Fujifilm GFX Lenses – The Ultimate List

A list of all the Fuji GF lenses available, by Fujifilm and third-party lens manufacturers. 

Fuji GFX Lens List

When picking lenses for the medium format for cameras like the gfx 100 or gfx 50r,  you take into consideration the crop factor of the larger sensor.

With the current GFX sensor the crop factor is about .8, technically 0.79. I’ll list the 35mm equivalent lengths along with the lenses so you don’t have to think about it.

F-Stop Equiv With These Charts

I don’t think my f-Stop equivalency calculations for the depth of field here are perfect, but it’s really close and should at least put you in the ballpark of the equivalency of the characteristics of the depth of field compared to a full-frame camera.

Keep in mind that if an f4 lens behaves like an f3.16 full-frame lens, it still will only let in an f4 amount of light. This calculation is only for comparing the depth of field characteristics.

There are some other nice benefits of large sensor cameras in terms of the way the lenses render bokeh. They will typically allow the bokeh to look nicer as the subject is further away. Bokeh usually gets a little busy as the subject moves further back, and the medium format allows for more distance before getting that chatter in the bokeh or whispy spherical aberrations in the subject – depending on the lens of course.

Fujifilm GFX Prime Lenses

Fujifilm GFX Zoom Lenses

Fujifilm GF Tele Converters

Fujifilm Lens Codes

GF – Fuji’s G series lens mount, for the GFX cameras. Not to be confused with the Nikon G-Mount. They are not the same.

OIS – Optical Image Stabilization.

R – Stands for “ring.” It means the lens is equipped with an aperture ring.

WR – Weather Resistant.

LM – Linear Motor, rapid movement, and silent focus.

APD – Stands for Apodization. Will produce even fall-off on your out-of-focus highlights. Makes better Bokeh.

Compatible Cameras:

Fujifilm GFX 100s, GFX 100, GFX 50r, GFX 50s, GFX 50s II

List of Third-Party GFX Lenses

Slowly more and more third-party lenses are being introduced to the GFX line up and I’ll continue to list those here as I find them and their country of origin.

Swiss Lenses

Irix is a Swiss brand that uses Samyang optics and engineering. An interesting story with IRIX, behind the brand, is Hubert Grzegorz Adamczyk who was behind a company that used to be the European distributor for Samyang lenses. He created a new operation working with Samyang to develop lenses branded under a swiss letterbox, likely for tax and marketing reasons.

At the end of the day, IRIX is a company started by a polish guy that works with Korea for optics. This is great because Samyang lenses are fantastic now. They’ve made huge strides in the last