | 5.2 | 8.32 | 7.9" / 200.7 mm | 12/10 | 7 | Gel Filter (Rear) | 12.4 oz / 352 g | Amazon / Adorama / B&H | |
Canon RF 16mm f2.8 | The Canon 16mm f/2.8 STM is a wide-angle prime lens featuring a rectilinear design, 16mm focal length, and f/2.8 maximum aperture. Its compact and lightweight design makes it suitable for everyday use, while the wide field of view is well-suited for capturing interiors, architecture, landscapes, and astrophotography. One aspherical element helps minimize distortion, and the lens offers a close focusing distance of 5.1 inches. An STM autofocus motor provides quiet and smooth operation for both still and video applications. | prime | no | no | FF | 16 | 25.6 | 5.1" / 13 cm | 9/7 | 7R | ร43mm | 5.8 oz / 165 g | Amazon / Adorama / B&H | |
Canon RF 24mm f1.8 Macro IS | The Canon 24mm f/1.8 Macro IS STM is a wide-angle prime lens with macro capabilities. This unique combination offers a broad field of view while enabling close-up photography with a 1:2 magnification ratio and 5.5" minimum focusing distance. The f/1.8 aperture allows for shallow depth of field control and low-light shooting. Aspherical and UD elements minimize aberrations for sharp, color-accurate images. Other features include a Super Spectra coating for flare reduction, a nine-blade diaphragm for pleasing bokeh, a quiet STM autofocus motor, and a 5-stop image stabilizer. This lens is suitable for various photography styles, including landscapes, nature, street, and close-up work. | prime | no | yes | FF | 24 | 38.4 | 5.5" / 14 cm | 11/9 | 9R | ร52mm | 9.5 oz / 270 g | Amazon / Adorama / B&H | |
Canon RF 28mm f2.8 STM | The Canon 28mm f/2.8 STM is a lightweight and budget-friendly wide-angle prime lens designed for full-frame Canon RF-mount cameras. Its compact size and bright f/2.8 aperture make it versatile for everyday photography, travel, street shooting, and even video. Offering a classic 28mm focal length (or 45mm equivalent on APS-C cameras), it excels at capturing expansive scenes while also enabling close-up shots with decent depth of field thanks to its 9.1-inch minimum focus distance. Aspherical elements ensure sharpness, while Super Spectra Coating minimizes unwanted reflections for clear, well-contrasted images. Its quiet and smooth STM autofocus motor makes it suitable for both stills and video applications, and a configurable control ring offers personalized exposure adjustments. Overall, the Canon RF 28mm f/2.8 STM delivers a compelling combination of portability, affordability, and image quality, making it a strong contender for everyday photography enthusiasts. | prime | no | no | FF | 28 | 44.8 | 9.1" / 23 cm | 8/6 | 7 | ร55mm | 4.2 oz / 120 g | Amazon / Adorama / B&H | |
Canon RF 35mm f1.4 L VCM | The Canon RF 35mm f/1.4L VCM Lens is designed for high-end cinema video. It features an ultra-fast f/1.4 maximum aperture, 11-blade iris for soft bokeh, minimal focus breathing, and Voice Coil Motor (VCM) and Nano USM for autofocus. The optical design minimizes chromatic aberrations, and the lens is weather-sealed for durability in any environment. | prime | yes | no | FF | 35 | 44.8 | 11.02" / 28 cm | 14/11 | 11R | ร67mm | 1.2 lb / 555 g | Amazon / Adorama / B&H | |
Canon RF 35mm f1.8 IS Macro | https://alikgriffin.com/canon-rf-35mm-f1-8-review-sample-photos/ | The Canon 35mm f/1.8 Macro IS STM is a wide-angle prime lens combining versatility with macro capabilities. This lightweight lens features a bright f/1.8 aperture and 5-stop image stabilization for low-light and handheld shooting. Its 1:2 magnification ratio and 6.7" minimum focusing distance enable close-up shots. Aspherical elements and Super Spectra coating minimize aberrations and flare for sharp, clear images. A quiet STM motor allows for smooth autofocus, while a configurable control ring offers personalized exposure adjustments. This lens is suitable for various photography styles, including landscapes, portraits, street photography, and close-up work. | prime | no | yes | FF | 35 | 56 | 6.69" / 17 cm | 11/9 | 9R | ร52mm | 10.76 oz / 305 g | Amazon / Adorama / B&H |
Canon RF 50mm f1.2 L USM | The Canon 50mm f/1.2 L USM stands out as a high-performance prime lens for Canon's RF-mount cameras. Renowned for its exceptionally bright f/1.2 maximum aperture, this lens excels in low-light environments and allows for creative control over depth of field, isolating subjects with pleasing bokeh. Its advanced optical design incorporates specialized elements to minimize aberrations and ensure sharp, color-accurate rendering. Furthermore, a ring-type ultrasonic motor delivers swift, near-silent autofocus with manual override, while a unique control ring grants direct access to exposure adjustments on the lens itself. Built to withstand challenging conditions, this weather-resistant lens is a trusted companion for professional photographers seeking exceptional image quality and precise control in various lighting scenarios. | prime | yes | no | FF | 50 | 80 | 1.31' / 40 cm | 15/9 | 10R | ร77mm | 2.09 lb / 950 g | Amazon / Adorama / B&H | |
Canon RF 50mm f1.8 | The Canon 50mm f/1.8 STM is a compact, lightweight prime lens offering a classic 50mm focal length for full-frame Canon RF-mount cameras. This versatile lens is well-suited for everyday photography due to its bright f/1.8 aperture, which allows for good low-light performance and depth-of-field control. An aspherical element minimizes distortion, while a Super Spectra coating reduces flare and ghosting for clear images. Its quiet STM motor makes it suitable for both stills and video, and a configurable control ring allows for quick exposure adjustments. Overall, this lens offers a good balance of portability, affordability, and image quality, making it a popular choice for everyday photographers. | prime | no | no | FF | 50 | 80 | 11.8" / 30 cm | 6/5 | 7R | ร43mm | 5.6 oz / 160 g | Amazon / Adorama / B&H | |
Canon RF 85mm f1.2 L USM | The Canon 85mm f/1.2 L USM stands out as a premium portrait lens, renowned for its exceptional low-light performance and sharp, color-accurate images. This full-frame lens boasts an incredibly bright f/1.2 maximum aperture, enabling photographers to achieve stunning shallow depth-of-field effects and capture exceptional results even in dimly lit environments. Its advanced optical design incorporates specialized elements like a Blue Spectrum Refractive Optics element and an aspherical element, effectively minimizing aberrations and color fringing for remarkable clarity and color accuracy. Furthermore, a ring-type ultrasonic motor delivers swift, near-silent autofocus performance with full-time manual focus override, ensuring precise control over every shot. For added convenience and customization, a unique control ring on the lens itself allows for direct adjustment of exposure settings. Built to withstand challenging conditions, this weather-resistant lens empowers photographers to create professional-grade portraits and more, regardless of the lighting situation. | prime | yes | no | FF | 85 | 136 | 2.79' / 85 cm | 13/9 | 9R | ร82mm | 2.63 lb / 1195 g | Amazon / Adorama / B&H | |
Canon RF 85mm f1.2 L USM DS | The Canon 85mm f/1.2 L USM DS stands out as a unique portrait lens, specifically designed to deliver exceptional bokeh at wider apertures. Unlike other lenses in its class, it incorporates a Defocus Smoothing (DS) coating, producing a remarkably soft and creamy background blur while maintaining sharp focus on the subject, resulting in a distinct three-dimensional look. This characteristic bokeh effect is most prominent at f/1.2, though it's important to note that the DS coating requires slightly more exposure compensation compared to the standard version of the lens. Despite the softer bokeh, sharpness is retained in the in-focus areas, ensuring clear subject separation. | prime | yes | no | FF | 85 | 136 | 2.79' / 85 cm | 13/9 | 9R | ร82mm | 2.63 lb / 1195 g | Amazon / Adorama / B&H | |
Canon RF 85mm f2 Macro IS | The Canon 85mm f/2 Macro IS STM is a short-telephoto prime lens for Canon RF-mount mirrorless cameras. It offers versatility with its close-focusing capabilities, making it suitable for various subjects like portraits and macro photography. Despite its modest f/2 maximum aperture, the lens remains compact while enabling low-light shooting and shallow depth of field effects. For close-ups, it boasts a 1:2 macro magnification and a minimum focusing distance of 1.15 feet. The lens features a 5-stop optical image stabilizer (IS) for sharper images in low light or with slow shutter speeds. The Hybrid IS setting compensates for both angular and shift camera movements, especially beneficial for macro work. An STM stepping motor ensures fast, quiet, and accurate autofocus, ideal for both still photography and video recording. A configurable control ring allows users to adjust exposure settings directly on the lens. The rounded nine-blade diaphragm contributes to pleasing bokeh, while a UD element minimizes aberrations for clear, sharp images. | prime | no | yes | FF | 85 | 136 | 1.15' / 35.05 cm | 12/11 | 9R | ร67mm | 17.64 oz / 500 g | Amazon / Adorama / B&H | |
Canon RF 100mm f2.8 L IS Macro | The Canon 100mm f/2.8 L Macro IS USM lens boasts a medium-telephoto perspective and excels in close-up photography, making it suitable for both portraits and macro subjects on full-frame EOS R-series cameras. With a fixed 100mm focal length and a bright f/2.8 maximum aperture, the lens delivers stunning image quality even in low-light conditions and allows for beautiful background blur. It boasts an impressive 1.4x maximum magnification, enabling incredibly detailed close-up shots. Built for sharp results, the lens incorporates a 5-stop optical image stabilizer, further enhanced by a Hybrid IS system when paired with compatible cameras, effectively combating camera shake for steadier shots. Additionally, a Super Spectra coating minimizes unwanted ghosting and flare. | prime | yes | yes | FF | 100 | 160 | 10.2" / 26 cm | 17/13 | 9 | ร67mm | 1.6 lb / 730 g | Amazon / Adorama / B&H | |
Canon RF 135 f1.8 L IS | The Canon135mm F1.8 L IS USM lens, successor to the well-regarded EF135mm, utilizes a completely new optical design and advanced features for the EOS R-series mirrorless cameras. This medium-telephoto prime lens boasts a bright f/1.8 maximum aperture, enabling shallow depth of field and excellent low-light performance. Its 17-element, 12-group construction incorporates three UD glass elements and Air Sphere Coating (ASC) to minimize aberrations for sharp, clear images. Built-in optical image stabilization (IS) compensates for up to 5.5 stops of camera shake, further enhanced to 8 stops with Coordinated IS for steadier handheld shooting. Additionally, a fast and quiet Nano USM autofocus motor ensures smooth and precise focusing, both for stills and video recording. Two programmable function buttons on the lens barrel offer quick access to desired settings, while the weather-sealed construction safeguards the lens in challenging environments. This combination of features makes the RF135mm F1.8 L IS USM a versatile choice for photographers seeking high-quality portraits, sports, and telephoto images, particularly in low-light conditions. | prime | yes | yes | FF | 135 | 216 | 2.3' / 70 cm | 17/12 | 9R | ร82mm | 2.1 lb / 935 g | Amazon / Adorama / B&H | |
Canon RF 400mm f2.8 L IS | The Canon 400mm f/2.8L IS USM lens caters to professional photographers using EOS R-series mirrorless cameras, offering exceptional performance for capturing distant subjects like wildlife and sports in sharp detail. This super-telephoto lens boasts a bright f/2.8 maximum aperture, enabling low-light shooting and depth-of-field control. Its 5.5-stop optical image stabilization ensures crisp handheld images, while Super Spectra and Air Sphere Coatings minimize unwanted ghosting and flare. Additionally, Super UD and fluorite elements combat chromatic aberrations for high clarity and accurate colors. Two focus presets allow for quick focus recall, and a customizable focus ring offers manual control during autofocus operation. The lens is further enhanced by its compatibility with Canon RF extenders for even greater reach. Dust and water-resistant construction safeguards the lens in challenging outdoor environments, making it a powerful tool for demanding photographers seeking top-tier image quality and performance from their telephoto lenses. | prime | yes | yes | FF | 400 | 640 | 8.2' / 2.5 m | 17/13 | 9 | ร52mm (Drop-In) | 6.4 lb / 2.9 kg | Amazon / Adorama / B&H | |
Canon RF 600mm f4 L IS | The Canon 600mm f/4 L IS USM lens caters to professional and advanced photographers using EOS R-series mirrorless cameras, offering exceptional performance for capturing distant wildlife and sports in sharp detail. This super-telephoto lens boasts a bright f/4 maximum aperture, enabling low-light shooting and depth-of-field control. Its advanced design incorporates 5.5-stop optical image stabilization for crisp handheld images, further enhanced by Super Spectra and Air Sphere Coatings that minimize ghosting and flare. Additionally, Super UD and fluorite elements combat chromatic aberrations for high clarity and accurate colors. The lens provides quick, quiet, and accurate autofocus performance, with two focus presets for instant recall and a customizable electronic focus ring for precise manual control. Compatibility with Canon RF extenders allows for even greater reach, while the dust and water-resistant construction safeguards the lens in challenging outdoor environments. | prime | yes | yes | FF | 600 | 960 | 13.8' / 4.2 m | 17/13 | 9R | ร52mm (Drop-In) | 6.8 lb / 3.1 kg | Amazon / Adorama / B&H | |
Canon RF 600mm f11 IS | The Canon 600mm f/11 IS STM lens stands out as a unique super-telephoto lens due to its surprisingly compact and lightweight design for its focal length. This is achieved thanks to a retractable design and a fixed f/11 aperture, enabling handheld super-telephoto shooting and sharp results even in challenging lighting with its 5-stop optical image stabilization. Designed for full-frame Canon RF-mount cameras, the lens balances its fixed aperture with good depth of field and sharpness. Notably, it minimizes chromatic and spherical aberrations through dual-layer diffractive optics, further contributing to its compact size. The lens boasts a retractable design with a locking barrel, making it remarkably small for a super-telephoto option. Furthermore, an optical image stabilizer compensates for camera shake for steadier shots, especially in low-light conditions. This lens utilizes a quiet and precise STM stepping motor for autofocus, making it suitable for both stills and video capture. Users can also customize a control ring to adjust settings like aperture, ISO, and exposure compensation. For even greater reach, the lens is compatible with optional Canon RF teleconverters, increasing its effective focal length further. | prime | no | yes | FF | 600 | 960 | 14.76' / 4.5 m | 10/7 | fixed | ร82mm | 2.05 lb / 930 g | Amazon / Adorama / B&H | |
Canon RF 800mm f5.6 L IS | The Canon 800mm f/5.6 L IS USM lens caters to professional photographers using EOS R-series mirrorless cameras. This super-telephoto prime lens balances impressive performance with a surprisingly compact and lightweight design, making it well-suited for sports, wildlife, and journalism applications. It offers a tightly focused field of view for isolating distant subjects, aided by responsive autofocus and image stabilization. Reliable weather-sealing protects the lens in outdoor environments, while intuitive handling ensures dependable use in fast-paced situations. Drawing upon past EF and RF super-telephoto designs, this lens boasts top-range optics for demanding shooting scenarios. Two fluorite and two UD elements effectively eliminate chromatic aberrations, delivering outstanding clarity and color accuracy without fringing. This advanced optical design also contributes to its sleek and portable form factor. Both Air Sphere and Super Spectra Coatings enhance image quality by maintaining high contrast and color accuracy while minimizing lens flare and ghosting, even in bright lighting conditions. Additionally, a nine-blade diaphragm contributes to a pleasing bokeh quality. | prime | yes | yes | FF | 800 | 1280 | 8.5' / 2.6 m | 26/18 | 9R | ร52mm (Drop-In) | 6.9 lb / 3140 g | Amazon / Adorama / B&H | |
Canon RF 800mm f11 IS | The Canon 800mm f/11 IS STM lens stands out for its unique blend of super-telephoto reach and remarkably compact design. This is achieved through a retractable design and a fixed f/11 aperture, allowing for handheld super-telephoto shooting and sharp results even in challenging lighting conditions thanks to its 4-stop optical image stabilization. Designed for full-frame Canon RF-mount cameras, the lens balances its fixed aperture with good depth of field and sharpness. Notably, it minimizes chromatic and spherical aberrations through dual-layer diffractive optics, further contributing to its compact size. The lens boasts a retractable design with a locking barrel, making it surprisingly small for a super-telephoto option. Furthermore, an optical image stabilizer compensates for camera shake for steadier shots, especially in low-light conditions. This lens utilizes a quiet and precise STM stepping motor for autofocus, making it suitable for both stills and video capture. Users can also customize a control ring to adjust settings like aperture, ISO, and exposure compensation. For even greater reach, the lens is compatible with optional Canon RF teleconverters, increasing its effective focal length further. | prime | no | yes | FF | 800 | 1280 | 19.69' / 6 m | 11/8 | fixed | ร95mm | 2.77 lb / 1260 g | Amazon / Adorama / B&H | |
Canon RF 1200mm f8 L IS | The Canon 1200mm f/8 L IS USM is a super-telephoto prime lens designed for professional photographers using EOS R-series mirrorless cameras. Its exceptional reach makes it ideal for wildlife and sports photography, capturing distant subjects in close-up detail. Despite its impressive 1200mm focal length, the lens boasts a surprisingly compact and lightweight design, making it easier to handle than other super-telephoto options. This is achieved through an advanced optical design incorporating fluorite and UD elements for outstanding clarity and color accuracy, while minimizing chromatic aberrations and fringing. Additionally, Air Sphere and Super Spectra Coatings enhance image quality by reducing lens flare and ghosting, particularly in bright lighting conditions. The lens also features responsive autofocus, image stabilization, and a customizable control ring for adjusting settings, offering a versatile feature set for demanding professional applications. | prime | yes | yes | FF | 1200 | 1920 | 14.1' / 4.3 m | 26/18 | 9R | ร52mm (Drop-In) | 7.3 lb / 3340 g | Amazon / Adorama / B&H | |
Zoom Lenses | Zoom | no,yes | no,yes | FF, APS-C | ||||||||||
Canon RF 10-20mm f4 L IS | Canon's 10-20mm f/4 L IS STM lens packs pro-grade quality into a compact zoom, ideal for landscapes, nature, and architecture. Advanced optics deliver sharp, colorful images with minimal distortion. Weather-sealed, it tackles any adventure. Silent autofocus excels in photos and videos. Powerful image stabilization lets you shoot sharp handheld in low light. Get creative with close-up shots and a customizable control ring. This versatile lens empowers photographers to capture stunning ultra-wide images. | zoom | yes | yes | FF | 10-20 | 16-32 | 9.8" / 25 cm | 16/12 | 9 | Gel (Rear) | 1.3 lb / 570 g | Amazon / Adorama / B&H | |
Canon RF 14-35mm f4 L IS | The Canon 14-35mm f/4 L IS USM is a versatile ultra-wide zoom lens for full-frame mirrorless cameras. Its constant f/4 aperture, 5.5-stop image stabilization (7 stops with in-body stabilization), and fast, quiet autofocus make it suitable for landscapes, nature, and architecture photography. The lens features advanced optics with three aspherical and three UD elements for sharp, accurate color images. Unique coatings minimize flare and ghosting. Its L-series designation signifies a robust build with weather sealing and fluorine coating for protection. A minimum focus distance of 7.9 inches throughout the zoom range allows for creative close-up shots. A configurable control ring offers quick adjustments to exposure settings. | zoom | yes | yes | FF | 14-35 | 22.4-56 | 7.9" / 20.1 cm | 16/12 | 9R | ร77mm | 1.2 lb / 544 g | Amazon / Adorama / B&H | |
Canon RF 15-35mm f2.8 L IS | Canon's 15-35mm f/2.8 L IS USM brings versatility and performance to wide-angle photography for full-frame mirrorless cameras. Its constant f/2.8 aperture empowers low-light shooting and creative depth-of-field control, while its focal range seamlessly transitions from landscapes to nature and documentary scenes. Advanced optics featuring UD and aspherical elements minimize chromatic aberrations and distortion, ensuring sharp, color-accurate images across the zoom range. An Air-Sphere Coating effectively combats backlit flaring, maintaining high contrast even in bright conditions. The lens boasts a Nano USM focusing system, delivering swift, near-silent autofocus performance ideal for both stills and video capture. Additionally, a 5-stop image stabilization system compensates for camera shake, enabling sharp handheld shots in low light or with slow shutter speeds. For enhanced creative control, a customizable control ring allows for intuitive adjustments to aperture, ISO, and exposure compensation. The lens's weather-sealed design further empowers photographers to shoot confidently in challenging outdoor environments, thanks to its protection against dust and moisture. | zoom | yes | yes | FF | 15-25 | 24-40 | 11.02" / 28 cm | 16/12 | 9R | ร82mm | 1.85 lb / 840 g | Amazon / Adorama / B&H | |
Canon RF 15-30mm f4.5-6.3 IS | The Canon 15-30mm f/4.5-6.3 IS STM presents a compact and versatile wide-angle zoom lens for full-frame mirrorless cameras. Its lightweight design and modest aperture cater to travel and everyday shooting, while its focal range seamlessly transitions from ultra-wide landscapes to detailed architectural shots or captivating street scenes. Sharp, color-accurate images are achieved through a combination of two UD elements and one aspherical element, further enhanced by a Super Spectra Coating that minimizes flare and ghosting. Photographers can confidently shoot handheld in low light or with slow shutter speeds, thanks to the lens's impressive 5.5-stop image stabilization (boosted to 7 stops with coordinated IS). Additionally, the fast and quiet STM autofocus motor ensures smooth performance for both photos and videos. For capturing close-up details, the lens boasts a respectable 1:2 magnification and a minimum focusing distance of 5.1 inches. This versatility, coupled with its portability and image quality, makes the Canon RF 15-30mm f/4.5-6.3 IS STM a well-rounded option for photographers seeking a reliable wide-angle companion for various shooting styles. | zoom | no | yes | FF | 15-30 | 24-48 | 5.1" / 13 cm | 13/11 | 7 | ร67mm | 13.8 oz / 390 g | Amazon / Adorama / B&H | |
Canon RF 24-50 f4.5-6.3 IS | The Canon 24-50mm f/4.5-6.3 IS STM lens is a lightweight, versatile zoom lens for full-frame mirrorless cameras. Covering wide-angle to normal focal lengths, it's suitable for everyday photography, vlogging, and content creation. It handles landscapes, cityscapes, portraits, and more. A quiet autofocus motor ensures smooth performance for both photos and videos. Image stabilization compensates for camera shake, allowing sharp handheld shots in low light. A control ring on the lens barrel adjusts various settings, adding flexibility. Aspherical elements and a special coating minimize unwanted light effects. The lens is compact and weighs only 7.4 ounces. | zoom | no | yes | FF | 24-50 | 38.4-80 | 11.8" / 30 cm | 8/8 | 7 | ร58mm | 7.4 oz / 210 g | Amazon / Adorama / B&H | |
Canon RF 24-70mm f2.8 L IS | The Canon 24-70mm f/2.8 L IS USM delivers versatile wide-angle to portrait capabilities for full-frame mirrorless cameras. Its constant f/2.8 aperture empowers photographers to excel in low-light situations and manipulate depth-of-field creatively. Advanced optics, incorporating UD and aspherical elements, combat aberrations effectively, rendering sharp and clear images throughout the zoom range. An Air Sphere Coating further minimizes unwanted light effects for high contrast even in bright conditions. Complementing the optical strengths, a Nano USM system facilitates swift, near-silent autofocus performance, well-suited for both photo and video capture. Additionally, a 5-stop image stabilization system compensates for camera shake, ensuring sharp handheld shots in low light or with slower shutter speeds. For enhanced creative control, a customizable control ring grants direct access to exposure adjustments on the lens itself. The lens's weather-sealed design further empowers confident shooting in challenging outdoor environments, thanks to its protection against dust and moisture. In essence, the Canon RF 24-70mm f/2.8 L IS USM stands as a high-performance zoom lens, suitable for various photography styles and demanding environments, offering exceptional image quality and reliable performance. | zoom | yes | yes | FF | 24-70 | 38.4-112 | 8.27" / 21 cm | 21/15 | 9R | ร82mm | 1.98 lb / 900 g | Amazon / Adorama / B&H | |
Canon RF 24-105mm f2.8 L IS USM | https://alikgriffin.com/canon-rf-24-105mm-f4l-review-sample-photos/ | The Canon 24-105mm f/2.8 L IS USM Z Lens is a professional-grade zoom lens suitable for still and video photography. It boasts a first-of-its-kind combination of 24-105mm focal length and f/2.8 constant aperture, enabling low-light shooting and consistent depth-of-field control. Dual Nano USM motors ensure rapid, near-silent autofocus. Image stabilization is integrated, offering up to 5.5 stops of correction, expandable to 8 stops with compatible cameras. The lens design utilizes specialized elements and coatings to minimize aberrations and unwanted reflections. | zoom | yes | yes | FF | 24-105 | 38.4-168 | 17.7" / 45 cm | 23/18 | 11 | ร82mm | 2.9 lb / 1.3 kg | Amazon / Adorama / B&H |
Canon RF 24-105mm f4 L IS | The Canon 24-105mm f/4 L IS USM Lens is a versatile wide-angle to short telephoto zoom lens designed for full-frame Canon RF-mount mirrorless cameras. It is prized for its versatility and constant f/4 aperture, making it suitable for various shooting scenarios and lighting conditions. The lens features a 5-stop image stabilizer to minimize camera shake and a customizable control ring for adjusting exposure settings. Additionally, it boasts weather resistance and a nine-blade diaphragm for pleasing bokeh. This lens is a valuable tool for photographers and videographers who need a versatile zoom lens that can handle a wide range of shooting situations. Its constant f/4 aperture makes it well-suited for low-light shooting, while its image stabilization helps to ensure sharp images even when handheld. The customizable control ring provides quick access to exposure settings, and the weather-resistant design allows you to shoot in challenging conditions. | zoom | yes | yes | FF | 24-105 | 38.5-168 | 1.48' / 45 cm | 16/14 | 9R | ร77mm | 1.54 lb / 700 g | Amazon / Adorama / B&H | |
Canon RF 24-105mm f4-f7.1 IS | The Canon 24-105mm f/4-7.1 IS STM lens is a versatile zoom option, well-suited for various photographic endeavors. It boasts a wide-angle to short-telephoto range, catering to diverse shooting scenarios without sacrificing portability due to its compact design and variable aperture. This lens prioritizes image quality while remaining practical for everyday use. Further enhancing its versatility, the lens features a unique Center Macro Focus mode, enabling close-up shots with a 1:2 magnification ratio. Additionally, a 5-stop image stabilizer minimizes camera shake for sharper images, especially in low-light conditions or when using slower shutter speeds. For smooth and quiet autofocus performance, the lens employs an STM motor, perfect for both still photography and videography. Photographers can also leverage the configurable control ring to adjust exposure settings like aperture, ISO, and exposure compensation directly from the lens itself. Finally, the rounded seven-blade diaphragm contributes to a pleasing bokeh effect, ideal for portraiture and other applications where background blur is desired. In summary, the Canon RF 24-105mm f/4-7.1 IS STM lens provides a well-rounded zoom experience, offering flexibility, portability, and image quality for photographers of various skill levels and shooting styles. | zoom | no | yes | FF | 24-105 | 38.5-168 | 5.16" / 13.1 cm | 13/11 | 7R | ร67mm | 13.93 oz / 395 g | Amazon / Adorama / B&H | |
Canon RF 24-240mm f/4-6.3 IS | The Canon 24-240mm f/4-6.3 IS USM is a versatile zoom lens designed for full-frame Canon RF-mount mirrorless cameras. Its impressive 10x zoom range, encompassing wide-angle to super-telephoto focal lengths, makes it suitable for diverse shooting scenarios. Whether capturing landscapes, portraits, wildlife, or sporting events, this lens offers flexibility without requiring frequent lens changes. Further enhancing its capabilities, the lens boasts a 5-stop Optical Image Stabilizer, ensuring sharper handheld images and enabling low-light photography. When recording video, the Dynamic IS mode provides even more effective stabilization, particularly useful when walking or moving while filming. For smooth and quiet autofocus performance in both stills and videos, the lens employs a Nano USM motor. Additionally, photographers can leverage the customizable Control Ring to conveniently adjust exposure settings like aperture, ISO, and exposure compensation directly on the lens itself. | zoom | no | yes | FF | 24-240 | 38.4-384 | 1.64' / 50 cm | 21/15 | 7R | ร72mm | 1.65 lb / 751.26 g | Amazon / Adorama / B&H | |
Canon RF 28-70mm f2 L | The Canon 28-70mm f/2 L USM is a professional-grade zoom lens designed for Canon RF-mount mirrorless cameras. Its wide-angle to portrait-length focal range caters to various photography and videography needs. Notably, the constant f/2 maximum aperture excels in low-light conditions and grants enhanced control over depth of field for creative effects like subject isolation. Ultra-Low Dispersion glass elements within the lens minimize chromatic aberrations, ensuring sharp and high-quality images across the zoom range. A ring-type ultrasonic motor delivers fast, quiet, and precise autofocus, making it ideal for capturing action or working in quiet environments. Additionally, a configurable control ring allows photographers to intuitively adjust exposure settings directly from the lens itself. The Canon RF 28-70mm f/2 L USM's weather resistance makes it suitable for challenging outdoor conditions. Its robust build and high-quality materials ensure durability and reliable performance even in harsh environments. | zoom | yes | no | FF | 28-70 | 44.8-112 | 1.28' / 39 cm | 19/13 | 9R | ร95mm | 3.15 lb / 1430 g | Amazon / Adorama / B&H | |
Canon RF 28-70mm IS | yes | no | FF | 28-70 | 44.8-113 | 9.4" / 24 cm | 15/12 | 9R | ร67mm | 1.1 lb / 495 g | Amazon / Adorama / B&H | |||
Canon RF 70-200mm f2.8 L IS | The Canon 70-200mm f/2.8 L IS USM is a professional-grade telephoto zoom lens for Canon RF-mount mirrorless cameras. Known for its lightweight and compact design, it offers a constant f/2.8 aperture for low-light shooting and depth-of-field control. The lens utilizes advanced optical elements and coatings to minimize aberrations and maximize image quality. A Dual Nano USM system delivers fast, quiet autofocus, while a 5-stop image stabilizer compensates for camera shake. Its weather-resistant build and customizable controls make it suitable for demanding professional use. | zoom | yes | yes | FF | 70-200 | 112-320 | 2.3' / 70 cm | 17/13 | 9R | ร77mm | 2.35 lb / 1070 g | Amazon / Adorama / B&H | |
Canon RF 70-200mm f4 L IS | The Canon RF 70-200mm f/4 L IS USM lens is a versatile telephoto zoom option designed for full-frame Canon RF-mount mirrorless cameras. Known for its well-balanced blend of portability and low-light capability, it features a constant f/4 maximum aperture throughout the zoom range. This allows for consistent performance in various lighting conditions and contributes to its relatively lightweight and compact design, making it ideal for travel or handheld use. Optically, the lens prioritizes image clarity and minimizes aberrations through the use of four Ultra-Low Dispersion (UD) elements and an Air Sphere Coating. These elements effectively combat color fringing and unwanted reflections, ensuring sharp and high-quality images across the zoom range. For swift and quiet autofocus performance, the lens employs a Dual Nano USM system. This combination of a ring-type USM and an STM mechanism delivers smooth and near-silent operation, suitable for both photography and videography. Additionally, the lens features a configurable control ring, allowing photographers to intuitively adjust exposure settings directly on the lens itself. Built to withstand challenging environments, the Canon RF 70-200mm f/4 L IS USM boasts weather-resistant construction and a protective fluorine coating on the front and rear elements. This combination safeguards the lens from dust, moisture, and fingerprints, ensuring reliable performance even in harsh conditions. | zoom | yes | yes | FF | 70-200 | 112-320 | 2' / 60 cm | 16/11 | 9 | ร77mm | 1.5 lb / 695 g | Amazon / Adorama / B&H | |
Canon RF 100-300 f2.8 L IS | The Canon RF 100-300mm f/2.8 L IS USM is a pro-grade telephoto zoom for Canon mirrorless cameras. Offering a versatile 100-300mm range, f/2.8 constant aperture, and advanced optics, it excels in sports, events, wildlife, and portraiture. Fast, quiet autofocus and 5.5-stop stabilization (6 with compatible cameras) ensure sharp images. Weather-sealed, lightweight, and portable, it features intuitive controls like a Focus Preset button and programmable L-Fn buttons. Compatible with Extender RF teleconverters for even greater reach, this lens delivers exceptional performance for demanding professionals. | zoom | yes | yes | FF | 100-300 | 160-480 | 5.9' / 1.8 m | 23/18 | 9R | 112 mm | 5.7 lb / 2590 g | Amazon / Adorama / B&H | |
Canon RF 100-400 f5.6-f8 IS | The Canon RF 100-400mm f/5.6-8 IS USM lens blends portability with super-telephoto reach, making it a versatile option for wildlife, sports, and travel photography on full-frame Canon RF-mount mirrorless cameras. Its lightweight design facilitates handheld shooting, while a 5.5-stop optical image stabilizer (expandable to 6 stops with compatible cameras) minimizes camera shake for clear images. Fast and quiet Nano USM autofocus ensures sharp captures, and close-focusing capabilities enable detailed shots of subjects as small as a credit card. A customizable control ring offers further personalization for photographers seeking a well-rounded telephoto zoom lens. | zoom | no | yes | FF | 100-400 | 160-640 | 2.9' / 88 cm | 12/9 | 9R | ร67mm | 1.4 lb / 635 g | Amazon / Adorama / B&H | |
Canon RF 100-500mm f4.5-7.1 L IS | The Canon RF 100-500mm f/4.5-7.1 L IS USM telephoto zoom lens caters to full-frame Canon RF-mount mirrorless cameras, spanning a versatile short-to-super-telephoto range within a surprisingly portable design. While its moderate maximum aperture enables comfortable handheld use, the lens also boasts a 5-stop optical image stabilizer for sharp results even in challenging lighting conditions. Optically, the lens prioritizes clarity and color accuracy through a combination of Super UD and UD elements that effectively combat chromatic aberrations and unwanted fringing throughout the zoom range. This ensures consistently high image quality across its focal length. For swift and silent autofocus performance, the lens employs a Dual Nano USM system, combining a ring-type USM and an STM mechanism for smooth and near-silent operation, suitable for both photography and videography. Additionally, a configurable control ring provides intuitive adjustment of exposure settings directly on the lens itself. Built to withstand demanding environments, the Canon RF 100-500mm f/4.5-7.1 L IS USM features weather-resistant construction and a protective fluorine coating on the front and rear elements. This safeguards the lens from dust, moisture, and fingerprints, ensuring reliable performance even in harsh conditions. | zoom | yes | yes | FF | 100-500 | 160-800 | 2.95' / 90 cm | 20/14 | 7R | ร77mm | 3 lb / 1365 g | Amazon / Adorama / B&H | |
Canon RF 200-800 f6.3-9 IS | The Canon RF 200-800mm f/6.3-9 IS USM lens is a super-telephoto zoom designed for Canon RF-mount mirrorless cameras. Featuring a long zoom range and image stabilization, it excels in capturing distant subjects like wildlife or athletes. Its autofocus is fast and quiet, and the lens includes controls for adjusting settings directly. Optical elements minimize aberrations and unwanted reflections for clear images. | zoom | yes | yes | FF | 200-800 | 320-1280 | 2.6' / 80 cm | 17/11 | 9 | ร95mm | 4.5 lb / 2 kg | Adorama / B&H | |
APS-C Zoom Lenses | zoom | no | yes | FF, APS-C | ||||||||||
Canon RF-S 10-18mm f4.5-6.3 IS | The Canon RF-S 10-18mm f/4.5-6.3 IS STM is a wide-angle zoom lens designed for APS-C-format RF-mount mirrorless cameras. It offers a versatile 16-29mm full-frame equivalent focal length range. Featuring in-lens optical image stabilization, the lens provides up to 6 stops of correction with compatible cameras. Its optical design minimizes chromatic and spherical aberrations. Notably, the RF-S 10-18mm lens is compatible with both APS-C and full-frame EOS R-series cameras without requiring an adapter. | zoom | no | yes | APS-C | 10-18 | 16-28.8 | 5.5" / 14 cm | 12/10 | 7 | ร49mm | 5.3 oz / 150 g | Amazon / Adorama / B&H | |
Canon RF-S 18-45mm f4.5-6.3 IS | The Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens is a versatile zoom lens designed for Canon's APS-C-format R Series mirrorless cameras. It offers a wide-angle to short telephoto equivalent zoom range of 29-72mm, making it suitable for a variety of everyday shooting situations. Its compact and retractable design makes it ideal for carrying around in a bag. The lens features two aspherical elements and Canon's Super Spectra Coating to minimize aberrations and reduce ghosting and flare. It also has an Optical Image Stabilizer that provides up to 4 stops of shake correction, or up to 6 stops of Coordinated IS with a compatible camera body. This helps ensure sharp images even in low-light conditions. The lead screw-type STM AF system is fast and quiet, making it suitable for both photo and video applications. | zoom | no | yes | APS-C | 18-45 | 29-72mm | 7.9" / 20 cm | 7/7 | 7R | ร49mm | 4.6 oz / 130 g | Amazon / Adorama / B&H | |
Canon RF-S 18-150mm f3.5-6.3 IS | The Canon RF-S 18-150mm f/4.5-6.3 IS STM Lens boasts a versatile zoom range, making it a suitable all-in-one option for Canon's APS-C R Series mirrorless cameras. Spanning a 29-240mm equivalent focal length, it covers wide-angle to telephoto perspectives, catering to diverse photography styles. Despite its impressive reach, the lens remains lightweight and compact, ideal for travel and everyday use. Canon prioritized high-quality optics in this lens, incorporating UD elements and aspherical elements to minimize aberrations and ensure sharp images throughout the zoom range. The Super Spectra Coating further enhances image quality by reducing ghosting and flaring, even in challenging lighting conditions. For added creative control, the lens features a customizable Control Ring, allowing users to adjust manual focus or other preferred settings. Photographers and videographers will appreciate the smooth and quiet autofocus enabled by the lead screw-type STM motor. Additionally, the lens incorporates an Optical Image Stabilizer, compensating for up to 4.5 stops of camera shake, or up to 6.5 stops with Coordinated IS when paired with a compatible camera. This feature ensures sharper images, even in low-light conditions. | zoom | no | yes | APS-C | 18-150 | 29-240mm | 6.7" / 17 cm | 17/13 | 7R | ร55mm | 10.9 oz / 310 g | Amazon / Adorama / B&H | |
Canon RF-S 55-210mm f5-7.1 IS | The Canon RF-S 55-210mm f/5-7.1 IS STM Lens caters to photographers seeking a versatile telephoto zoom for their APS-C mirrorless cameras. Its impressive 88-336mm equivalent focal length range proves adept at capturing distant subjects in sports, wildlife, and other applications, eliminating the need for frequent lens changes. This lightweight and compact lens prioritizes sharp handheld images even in low-light conditions. Built-in image stabilization compensates for up to 4.5 stops of camera shake, further enhanced to 7 stops when paired with compatible cameras featuring In-Body Image Stabilizer (IBIS). Fast, quiet, and smooth autofocus performance is achieved through a lead screw-type STM stepping motor, making it ideal for both stills and video photography.Videographers seeking to minimize distracting noise in their recordings will particularly appreciate the quiet operation. Furthermore, the lens incorporates two Ultra-Low Dispersion elements and a Super Spectra Coating to minimize chromatic aberrations and ghosting, ensuring clear and crisp images even in challenging lighting conditions. Weighing a mere 9.5 ounces, the Canon RF-S 55-210mm f/5-7.1 IS STM Lens offers a compelling combination of versatility, portability, and image quality. This makes it a solid choice for photographers seeking a convenient telephoto zoom solution for their APS-C mirrorless setup. | zoom | no | yes | APS-C | 55-210 | 88-336 | 2.3' / 70 cm | 11/8 | 7 | ร55mm | 9.5 oz / 270 g | Amazon / Adorama / B&H | |
Cine Lenses | cine, prime | no | no | FF, APS-C | ||||||||||
Canon CN-R 14mm T3.1 | The Canon CN-R 14mm T3.1 L F Cinema Prime Lens is a wide-angle prime lens designed for full-frame cinema cameras with RF mounts. It produces crisp images with rich contrast thanks to its 11-blade iris and T3.1 maximum aperture. This combination also creates a natural bokeh effect with a wide depth of field and smooth image falloff. Color rendition is consistent and warm, particularly well-suited for capturing skin tones. The lens features a dual-pixel focus guide to minimize focus breathing and ensure stable framing. Focus markings are in feet, and the focus ring rotates 300 degrees for precise control. | cine, prime | no | no | FF | 14 | 22.4 | 7.9" / 0.2 m | 11 | 114mm | 2.87 lb / 1.3 kg | Amazon / B&H | ||
Canon CN-R 20mm T1.5 | The Canon CN-R 20mm T1.5 L F Cinema Prime Lens is a wide-angle prime lens designed for full-frame cinema cameras with RF mounts. It delivers sharp images with high contrast due to its 11-blade iris and wide T1.5 maximum aperture. This combination also enables a natural bokeh effect with a deep depth of field and smooth transitions. Color reproduction is consistent and warm, particularly suitable for capturing skin tones accurately. The lens features a dual-pixel focus guide to minimize focus breathing and ensure stable framing throughout shooting. Focus markings are displayed in feet, and the focus ring rotates 300 degrees for precise adjustments. | cine, prime | no | no | FF | 20 | 32 | 11.8" / 0.3 m | 11 | ร105mm | 3.08 lb / 1.4 kg | B&H | ||
Canon CN-R 24mm T1.5 | The Canon CN-R 24mm T1.5 L F Cinema Prime Lens is a wide-angle prime lens designed for full-frame cinema cameras with RF mounts. It delivers crisp, high-contrast images with rich colors thanks to its 11-blade iris and wide T1.5 maximum aperture. This combination also enables a pleasing bokeh effect with a deep depth of field and smooth transitions. Color reproduction is consistent and warm, particularly suitable for capturing skin tones accurately. The lens features a dual-pixel focus guide to minimize focus breathing and ensure stable framing throughout shooting. Focus markings are displayed in feet, and the focus ring rotates 300 degrees for precise control. | cine, prime | no | no | FF | 24 | 38.4 | 11.8" / 0.3 m | 11 | ร105mm | 2.87 lb / 1.3 kg | B&H | ||
Canon CN-R 35mm T1.5 | The Canon CN-R 35mm T1.5 L F Cinema Prime Lens is a wide-angle prime lens designed for full-frame cinema cameras with RF mounts. This lens delivers sharp, high-contrast images with natural color reproduction thanks to its 11-blade iris and wide T1.5 maximum aperture. This combination also allows for a pleasing bokeh effect with a deep depth of field and smooth transitions. The lens utilizes a consistent warm color balance, particularly well-suited for capturing skin tones accurately. To ensure stable framing and minimize focus breathing, the lens features a dual-pixel focus guide. Focus markings are displayed in feet, and the focus ring rotates 300 degrees for precise control. With its high-quality optics, natural bokeh, and accurate color rendition, the Canon CN-R 35mm T1.5 L F Cinema Prime Lens is a suitable choice for professional filmmakers using full-frame cinema cameras with RF mounts. | cine, prime | no | no | FF | 35 | 56 | 11.8" / 0.3 m | 11 | ร105mm | 2.87 lb / 1.3 kg | B&H | ||
Canon CN-R 50mm T1.3 | The Canon CN-R 50mm T1.3 L F Cinema Prime Lens is a wide-angle prime lens designed for full-frame cinema cameras with RF mounts. This lens delivers sharp, high-contrast images with rich colors thanks to its 11-blade iris and wide T1.3 maximum aperture. This combination also allows for a pleasing bokeh effect with a deep depth of field and smooth transitions. The lens utilizes a consistent warm color balance, particularly well-suited for capturing skin tones accurately. To ensure stable framing and minimize focus breathing, the lens features a dual-pixel focus guide. Focus markings are displayed in feet, and the focus ring rotates 300 degrees for precise control. With its high-quality optics, natural bokeh, and accurate color rendition, the Canon CN-R 50mm T1.3 L F Cinema Prime Lens is a suitable choice for professional filmmakers using full-frame cinema cameras with RF mounts. | cine, prime | no | no | FF | 50 | 80 | 17.72" / 0.45 m | 11 | ร105mm | 2.65 lb / 1.2 kg | B&H | ||
Canon CN-R 85mm T1.3 | The Canon CN-R 85mm T1.3 L F Cinema Prime Lens is a mid-telephoto prime lens designed for full-frame cinema cameras with RF mounts. It delivers sharp, high-contrast images with rich colors thanks to its 11-blade iris and wide T1.3 maximum aperture. This combination also allows for a pleasing bokeh effect with a deep depth of field and smooth transitions. The lens features a consistent warm color balance, particularly well-suited for capturing skin tones accurately. To ensure stable framing and minimize focus breathing, it utilizes a dual-pixel focus guide. Focus markings are displayed in feet, and the focus ring rotates 300 degrees for precise control. With its high-quality optics, natural bokeh, and accurate color rendition, the Canon CN-R 85mm T1.3 L F Cinema Prime Lens is a suitable choice for professional filmmakers using full-frame cinema cameras with RF mounts. | cine, prime | no | no | FF | 85 | 136 | 37.40" / 0.95 m | 11 | ร105mm | 3.3 lb / 1.5 kg | B&H | ||
Canon CN-R 135mm T2.2 | The Canon CN-R 135mm T2.2 L F Cinema Prime Lens is a telephoto prime lens designed for full-frame cinema cameras with RF mounts. It captures crisp, high-contrast images with rich colors thanks to its 11-blade iris and wide T2.2 maximum aperture. This combination also delivers a pleasing bokeh effect with a deep depth of field and smooth transitions. The lens features a consistent warm color balance, particularly well-suited for capturing skin tones accurately. To ensure stable framing and minimize focus breathing, it utilizes a dual-pixel focus guide. Focus markings are displayed in feet, and the focus ring rotates 300 degrees for precise control. With its high-quality optics, natural bokeh, and accurate color rendition, the Canon CN-R 135mm T2.2 L F Cinema Prime Lens is a suitable choice for professional filmmakers seeking a telephoto option for their full-frame cinema cameras with RF mounts. | cine, prime | no | no | FF | 135 | 216 | 3.3' / 1 m | 11 | ร105mm | 3.3 lb / 1.5 kg | B&H | ||
EF to RF Adapters | adapter | yes | no | |||||||||||
Canon EF to RF | The Canon Mount Adapter EF-EOS R bridges the gap between the new RF mount and the established EF and EF-S lens ecosystems. This lightweight and compact adapter seamlessly connects any EF or EF-S lens to the EOS R body, preserving the full functionality of autofocus and image stabilization. Acting as a simple pass-through, the adapter introduces no additional optical elements, ensuring the original image quality delivered by the mounted lens remains uncompromised. Additionally, its dust and water-resistant design makes it a reliable companion for photographers venturing into challenging shooting environments. | adapter | yes | no | -- | -- | -- | -- | 3.88 oz / 110 g | Amazon / Adorama / B&H | ||||
Canon EF to RF + Control Ring | adapter | yes | no | -- | -- | -- | -- | 4.59 oz / 130 g | Amazon / Adorama / B&H | |||||
Canon EF to RF + Filter V ND | adapter | yes | no | -- | -- | -- | -- | 4.27 oz / 121 g | Amazon / Adorama / B&H | |||||
Canon EF to RF + Filter Polarizer | adapter | yes | no | -- | -- | -- | -- | 4.27 oz / 121 g | Amazon / Adorama / B&H | |||||
Canon RF Extenders | adapter | yes | no | |||||||||||
Canon Extender RF 2x | adapter | yes | no | -- | -- | -- | -- | 12 oz / 340 g | Amazon / Adorama / B&H | |||||
Canon Extender RF 1.4x | adapter | yes | no | -- | -- | -- | -- | 7.9 oz / 224 g | Amazon / Adorama / B&H |
Beyond the Plastic Stereotype:
The latest Canon RF lenses have a fresh design philosophy: lighter weight and enhanced customization. While some critics have raised concerns about a “plasticky” feel, after shooting on these lenses for a few years, they’ve become some of my favorites, specifically the 24-105mm. I love and even like that lens more than my Nikon Z 24-120mm.
Mastering Manual Focus:
The electronic manual focusing on these lenses is exceptional. You can achieve high precision and a natural feel, surpassing other brands, in my opinion (and I shoot with all the brands). Customizing focus ring sensitivity in some new Cameras further enhances the experience. Choose between rotation sensitivity and degree adjustments, mimicking a true manual lens. Additionally, the direction of rotation is adjustable, catering to individual preferences.
While I’m not always shooting on Canon glass and bodies, I can confidently say that their focus by wire is the best in the industry.
Third-Party Canon RF Lens List
This section features all the third-party lenses available for the Canon RF mount. Organized by country of origin in Alphabetical order, except I put China last because they have so many lenses.
Although a few have slipped by, Canon is not currently allowing third-party lens manufacturers to make lenses with autofocus capabilities.
Keep in mind that most, if not all, third-party lenses to Canon have only been designed for generic test benches and are not designed for Canon’s exact sensor specifications. This can sometimes cause some issues with some lenses on some camera bodies, such as purple color shifts in the vignetting. On the latest Canon bodies, it’s minor, but on the early R bodies like the original R, some of the third-party lenses showed some pretty significant purple vignetting.
American-Made Canon Lenses
There aren’t many American lens companies that make lenses for the Canon RF mirrorless system. The only one that’s popular and still around today is Lensbaby, which has shifted some of its attention to the Canon RF mount.
Lensbaby Lenses
Lensbaby started in 2004 as a small company that made cool “ball and socket” or shift lenses. They still make lenses for artistic expression with special effects, but they also keep up with the latest technology. Their Velvet lenses are pretty nice; they bring back an old-school look that modern lenses don’t have. They use simple elements and lens flare to make images look dreamy and nostalgic.
Lensbaby also has a great community of photographers who love to be creative and inspire each other. They have various lenses, from fun special effects to the beautiful Velvet series, that let photographers try new things and wish to see the world differently.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Lensbaby Sol 22mm f3.5 | photo | no | no | MFT | 35.2 | 3/2 | 2 | ร46mm | ||
Lensbaby Velvet 28mm f2.5 1:2 Macro | photo | no | no | FF | 44.8 | 8/7 | 12 | ร67mm | B&H | RF |
Lensbaby Trio 28mm f3.5 | photo | no | no | FF | 44.8 | 4/3 | -- | ร46mm | B&H | RF |
Lensbaby Burnside 35mm f2.8 | photo | no | no | FF | 56 | 6/4 | 8R | ร62mm | B&H | RF |
Lensbaby Composer Pro II + Sweet 35mm f2.5 | photo | no | no | FF | 56 | 4/3 | 12 | ร46mm | B&H | RF |
Lensbaby Composer Pro II + Edge 35mm f3.5 | photo | no | no | FF | 56 | 9/6 | 8 | -- | B&H | RF |
Lensbaby Sol 45mm f3.5 | photo | no | no | FF | 72 | 3/2 | 2 | ร46mm | B&H | RF |
Lensbaby Fixed Body Soft Focus II 50 f2.5 | photo | no | no | FF | 80 | 2/1 | 12 | ร46mm | ||
Lensbaby Composer Pro II + Double Glass II 50mm f2.5 | photo | no | no | FF | 80 | 2/1 | 12 | ร46mm | B&H | RF |
Lensbaby Composer Pro II + Sweet 50mm f2.5 | photo | no | no | FF | 80 | 2/1 | 12 | ร46mm | B&H | RF |
Lensbaby Composer Pro II + Edge 50mm f3.2 | photo | no | no | FF | 80 | 8/6 | 9 | ร46mm | B&H | RF |
Lensbaby Spark 2.0 + Sweet 50 f2.5 | photo | no | no | FF | 80 | 2/1 | 12 | ร46mm | B&H | RF |
Lensbaby Velvet 56mm f1.6 Macro | photo | no | no | FF | 89.6 | 4/3 | -- | ร62mm | B&H | RF |
Lensbaby Velvet 85mm f1.8 Macro | photo | no | no | FF | 136 | -- | 12 | ร67mm | B&H | RF |
British Lenses
No UK brands are making any RF lenses right now except Cooke.
Cooke Cine SP3 Lenses
The Cooke SP3 Cine lenses for mirrorless cameras will feature interchangeable mounts for the Sony E, Leica L, Leica M, and Canon RF systems. What it looks like is happening is that they initially come with a Sony E mount, and the user can swap out the rear mount to adapt it to other brands. You get one free mount free of charge when ordering each lens. These mounts should be available for the Canon system in 2024.
Like with most cine lenses they feature the 0.8-MOD focus and iris gears, however, since they are not ‘positive lock’ I’m not sure how excited cinematographers will be for these fairly expensive lenses for serious production with the MOD gears.
Something like the Kipon Colibri lenses might get you close to the classic look and feel of lenses at a fraction of the price.
I’ll list the lenses when I get more information.
German Third-Party Canon Lenses
There are quite a few German companies that make Canon RF Lenses. While Zeiss has not made any lenses for the RF system, they just released some new Cine Primes for mirrorless cameras. So expect to see those on this list soon.
Meyer Optik Gorlitz
Meyer Optik Gรถrlitz is a German lens manufacturer dating back to 1896. Today, their lenses are known for their unique character, classic optical designs, and vintage feel.
Features:
- Manual focus: All lenses are manual focus, offering a deliberate and immersive shooting experience.
- Classic optical designs: Lenses often feature elements and coatings inspired by their historical counterparts, resulting in unique bokeh characteristics, soft focus effects, and distinctive rendering.
- Metal construction: Most lenses have a metal build with a premium feel and durability.
Meyer Optik Gorlitz RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | |||
---|---|---|---|---|---|---|---|---|---|
Lydith RF 30mm f3.5 II | photo | no | no | FF | 48 | 5/5 | 12 | ร52mm | B&H |
Trioplan RF 35mm f2.8 II | photo | no | no | FF | 56 | -- | 12 | ร52mm | B&H |
Trioplan RF 50mm f2.8 II | photo | no | no | FF | 80 | 3/3 | 12R | ร52mm | B&H |
Biotar RF 58mm f1.5 II | photo | no | no | FF | 92.8 | -- | 14 | ร52mm | B&H |
Primoplan RF 58mm f1.9 II | photo | no | no | FF | 92.8 | 5/4 | 14 | ร52mm | B&H |
Biotar RF 75mm f1.5 II | photo | no | no | FF | 120 | 6/4 | 15 | ร62mm | B&H |
Primoplan RF 75mm f1.9 II | photo | no | no | FF | 120 | 5/4 | 15R | ร52mm | B&H |
Trioplan RF 100mm f2.8 II | photo | no | no | FF | 160 | 3/3 | 15 | ร52mm | B&H |
Voigtlander RF Lenses
Voigtlander has released some popular lenses for the Canon RF Mount. Hopefully, we see more coming in the future.
Voigtlander RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | ||||
---|---|---|---|---|---|---|---|---|---|
Voigtlander RF 40mm f1.2 Nokton | no | no | FF | 64 | 8/6 | 10 | ร58mm | https://bhpho.to/3T9Rdxn | |
Voigtlander RF 50mm f1.0 Nokton | no | no | FF | 80 | 9/7 | 12 | ร67mm | https://bhpho.to/49qW7vo | |
Voigtladner 75mm f1.5 Nokton | no | no | FF | 120 | 7/6 | 12 | ร62mm | https://bhpho.to/47UN32a |
Zeiss Nano Primes For Canon
Zeiss recently released a line of Nano Primes for different mirrorless cameras. Initially, they were only available for the Sony E mount. Since Zeiss’s press release went out of its way to say they were “initially available for the Sony E mount,” this language would imply that we should also expect to see them in other mounts.
Since these lenses have electronic pass-through for the Sony bodies, some extra work might be required to get them to work with other brands.
I’m hoping it’s not just an interchangeable mount that the user has to swap, as we see with the Cooke SP3 mirrorless cine lenses.
Japanese Third-Party Canon Lenses
Fujinon Cine Lenses – Super 35mm
Fujinon Cine Lenses are a series of high-quality, professional cine lenses designed for the Canon RF mount.
Features
- Fujinon Cine Lenses for the Canon RF System are parfocal, meaning the focus will not change when zooming.
- They have a consistent T-stop throughout the zoom range and between lenses, which makes it easy to control exposure.
- They are weather-sealed so that you can use them in harsh conditions.
- They have a 0.8 MOD gear pitch compatible with industry-standard cine lens accessories.
Fujinon Cine RF Mount Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | |||
---|---|---|---|---|---|---|---|---|---|
MK S35 Zoom | |||||||||
Fujinon RF MK-R 18-55mm T2.9 | cine | no | no | S35 | 28.8-88mm | -- | 9 | ร82mm | B&H |
Fujinon RF MK-R 50-135mm T2.9 | cine | no | no | S35 | 80-216mm | -- | 9 | ร82mm | B&H |
Gizmon Lenses
Gizmon Lenses is a line of third-party, manual-focus lenses compatible with the Canon RF mount. They are primarily marketed towards budget-conscious photographers and hobbyists seeking creative effects or specific focal lengths unavailable in the native Canon RF lineup.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
GIZMON Wtulens 17mm | photo | no | no | FF | 27.2 | 2 | fixed | -- | -- | RF |
GIZMON Wtulens L 17mm Ultra Thin | photo | no | no | FF | 27.2 | 2 | fixed | -- | ||
GIZMON Utulens 17mm | photo | no | no | APS-C | 27.2 | -- | fixed | -- | -- | RF |
Sigma Lenses for Canon
Sigma has recently announced that third-party Canon RF lenses will have autofocus capability. They will only be in the APS-C mount for now.
Sigma RF Lenses | AF | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | ||
---|---|---|---|---|---|---|---|---|---|
Sigma RF 16mm f1.4 DC DN | photo | no | yes | APS-C | 25.6 | 16/13 | 9R | ร67mm | B&H |
Sigma RF 23mm f1.4 DC DN C | photo | no | yes | APS-C | 36.8 | 13/10 | 9 | ร52mm | B&H |
Sigma RF 30mm f1.4 DC DN | photo | no | yes | APS-C | 48 | 9/7 | 9R | ร52mm | B&H |
Sigma RF 56mm f1.4 DC DN | photo | no | yes | APS-C | 89.6 | 10/6 | 9R | ร55mm | B&H |
Sigma RF 10-18mm f2.8 DC DN | photo | yes | yes | APS-C | -- | 13/10 | 7R | ร67mm | B&H |
Sigma RF 18-50mm f2.8 DC DN | photo | no | yes | APS-C | -- | 13/10 | 7R | ร55mm | B&H |
Sigma RF 70-200mm f2.8 DG DN OS | photo | yes | yes | FF | -- | 20/15 | 11R | ร77mm | B&H |
Sigma RF 150-600mm f5-6.3 DG DN OS | photo | yes | yes | FF | -- | 25/15 | 9R | ร95mm | B&H |
Tamron Lenses
Tamron has let the world know they are now making mirrorless cameras for systems other than Sony. Their lenses are available for Nikon, and hopefully, they’ll soon make lenses for Canon full-frame bodies.
Tokina Lenses For Canon
Tokina is a Japanese lens manufacturer with a strong reputation for innovative optics. They used to make more lenses for the Canon EF system, but today, they’ve reduced their offerings to just a few very specialized lenses.
Note: The Tokina ATX-i 11-20mm f2.8 CF lens is not listed here, but you can use it on the RF system with an adapter.
Tokina RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | |||
---|---|---|---|---|---|---|---|---|---|
Photo Primes | photo | no | no,yes | FF/APS-C | -- | -- | -- | -- | |
Tokina RF SZX 400mm f8 Reflex 1x | photo | no | no | FF | 640 | 6/5 | 0 | ร67mm | B&H |
Yasuhara Lenses
The Yasuhara Anthy is a new mirrorless lens for various full-frame mirrorless camera systems. The same company made the well-received 5:1 macro APS-C mirrorless lens. They also have a few EF and F lenses.
The new Anthy 35mm f1.8 Features 9 elements in 7 groups. So far, I’m seeing nice contrast and sharpness, with the weakness being the vignetting. This might be a great place to start if you want to build out their prime manual lens collection.
The Anthy is a very fun street lens because of the great performance you get from such a small package. Unfortunately, the Canon RF mount does produce a little purple vignetting in some situations with the Canon R. The new bodies appear to have changed their coatings or micro-lens design, and this aberration is not as apparent on new bodies.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Yasuhara Madoka 180 7.3mm Fisheye | photo | no | no | APS-C | 11.68 | 7/6 | -- | -- | ||
Yasuhara Momo 100 28mm f6.4 | photo | no | no | APS-C | 44.8 | 2/2 | -- | ร37mm | ||
Anthy 35mm f1.8 | photo | no | no | FF | 56 | 9/7 | 9 | ร52mm | B&H | RF |
Zoom | ||||||||||
Yasuhara Nanoha 11-19mm Macro 5:1 | photo | no | no | APS-C | 10/7 | -- | -- |
Korean Lenses
Samyang / Rokinon RF Lenses
Samyang Optics, also known as Rokinon in some regions, is a South Korean manufacturer offering a wide range of affordable, manual focus lenses for various camera mounts. While they lack autofocus for the RF mount and optical stabilization found in native Canon glass, Samyang/Rokinon lenses appeal to budget-conscious photographers and those seeking specific focal lengths or unique effects.
I’ve used Samyang lenses for years, and today, they’ve become a very good optics company with some nice designs. I wouldn’t hesitate to use Samyang lenses for some serious work, however, they don’t have the same level of quality control as Canon, so you need to thoroughly test each lens for any optical imperfections before committing to it.
Samyang/Rokinon RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | |||
---|---|---|---|---|---|---|---|---|---|
Samyang RF MF 14mm f2.8 | photo | yes | no | FF | 22.4 | 14/10 | 6 | gel | B&H |
Samyang RF MF 85mm f1.4 | photo | no | no | FF | 136 | 9/7 | 8R | ร72mm | B&H |
Cine - DS / DSX Lenses | cine,sphere | no, yes | no | FF/S35/APS-C | -- | -- | -- | ||
Rokinon RF 14mm T3.1 DSX | cine,sphere | yes | no | FF | 22.4 | -- | 9 | ร87mm | B&H |
Samyang RF 24mm T1.5 VDSLR II | cine,sphere | yes | no | FF | 38.4 | 13/12 | 9 | ร77mm | B&H |
Rokinon RF 24mm T1.5 DSX | cine,sphere | yes | no | FF | 38.4 | 13/12 | 9 | ร77mm | B&H |
Samyang RF 35mm T1.5 VDSLR II | cine,sphere | yes | no | FF | 56 | 12/10 | 9 | ร77mm | B&H |
Rokinon RF 35mm T1.5 DSX | cine,sphere | yes | no | FF | 56 | 12/10 | 9 | ร77mm | B&H |
Samyang RF 50mm T1.5 VDSLR II | cine,sphere | yes | no | FF | 80 | 9/6 | 9 | ร77mm | B&H |
Rokinon RF 50mm T1.5 DSX | cine,sphere | yes | no | FF | 80 | 9/6 | 9 | ร77mm | B&H |
Samyang RF 85mm T1.5 VDSLR II | cine,sphere | no | no | FF | 136 | 9/7 | 8 | ร72mm | B&H |
Rokinon RF 85mm T1.5 DSX | cine,sphere | yes | no | FF | 136 | 9/7 | 9 | ร72mm | B&H |
Russian Lenses
Lomography / Zenit Lenses
Lomography is partnered with the Russian lens manufacturer Zenit. Their Lomography Petzval 55mm f1.7 has received a lot of press over the years for that classic swirling bokeh and rendering. There isn’t any other lens out there like it, and the brass build of these lenses is also something else.
They do make other lenses besides the Petzval, but they typically come in a DSLR-style mount, so you would need to adapt them.
Lens Name | Sensor | FF Equiv | Elements | Aperture | Filters | RF Links | |
---|---|---|---|---|---|---|---|
Lomography Atoll 17mm f2.8 M | FF | 27.2 | 13/10 | -- | -- | ||
Lomography Minitar-1 32mm f2.8 | FF | 88 | 5/4 | -- | ร22.5mm | ||
Lomography Petzval 55mm f1.7 | FF | 88 | -- | -- | ร67mm | B&H | RF |
Lomography Daguerreotype Achromat 64mm f2.9 | FF | 102.4 | -- | -- | -- | ||
Lomography Petzval 80.5mm f1.9 II | FF | 128.8 | -- | -- | -- |
Swiss Brand Lenses
IRIX Cine Lenses
IRIX is a Swiss company that manufactures products in South Korea and Japan. The CEO of IRIX 20 years ago had a relationship with Samyang, which led to rumors that today IRIX and Samyang are more closely related than they are. Today, IRIX is 100% independent. It’s not that a partnership with Samyang would be a bad thing, I think Samyang makes great lenses.
Today, IRIX is known for its high-quality cine lenses. These lenses cater to professional and aspiring filmmakers seeking exceptional image quality, robust build, and smooth control for their Canon mirrorless cameras.
Features:
- Exceptional image quality: Featuring advanced optical designs and high-grade elements, IRIX Cine lenses for Canon RF deliver stunning sharpness, minimal chromatic aberration, and pleasing bokeh characteristics.
- Built for the rigors of filmmaking: Constructed with durable metal bodies and weather-sealed elements, these lenses can withstand challenging shooting environments and heavy use.
- Professional control: Internal focusing mechanisms ensure consistent image quality throughout the focus range, while de-clicked aperture rings and industry-standard 0.8 MOD gear teeth enable precise, repeatable adjustments.
Lens Name | Sensor | FF Equiv | Elements | Aperture | Filters | RF Links | |
---|---|---|---|---|---|---|---|
IRIX 11mm T4.3 | FF | 17.6 | 16/10 | 9 | 95mm | B&H | RF |
IRIX 15mm T2.6 | FF | 24 | 15/10 | 9 | ร86mm | B&H | RF |
IRIX 21mm T1.5 | FF | 33.6 | 15/11 | 11R | 95mm | B&H | RF |
IRIX 30mm T1.5 | FF | 48 | -- | 11 | ร86mm | B&H | RF |
IRIX 45mm f1.4 | MF | 72 | 11/9 | 9R | ร77mm | ||
IRIX 45mm T1.5 | FF | 72 | 11/9 | 9 | ร86mm | B&H | RF |
IRIX 65mm T1.5 | FF | 104 | 11 | ร86mm | B&H | RF | |
IRIX 150mm T3.0 | FF | 240 | 12/9 | 11R | ร86mm | B&H | RF |
IRIX 150mm T3.0 Macro 1:1 | FF | 240 | 12/9 | 11 | ร86mm | B&H | RF |
Chinese Brand Lenses
There has always been this stigma about Chinese quality control and production ability. While this is true for some lenses and products, some incredible things are happening in China right now, and we’re seeing some genuine expertise in some lenses coming out of China.
Kipon, for example, is a very high-quality brand, and Laowa lenses have been very well received. Kalman continues to grow, and even Mitakon continues to refine its lenses.
Of course, some Chinese lenses are cheap, but that doesn’t always mean they aren’t worth something. Most brands out of China are pretty good now.
I’ve had a ton of fun with some of those cheap Chinese lenses over the years and recommend them for fun.
7Artisans Canon Lenses
7Artisans, a Chinese lens manufacturer, offers a growing selection of manual focus lenses. Catering to budget-conscious photographers and creative enthusiasts, 7Artisans lenses stand out for their affordability and diverse focal lengths.
Features:
- Manual focus: All 7Artisans lenses for Canon RF are manual, requiring users to manually adjust the focus.ย This can be a creative advantage for some but may not suit everyone’s shooting style.
- Varied selection:ย 7Artisans offers a decent range of focal lengths covering various photography genres, including wide-angle, prime, zoom, and cine lenses.
- Mixed build quality: Build quality varies across different models, but their builds have improved. You should still double-check new lenses for any optical defects.
7Artisans RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | |||
---|---|---|---|---|---|---|---|---|---|
7Artisans RF 7.5mm f2.8 II | photo | no | no | APS-C | 12 | 11/9 | 7 | ร58mm | B&H |
7Artisans RF 9mm f5.6 | photo | no | no | FF | 14.4 | 16/11 | 5 | none | B&H |
7Artisans RF 10mm f2.8 | photo | no | no | FF | 16 | 11/8 | 8 | none | Amazon / B&H |
7Artisans RF 10mm f2.8 II | photo | no | no | FF | 16 | 11/8 | 10 | Amazon / B&H | |
7Artisans RF 12mm f2.8 II | photo | no | no | APS-C | 19.2 | 12/10 | 5 | ร67mm | B&H |
7Artisans RF 15mm f4 | photo | no | no | FF | 22.4 | 13/9 | 10 | ร77mm | B&H |
7Artisans RF 24mm f1.4 | photo | no | no | APS-C | 38.4 | 7/6 | 9 | ร49mm | Amazon / B&H |
7Artisans RF 25mm f0.95 | photo | no | no | APS-C | 40 | 11/9 | 13 | ร52mm | Amazon / B&H |
7Artisans RF 35mm f0.95 | photo | no | no | APS-C | 56 | 11/8 | 12 | ร52mm | Amazon / B&H |
7Artisans RF 35mm f1.2 II | photo | no | no | APS-C | 56 | 6/5 | 10R | ร46mm | |
7Artisans RF 35mm f1.4 | photo | no | no | APS-C | 56 | 8/5 | 9 | ร49mm | |
7Artisans RF 35mm f1.4 II | photo | no | no | FF | 56 | 7/5 | 10 | ร52mm | Amazon / B&H |
7Artisans RF 35mm f1.4 III | photo | no | no | FF | 56 | 7/5 | 10 | ร52mm | Amazon |
7Artisans RF 50mm f0.95 | photo | no | no | APS-C | 80 | 7/5 | 13 | ร62mm | B&H |
7Artisans RF 50mm f1.05 | photo | no | no | FF | 80 | 10/7 | 13 | -- | Amazon / B&H |
7Artisans RF 55mm f1.4 II | photo | no | no | APS-C | 88 | 6/5 | 9 | ร52mm | B&H |
7Artisans RF 60mm f2.8 Macro II | photo | no | no | APS-C | 96 | 11/8 | 9 | ร49mm | Amazon / B&H |
Cine | cine | no | no | FF/S35 | -- | -- | -- | -- | |
7Artisans RF 10mm T2.1 Hope | cine | no | no | S35 | 16 | 15/12 | 10 | ร77mm | Amazon / B&H |
7Artisans RF 12mm T2.9 | cine | no | no | FF | 19.2 | 12/10 | 9 | ร82mm | Amazon / B&H |
7Artisans RF 16mm T2.1 Hope | cine | no | no | S35 | 25.6 | 13/10 | 10 | ร77mm | Amazon / B&H |
7Artisans RF 25mm T1.05 Vision | cine | no | no | S35 | 40 | 11/9 | 13 | ร82mm | Amazon / B&H |
7Artisans RF 25mm T2.1 Hope | cine | no | no | S35 | 40 | 10/8 | 11 | ร77mm | Amazon / B&H |
7Artisans RF 35mm T1.05 Vision | cine | no | no | S35 | 56 | 11/8 | 12 | ร82mm | Amazon / B&H |
7Artisans RF 35mm T2 Spectrum | cine | no | no | FF | 56 | 9/7 | 10 | ร82mm | Amazon |
7Artisans RF 35mm T2.1 Hope | cine | no | no | S35 | 56 | 10/8 | 10 | ร77mm | Amazon / B&H |
7Artisans RF 50mm T1.05 Vision | cine | no | no | S35 | 80 | 7/5 | 13 | ร82mm | Amazon / B&H |
7Artisans RF 50mm T2.0 Spectrum | cine | no | no | FF | 80 | 6/5 | 12 | ร82mm | Amazon / B&H |
7Artisans RF 50mm T2.1 Hope | cine | no | no | S35 | 80 | 9/7 | 10 | ร77mm | Amazon / B&H |
7Artisans RF 85mm T2.0 Spectrum | cine | no | no | FF | 136 | 9/8 | 10 | ร82mm | Amazon / B&H |
7Artisans RF 85mm T2.1 Hope | cine | no | no | S35 | 136 | 9/7 | 10 | ร77mm | Amazon / B&H |
AstrHori Lenses
AstrHori is a Chinese lens manufacturer offering a limited selection of manual focus, specialty lenses. Catering to a niche audience seeking specific functionalities or unique effects such as their tilt-shift macro lenses. AstrHori lenses prioritize affordability and portability over mainstream features like autofocus and image stabilization.
Features:
- Manual focus: Their lenses are currently all manual with both aperture controls and focus controls.
- Niche functionalities: AstrHori focuses on specialty lenses like macro probes, tilt-shift lenses, and wide-angle options. These cater to specific photography needs like extreme close-ups, miniature effect simulations, and low-light scenarios.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | |
---|---|---|---|---|---|---|---|
AstrHori 10mm f8 M | APS-C | 16 | 5/4 | -- | ร49mm | ||
AstrHori 10mm f8 II | APS-C | 16 | 5/4 | -- | ร55mm | ||
AstrHori 12mm f2.8 Fisheye | FF | 19.2 | 11/8 | 5 | -- | Pergear | RF |
AstrHori 14mm f4.5 | APS-C | 22.4 | 6/5 | -- | ร55mm | ||
AstrHori 18mm f8 | FF | 28.8 | 9/9 | -- | ร58mm | Pergear | RF |
AstrHori F8 2x Probe Lens | APS-C | 28.8 | 23/17 | -- | -- | -- | RF |
AstrHori 24mm f6.3 M | FF | 38.4 | 5/5 | -- | ร35.5mm | ||
AstrHori 27mm f2.8 II | APS-C | 43.2 | 6/5 | -- | ร52mm | ||
AstrHori 28mm f13 2x Macro | FF | 44.8 | 21/16 | 7 | -- | Pergear | RF |
AstrHori 28mm f13 2x Macro 360ยฐ | FF | 44.8 | RF | ||||
AstrHori 35mm f1.8 | APS-C | 56 | 9/7 | -- | ร58mm | ||
AstrHori 40mm f5.6 M | FF | 64 | 7/5 | -- | ร46mm | ||
AstrHori 40mm f5.6 | MF | 64 | 7/5 | -- | ร62mm | ||
AstrHori 50mm f1.4 Tilt | FF | 80 | 7/6 | -- | ร46mm | -- | RF |
AstrHori 50mm f2 | FF | 80 | 6/5 | -- | ร52mm | ||
AstrHori 55mm f5.6 | MF | 88 | 5/5 | -- | ร62mm | ||
AstrHori 75mm F4 | MF | 120 | 11/8 | 9 | ร67mm | ||
AstrHori 85mm f1.8 AF | FF | 137.6 | 10/7 | -- | -- | ||
AstrHori 85mm f2.8 Macro & Tilt 1:1 | FF | 136 | 11/8 | 12 | ร55mm | -- | RF |
Brightin Star Lenses
Brightin Star is a Chinese lens manufacturer offering a selection of manual focus lenses. Primarily targeting budget-conscious photographers, their lenses stand out for affordability but receive mixed reviews regarding image quality and build compared to native Canon RF options.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | |
---|---|---|---|---|---|---|---|
Brightin Star 7.5mm f2.8 | APS-C | 12 | 11/9 | -- | -- | ||
Brightin Star 9mm f5.6 | FF | 14.4 | |||||
Brightin Star 10mm f5.6 | APS-C | 16 | 6/5 | -- | -- | ||
Brightin Star 11mm f2.8 | FF | 17.6 | RF | ||||
Brightin Star 12mm f2 | APS-C | 28.8 | 12/9 | -- | ร62mm | ||
Brightin Star 23mm f5.6 | FF | 36.8 | 5/5 | -- | ร55mm | ||
Brightin Star 28mm f2.8 | FF | 44.8 | |||||
Brightin Star 35mm f1.7 | APS-C | 56 | 6/4 | -- | ร43mm | ||
Brightin Star 35mm f0.95 | APS-C | 56 | RF | ||||
Brightin Star 50mm f0.95 | FF | 80 | 10/9 | -- | ร62mm | -- | RF |
Brightin Star 50mm f1.4 | APS-C | 80 | 6/6 | 9 | ร52mm | -- | RF |
Brightin Star 50mm f1.4 AF | APS-C | 80 | ร58mm | ||||
Brightin Star 50mm 1.8 | APS-C | 80 | |||||
Brightin Star 55mm f1.8 | FF | 88 | 7/5 | -- | ร49mm | -- | RF |
Brightin Star 60mm f2.8 2x Macro | APS-C | 96 | 10/7 | -- | ร62mm |
Funleader Lenses
Funleader is a small company based in Hong Kong. They make a few pancake lenses with fixed apertures. They do make Pro versions that allow for zone focusing, but it’s currently only on the Sony E or Leica M mount, so you would have to adapt it to the RF mount.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Funleader Caplens 18mm f8 Pro | photo | no | no | FF | 28.8 | 6/5 | fixed | -- | ||
Funleader Caplens 18mm f8 | photo | no | no | FF | 28.8 | 6/5 | fixed | -- | Funleader | RF |
Funleader Caplens 18mm f8 | photo | no | no | FF | 28.8 | 6/6 | fixed | -- |
KamLan Lenses
I’m not sure if Kamlan is a Taiwanese company or from Shenzhen.
KamLan keeps things easy on the wallet with its signature manual focus design. This makes them a popular choice for budget-conscious photographers and vintage enthusiasts seeking creative control within a limited but growing RF selection.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | |
---|---|---|---|---|---|---|---|
KamLan 15mm f2 | APS-C | 24 | 11/9 | 10 | -- | ||
KamLan 21mm f1.8 | APS-C | 33.6 | 10/8 | 11 | ร52mm | ||
KamLan 28mm f1.4 | APS-C | 44.8 | 8/7 | 11 | ร52mm | ||
Kamlan 32mm f1.1 | APS-C | 51.2 | |||||
KamLan 50mm f1.1 Review | APS-C | 80 | 5/5 | 11 | ร52mm | ||
KamLan 50mm f1.1 II Review | APS-C | 80 | 8/7 | 11 | ร62mm | ||
KamLan 55mm f1.4 | FF | 88 | 8/6 | RF | |||
Kamlan 70mm f1.1 | APS-C | 112 |
Kipon “Elegant” Lenses
Kipon is a Chinese lens manufacturer but uses German designs. I’ve spent some time with the owner of Kipon, and have been friends with him for years. It’s hard to call Kipon a Chinese company as they have offices all over the place and are building a new factory in Japan. But right now their main factory is in Shanghai and they have all the latest and best machines for very good precision. They have a very good relationship with Fujifilm and make some of the best adapters out there, including the Contax 645 to GFX adapter with official Fujifilm protocols.
They are known for their high-quality manual focus lenses. Kipon caters to discerning photographers seeking premium build quality, classic aesthetics, and exceptional image quality. Today, they have a new line of Colibri cinema lenses that I would say share the same sort of design philosophy as what Cooke is going for with their SP3 mirrorless lenses.
Features:
- Manual focus: All Kipon RF lenses are manual focus, requiring users to adjust the focus manually.
- Premium build quality: Kipon lenses are known for their metal construction, solid weight, and precise focusing mechanisms.
- Classic designs: Drawing inspiration from vintage lenses, Kipon lenses often feature classic aesthetics and character, appealing to photographers who value a nostalgic shooting experience and unique bokeh rendering.
- Higher price point: Compared to other Chinese third-party options, Kipon lenses are priced closer to native Canon lenses, reflecting their premium build quality and optical performance.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
KIPON Iberit 24mm f2.4 M | photo | no | no | FF | 38.4 | 8/7 | 6 | ร49mm | ||
KIPON 24mm f2.4 | photo | no | no | FF | 38.4 | 8/7 | 6 | ร49mm | B&H | RF |
KIPON Iberit 35mm f2.4 M Review | photo | no | no | FF | 56 | 6/6 | 6 | ร49mm | ||
KIPON 35mm f2.4 Review | photo | no | no | FF | 56 | 6/6 | 6 | ร49mm | B&H | RF |
KIPON IBELUX 40mm f0.85 mkII Review | photo | no | no | APS-C | 64 | 10/8 | 10 | ร67mm | B&H | |
KIPON IBELUX 40mm f0.85 mkIII Review | photo | no | no | APS-C | 64 | 10/9 | 10 | ร67mm | B&H | RF |
KIPON Iberit 50mm f2.4 M Review | photo | no | no | FF | 80 | 6/6 | 6 | ร49mm | ||
KIPON 50mm f2.4 Review | photo | no | no | FF | 80 | 6/6 | 6 | ร49mm | B&H | RF |
KIPON Iberit 75mm f2.4 M Review | photo | no | no | FF | 120 | 5/5 | 6 | ร49mm | ||
KIPON 75mm f2.4 Review | photo | no | no | FF | 120 | 5/5 | 6 | ร49mm | B&H | RF |
KIPON Iberit 90mm f2.4 M | photo | no | no | FF | 144 | 4/4 | 10 | ร49mm | ||
KIPON 90mm f2.4 | photo | no | no | FF | 144 | 4/4 | 10 | ร49mm | B&H | RF |
Cine | cine | -- | -- | FF | -- | -- | -- | -- | RF | |
KIPON Colibri 24mm T2.5 | cine | no | no | FF | 38.4 | 8/7 | 10 | -- | B&H | RF |
KIPON Colibri 35mm T2.5 | cine | no | no | FF | 56 | 6/6 | 10 | -- | ^ full set | RF |
KIPON Colibri 50mm T2.5 | cine | no | no | FF | 80 | 6/6 | 10 | -- | RF | |
KIPON Colibri 75mm T2.5 | cine | no | no | FF | 120 | 5/5 | 10 | -- | RF | |
KIPON Colibri 90mm T2.5 | cine | no | no | FF | 144 | 4/4 | 10 | -- | RF |
Opteka Lenses
Opteka has a few telephoto lenses for the RF mount. They are T-mount lenses that come with an RF adapter as well as range extenders.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Opteka 6.5mm f2 Fisheye | photo | no | no | APS-C | 10.4 | 6/5 | 9 | -- | ||
Opteka 12mm f2.8 | photo | no | no | APS-C | 19.2 | 12/10 | 9 | ร72mm | ||
Opteka 28mm f2.8 | photo | no | no | APS-C | 44.8 | 6/5 | 9 | ร49mm | ||
Opteka 35mm f1.7 | photo | no | no | APS-C | 56 | 6/5 | 9 | ร49mm | ||
Opteka 50mm f2 | photo | no | no | APS-C | 80 | 6/5 | 9 | ร49mm | ||
Opteka 420mm / 800mm | photo | no | no | FF | 672 | 4/2 | -- | ร62mm | -- | RF |
Opteka 500 f6.3 | photo | no | no | FF | 800 | 7/6 | -- | ร95mm | ||
Opteka 500mm / 1000m f8 | photo | no | no | FF | 800 | 4/4 | -- | ร67mm | -- | RF |
Opteka 650mm / 1300mmย | photo | no | no | FF | 1040 | 6/5 | -- | ร95mm |
Meike Lenses
Meike caters to photographers seeking affordable lens alternatives. Their offerings typically have low price tags, making them attractive for budget-conscious individuals. However, it’s essential to understand the trade-offs involved.
For APS-C, I really liked some of their lenses. For years, I’ve recommended the Meike 35mm f1.7 as a great value option in my review, and many photographers have come to love that lens for its price and performance.
Cine Lenses:
Beyond their standard photography lenses, Meike also offers a lineup of Cine lenses for Canon RF, attracting budget-minded videographers seeking cinematic aesthetics.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||
---|---|---|---|---|---|---|---|---|
Meike 3.5mm f2.8 | photo | MFT | 5.6 | 10/7 | -- | -- | ||
Meike 6.5mm Fisheye f2.0 | photo | APS-C | 10.4 | 6/5 | -- | -- | ||
Meike 8mm Fisheye f3.5 | photo | APS-C | 12.8 | 11/8 | -- | -- | ||
Meike 10mm f2 | photo | APS-C | 16 | 15/12 | 10 | ร77mm | B&H | RF |
Meike 12mm f2 | photo | APS-C | 19.2 | 12/9 | -- | ร62mm | ||
Meike 12mm f2.8 | photo | APS-C | 19.2 | 12/10 | -- | ร72mm | ||
Meike AF 24mm f1.4 MIX | photo | FF | ||||||
Meike 25mm f0.95 | photo | APS-C | 40 | -- | -- | -- | ||
Meike 25mm f1.8 | photo | APS-C | 40 | 7/5 | -- | ร49mm | ||
Meike 25mm f2 | photo | APS-C | 40 | 10/8 | -- | -- | ||
Meike 28mm f2.8 | photo | APS-C | 44.8 | 6/5 | -- | ร49mm | ||
Meike 35mm f1.4 Review | photo | APS-C | 56 | 8/5 | -- | ร49mm | ||
Meike AF 35mm f/1.4 MIX | photo | FF | 56 | |||||
Meike 35mm f1.7 Review | photo | APS-C | 56 | 6/5 | -- | ร49mm | ||
Meike 50mm f0.95 | photo | APS-C | 80 | 7/5 | 13 | ร62mm | ||
Meike 50mm f1.2 | photo | FF | 80 | 12/7 | 10 | ร67mm | RF | |
Meike AF 50mm f1.4 MIX | photo | FF | ||||||
Meike 50mm f1.7 Review | photo | FF | 80 | 6/5 | -- | ร52mm | B&H | RF |
Meike 50mm f1.8 | photo | FF | ||||||
Meike 50mm f2 | photo | APS-C | 80 | 6/5 | 9 | ร49mm | ||
Meike AF 55mm f1.4 | photo | APS-C | 88 | 11/8 | 9 | ร52mm | ||
Meike 60mm f2.8 Macro | photo | APS-C | 96 | |||||
Meike AF 85mm f1.4 STM | photo | FF | 136 | 13/8 | 12 | ร77mm | ||
Meike 85mm f1.8 AF | photo | FF | 80 | 9/6 | 9R | ร67mm | Amazon | RF |
Meike 85mm f2.8 | photo | APS-C | 136 | 11/8 | 12 | ร55mm | ||
Zoom | photo | APS-C | ||||||
Meike 6-11mm f3.5 | photo | APS-C | 11/8 | -- | -- | |||
Cine | cine | FF,S35,MFT | RF | |||||
Meike 8mm T2.2 | cine | MFT | 12.8 | 12/7 | -- | ร86mm | ||
Meike 10mm T2.2 | cine | S35 | 16 | 15/12 | -- | -- | B&H | RF |
Meike 12mm T2.2 | cine | MFT | 19.2 | 15/10 | -- | ร77mm | ||
Meike 16mm T2.2 | cine | MFT | 25.6 | 13/10 | -- | ร77mm | ||
Meike 16mm T2.5 | cine | FF | 25.6 | 16/11 | 11 | ร86mm | B&H | RF |
Meike 18mm T2.1 | cine | S35 | 28.8 | 15/10 | 10 | ร77mm | ||
Meike 24mm T2.1 | cine | FF | 38.4 | 14/9 | 11 | ร82mm | B&H | RF |
Meike 25mm T2.2 | cine | S35 | 40 | 10/8 | -- | ร77mm | B&H | RF |
Meike 35mm T2.1 | cine | S35 | 56 | 12/10 | 11 | ร77mm | ||
Meike 35mm T2.1 | cine | FF | 56 | 14/9 | 11 | ร82mm | ||
Meike 35mm T2.2 | cine | S35 | 56 | 10/8 | -- | ร77mm | B&H | RF |
Meike 50mm T2.1 | cine | S35 | 56 | 12/9 | -- | ร77mm | ||
Meike 50mm T2.1 | cine | FF | 80 | 12/8 | 11 | ร82mm | B&H | RF |
Meike 50mm T2.2 | cine | S35 | 80 | 9/7 | -- | ร77mm | B&H | RF |
Meike 65mm T2.2 | cine | S35 | 104 | 10/7 | -- | ร77mm | B&H | RF |
Meike 75mm T2.1 | cine | S35 | 120 | 13/11 | 13 | ร77mm | ||
Meike 85mm T2.1 | cine | FF | 136 | 14/8 | 11 | ร82mm | B&H | RF |
Meike 85mm T2.2 | cine | S35 | 136 | 9/7 | -- | ร82mm | B&H | RF |
Meike 100mm T2.1 | cine | S35 | 160 | 13/7 | 12 | ร77mm | ||
Meike 105mm T2.1 | cine | FF | 168 | 11/7 | 11 | ร82mm | B&H | RF |
Meike 135mm T2.4 | cine | FF | 216 | 12/8 | 11 | ร82mm | B&H | RF |
Mitakon Zhongyi Lenses
Mitakon Zhongyi, also known as ZY Optics, is a Chinese optics manufacturer offering a small but growing selection of lenses. Compared to established brands like Canon or Tamron, Mitakon Zhongyi lenses tend to cater to niche markets or offer unique features at competitive prices.
Mitakon is slowly moving over some of their more interesting designs to the Canon R mount, starting with the latest update to the Speedmaster.
Mitakon also shares its designs with SLR Magic, which are essentially Cine versions of the Mitakon lenses.
- Speedmaster Series: This series comprises manual focus prime lenses known for their exceptionally fast apertures, ranging from f0.95 to f1.2. Popular options include the Speedmaster 50mm f0.95 III, known for its low-light performance and shallow depth of field, and the Speedmaster 85mm f1.2, offering a flattering portrait perspective.
- Cine Lenses: Mitakon Zhongyi offers a limited selection of cine lenses for the Canon RF mount, targeting professional filmmakers. These lenses feature cine-standard gearing, consistent focus throw, and de-clicked apertures for smooth control during shoots.
Lens Name | Lens Type | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | |
---|---|---|---|---|---|---|---|---|
Mitakon Creator 28mm f5.6 | photo | FF | 44.8 | 8/7 | 5 | ร37mm | B&H | |
Mitakon Creator 35mm f2 | photo | FF | 56 | 7/5 | 9 | ร55mm | ||
Mitakon Speedmaster 50mm f0.95 III | photo | FF | 80 | 10/7 | 11 | ร67mm | B&H | |
Mitakon Speedmaster 85mm f1.2 | photo | MF | 136 | 9/6 | 11 | ร77mm | ||
Mitakon Creator 85mm f2 | photo | FF | 136 | 6/6 | 10 | ร55mm | ||
Mitakon 90mm f1.5 | photo | FF | 144 | 9/6 | 9R | ร67mm | B&H | |
Mitakon Creator 135mm f2.5 | photo | FF | 216 | 9/7 | 9R | ร67mm | B&H | |
Mitakon APO 200mm f4 1X Macro | photo | FF | 320 | 11/7 | 9 | ร67mm | B&H |
NiSi Lenses
NiSi, primarily known for its high-quality filters, offers a limited but growing selection of lenses for the Canon RF system.
APS-C Super Wide-Angle Lenses:
- NiSi 9mm f2.8 Sunstar: This manual-focus lens boasts an impressive 113ยฐ field of view, making it ideal for capturing expansive landscapes and architecture. Its f2.8 aperture enables low-light shooting and creative control over depth of field.
Full-Frame Cinema Lenses:
- NiSi ATHENA Prime: These large-aperture, manual-focus cine lenses cater to professional videographers and filmmakers. Their fast T1.9 aperture excels in low-light conditions and delivers a shallow depth-of-field for cinematic bokeh.
They also have a line of Cine lenses in the E, EF, and PL mount that can easily be adapted to the R system.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||
---|---|---|---|---|---|---|---|---|
Photo | photo | |||||||
Nisi 9mm f2.8 Sunstar ASPH | photo | APS-C | 14.4 | 14/12 | 10 | ร67mm | B&H | RF |
NiSi 15mm f4 Sunstar ASPH | photo | FF | 24 | 12/10 | 10 | ร72mm | B&H | RF |
Cine | ||||||||
Nisi 18mm | 0 | |||||||
Nisi 25mm T2.1 | 0 | |||||||
Nisi 35mm T2 | 0 | |||||||
Nisi 50mm T2 | 0 | |||||||
Nisi 75mm T2 | 0 | |||||||
Nisi 100mm T2 | 0 | |||||||
ATHENA Cine | cine | |||||||
NiSi ATHENA 14mm T2.4 | cine | FF | 22.4 | 10 | B&H | RF | ||
NiSi ATHENA 18mm T2.2 | cine | FF | 28.8 | B&H | RF | |||
NiSi ATHENA 25mm T1.9 | cine | FF | 40 | 10 | ร77mm | B&H | RF | |
NiSi ATHENA 35mm T1.9 | cine | FF | 56 | 10 | ร77mm | B&H | RF | |
NiSi ATHENA 50mm T1.9 | cine | FF | 80 | 10 | ร77mm | B&H | RF | |
NiSi ATHENA 40mm T1.9 | cine | FF | 64 | ร77mm | B&H | RF | ||
NiSi ATHENA 85mm T1.9 | cine | FF | 136 | 10 | ร77mm | B&H | RF | |
NiSi ATHENA 135mm T2.2 | cine | FF | 216 | B&H | RF |
Pergear Lenses For Canon
Pergear, a relatively new player in the lens market, offers a growing selection of lenses compatible with the Canon RF system.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | |
---|---|---|---|---|---|---|---|
Pergear 7.5mm f2.8 | APS-C | 12 | 9/8 | 10R | -- | ||
Pergear 10mm f8 Pancake | APS-C | 16 | 5/4 | fixed | -- | ||
Pergear 12mm f2 | APS-C | 19.2 | 12/9 | 10 | ร62mm | ||
Pergear 14mm f2.8 II | FF | 22.4 | Pergear | RF | |||
Pergear 25mm f1.8 | APS-C | 40 | 5/3 | 12 | ร43mm | ||
Pergear 35mm f1.2 Review | APS-C | 56 | 6/5 | 10 | ร43mm | ||
Pergear 35mm f1.4 | FF | 56 | -- | 10 | -- | -- | RF |
Pergear 35mm f1.6 | APS-C | 56 | 6/4 | 12 | ร43mm | ||
Pergear 50mm f1.8 Review | APS-C | 80 | 6/4 | 10 | ร43mm | ||
Pergear 60mm f2.8 2x Macro | APC-C | 80 | 11/8 | 10 | ร62mm | ||
Pergear 60mm f2.8 2x Macro II | FF | 96 | 10/7 | 10 | ร62mm | -- | RF |
Sirui Lenses
Sirui, also known for its tripods and filters, offers a unique selection of lenses focusing on anamorphic optics.
Full-Frame Anamorphic Lenses:
- Saturn Series: These manual-focus lenses deliver a 1.6x squeeze ratio, creating the signature widescreen “cinematic” look with elongated horizontal elements. Their compact size and carbon fiber construction cater to travel and handheld shooting. Users praise their image quality and affordability for anamorphic lenses but mention potential challenges with manual focusing and chromatic aberration.
- Venus Series: This premium offering includes full-frame anamorphic lenses with a wider 1.8x squeeze ratio. Featuring cine-style construction and a larger format, they target professional videographers and filmmakers seeking high-end anamorphic aesthetics.
APS-C/S35 Anamorphic Lens:
- This APS-C lens offers a milder 1.33x squeeze ratio, maintaining a wider field of view while adding the anamorphic effect. Its smaller size and lower price point cater to enthusiasts and budget-conscious creators.
APS-C/S35 Cine Lenses
- NightWalker lenses offer a compact bright f1.2 aperture for low-light videography.
If you click through the B&Hphoto link on some of these anamorphic lenses, keep in mind that they do offer these lenses in various flare colors. So, on B&H’s page, search for the lens in your mount to see if it comes in a different coating if it doesn’t show up on the product page. For now, it looks like they offer Blue and Neutral coatings.
Lens Name | Sensor | FF Equiv | Elements | Aperture | Filters | RF Links | |
---|---|---|---|---|---|---|---|
Photo | |||||||
Sirui Sniper 16mm f1.2 | S35/APS-C | 25.6 | |||||
Sirui Sniper 23mm f1.2 | S35/APS-C | 36.8 | 12/11 | 11 | ร58mm | ||
Sirui Sniper 33mm f1.2 | S35/APS-C | 52.8 | 11/10 | 11 | ร58mm | ||
Sirui Sniper 56mm f1.2 | S35/APS-C | 89.6 | 12/11 | 11 | ร58mm | ||
Sirui Sniper 75mm f1.2 | S35/APS-C | 120 | |||||
Cine | RF | ||||||
Sirui Night Walker 24mm f1.2 | S35/APS-C | 38.4 | 12/11 | 12 | ร67mm | B&H | RF |
Sirui Jupiter 24mm T2 | FF | 38.4 | 13/11 | 11 | ร92mm | ||
Sirui Night Walker 35mm f1.2 | S35/APS-C | 56 | 11/10 | 12 | ร67mm | B&H | RF |
Sirui Jupiter 35mm T2 Macro | FF | 56 | 14/11 | 11 | ร92mm | ||
Sirui Night Walker 35mm f1.2 | S35/APS-C | 88 | 11/10 | 12 | ร67mm | B&H | RF |
Sirui Jupiter 50mm T2 | FF | 80 | 13/10 | 11 | ร92mm | ||
Sirui Jupiter 75mm T2.8 Macro 1:1 | FF | 120 | 12/9 | 13 | ร92mm | ||
Sirui Jupiter 100mm T2.8 Macro 1.5:1 | FF | 160 | 13/9 | 12 | ร92mm | ||
Anamorphic | RF | ||||||
Sirui Mars 24mm T2.8 1.33x | S35/APS-C | 38.4 | 13/10 | 8 | ร72mm | ||
Sirui 24mm f2.8 1.33x | S35/APS-C | 38.4 | 13/10 | 8 | ร72mm | B&H | RF |
Sirui Mars 35mm f1.8 1.33x | S35/APS-C | 56 | 13/9 | 10 | ร67mm | ||
Sirui 35mm f1.8 1.33x | S35/APS-C | 56 | 13/9 | 10 | ร67mm | B&H | RF |
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber | FF | 80 | 18/12 | 10 | ร60mm | B&H | RF |
Sirui Venus 35mm T2.9 1.6x | FF | 80 | 18/13 | 10 | ร82mm | B&H | RF |
Sirui 50mm f1.8 1.33x | S35/APS-C | 80 | 11/8 | 10 | ร67mm | B&H | RF |
Sirui Mars 50mm T2 1.33x | S35/APS-C | 80 | 11/8 | 8 | ร67mm | ||
Sirui Saturn 50mm T2.9 1.6x Carbon Fiber | FF | 80 | 16/12 | 10 | ร62mm | B&H | RF |
Sirui Venus 50mm T2.9 1.6x | FF | 80 | 16/13 | 10 | ร82mm | B&H | RF |
Sirui 75mm f1.8 1.33x | S35/APS-C | 120 | 16/12 | 13 | ร67mm | B&H | RF |
Sirui Mars 75mm T2 1.33x | S35/APS-C | 120 | 16/12 | 13 | ร67mm | ||
Sirui Saturn 75mm T2.9 1.6x Carbon Fiber | FF | 120 | 15/12 | 10 | ร62mm | B&H | RF |
Sirui Venus 75mm T2.9 1.6x | FF | 120 | 15/13 | 10 | ร82mm | B&H | RF |
Sirui Venus 100mm T2.9 1.6x | FF | 160 | 15/13 | 13 | ร82mm | B&H | RF |
Sirui Venus 150mm T2.9 1.6x | FF | 240 | 16/11 | ร82mm | B&H | RF | |
Cine Zoom | |||||||
Sirui Jupiter 28-85mm T3.2 | FF | 22/18 | 114mm |
TTArtisan Lenses
TTArtisan represents a rising player in the lens market, offering a budget-friendly entry point for photographers seeking unique creative tools and manual focus control. While their lenses might not be ideal for professional use or autofocus-reliant applications, they cater to specific photographic niches and artistic exploration at an accessible price point. Careful consideration of their trade-offs and alignment with individual needs is crucial before making a purchase.
TTArtisan makes some nice lenses, and their quality control and image quality are pretty good. I’ve had a few TTArtisan lenses and have liked them.
TTArtisan RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters | RF Links | |||
---|---|---|---|---|---|---|---|---|---|
TTArtisan RF 7.5mm f2 Fisheye | no | no | APS-C | 12 | 11/8 | 7 | ร58mm | B&H | |
TTArtisan RF 10mm f2 | no | no | APS-C | 16 | 13/10 | 7 | ร72mm | ||
TTArtisan RF 11mm f2.8 Fisheye | no | no | FF | 17.6 | 11/7 | 7 | none | B&H | |
TTArtisan RF 17mm f1.4 | no | no | APS-C | 27.2 | 9/8 | 10 | ร40.5mm | B&H | |
TTArtisan RF 21mm f1.5 | no | no | FF | 33.6 | 13/11 | 10 | ร72mm | B&H | |
TTArtisan RF 25mm f2 | no | no | APS-C | 40 | 7/5 | 7 | ร43mm | B&H | |
TTArtisan RF 35mm f0.95 | no | no | APS-C | 56 | 7/5 | 10 | ร52mm | B&H | |
TTArtisan RF 35mm f1.4 | no | no | APS-C | 56 | 7/6 | 10 | ร39mm | B&H | |
TTArtisan RF 40mm f2.8 Macro | no | no | APS-C | 64 | 8/7 | 11 | ร52mm | B&H | |
TTArtisan RF 50mm f0.95 | no | no | APS-C | 80 | 8/6 | 10 | ร58mm | B&H | |
TTArtisan RF 50mm f1.2 | no | no | APS-C | 80 | -- | 10 | ร52mm | B&H | |
TTArtisan RF 50mm f1.4 | no | no | FF | 80 | 10/8 | 12 | ร49mm | B&H | |
TTArtisan RF 50mm f1.4 Tilt | no | no | FF | 80 | 7/6 | 12 | ร62mm | B&H | |
TTArtisan RF 50mm f2 | no | no | FF | 80 | 6/5 | 10 | ร43mm | B&H | |
TTArtisan RF 90mm f1.25 | no | no | FF | 144 | 11/7 | 10 | ร77mm | B&H | |
TTArtisan RF 100mm f2.8 Bubble Bokeh | no | no | FF | 160 | 4/4 | 13 | ร49mm | ||
TTArtisan RF 100mm f2.8 Tilt Macro 2x | no | no | FF | 160 | 14/10 | 12 | ร67mm | B&H | |
TTArtisan RF 500mm f6.3 | no | no | FF | 800 | 8/5 | ร82mm | B&H |
Vazen Cine Micro Four Thirds Lens
Vazen is a niche manufacturer specializing in high-quality, anamorphic lenses for various mirrorless camera systems. Their unique selling proposition lies in offering creative filmmakers and videographers professional-grade anamorphic capabilities at a more accessible price point compared to traditional high-end options.
Since these lenses are M43 lenses, you will need to use the 2x crop on your full-frame R cameras.
There are different levels of Anamorphic compression, but the Vazen lenses use a 1.8x compression for a 2.39:1 aspect ratio with a micro-four thirds sensor. If these lenses have a large enough image circle to run in the 16:9 Canon 1.6x crop, then your aspect ratio will be even wider.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Anamorphic | RF | |||||||||
Vazen 28mm T2.2 1.8x | cine | no | no | M43 | 44.8 | 7/6 | 7 | ร52mm | B&H | RF |
Vazen 40mm T2 1.8x | cine | no | no | M43 | 64 | -- | -- | 95mm | B&H | RF |
Vazen 50mm T2.1 1.8x | cine | no | no | FF | 80 | -- | -- | ร86mm | ||
Vazen 65mm T2 1.8x | cine | no | no | M43 | 104 | -- | -- | ร86mm | ||
Vazen 85mm T2.8 1.8x | cine | no | no | FF | 136 | -- | -- | ร86mm | ||
Vazen 135mm T2.8 1.8x | cine | no | no | FF | 216 | -- | -- | ร86mm |
Venus Optics Laowa Lenses
Venus Optics is known for its unique and innovative lenses, especially its ultra-wide Zero distortion lenses. They offer a diverse selection, including primes, zoom lenses, cine lenses, and cine anamorphic lenses, which can be ordered with different colored coatings for different light effects.
The only real flaw with their lenses, and this is true with most of the ‘good’ third-party brands is their coatings don’t compare to what we get from the big Japanese brands, otherwise Venus Optic lenses are fantastic.
Venus Optic RF Lenses | Format | 1.6x 35mm Equiv | Elements | Iris | Filters |
---|
Yongnuo Lenses
Somehow, Yongnuo got around Canon’s strict autofocus protocol patent, or Canon hasn’t targeted them yet. Anyway, here they are. Yongnuo has been around since the mid-2000s, making very simple lenses.
Lens Name | Sensor | FF Equiv | Elements | Iris | Filters | RF Links | ||||
---|---|---|---|---|---|---|---|---|---|---|
Yongnuo 16mm f1.8S DSM | photo | no | yes | FF | 25.6 | |||||
Yongnuo 23mm f1.4 | photo | no | yes | APS-C | 36.8 | |||||
Yongnuo 25mm f1.7 | photo | no | yes | M43 | 40 | 7/6 | 7 | ร52mm | ||
Yongnuo 33mm f1.4 | photo | no | yes | APS-C | 52.8 | |||||
Yongnuo 35mm f2R DF DSM | photo | no | yes | FF | 56 | 9/8 | 7R | ร52mm | B&H | RF |
Yongnuo 35mm f2 CR | yes | FF | 56 | RF | ||||||
Yongnuo 42.5mm f1.7 M II | photo | no | yes | M43 | 68 | 9/8 | 7 | ร52mm | ||
Yongnuo 50mm f1.8R DSM | photo | no | yes | FF | 80 | RF | ||||
Yongnuo 50mm f1.8X DA | photo | no | yes | APS-C | 80 | |||||
Yongnuo 50mm f1.8S DSM | photo | no | yes | APS-C | 80 | 8/7 | 7R | ร49mm | ||
Yongnuo 50mm f1.8S DSM II | photo | no | yes | APS-C | 80 | |||||
Yongnuo 50mm f1.8S DSM | photo | no | yes | FF | 80 | -- | -- | -- | ||
Yongnuo 56mm f1.4 | photo | no | yes | APS-C | 89.6 | |||||
Yongnuo 85mm f1.8S DSM | photo | no | yes | FF | 136 | 9/8 | 7R | ร58mm | B&H | RF |
Yongnuo 85mm f1.8R DF DSM | photo | no | yes | FF | 136 | RF | ||||
Zooms | ||||||||||
Yongnuo 12-35mm f2.8-4 | photo | no | yes | M43 | -- | -- | -- |
Adapters
I’m already noticing that third-party 35mm lenses adapted to the Canon EOS R are performing much better than on the Sony cameras. Because Canon has a correctly sized lens mount, they don’t have to use a very aggressive lens micro design, so lenses designed for film or DSLRs tend to perform better.
Also, the Canon EOS R has a thin sensor stack, resulting in improved performance when adapting Leica or 35mm film lenses. If it wasn’t for the weak focus peaking, the EOS R is probably the best option for adapting old 35mm film lenses.
Kipon has 20 different adapters for the Canon EOS R system, a very high-quality adapter and lens company out of China.
Novoflex has some adapters on the way as well.
Adapter Name | Check Price |
Kipon EOS R Adapters | Adorama |
List of All Canon RF Lenses Conclusion
I’ll continue to update this list as more lenses hit the market. If I’ve missed anything or made any mistakes, please let me know in the comments.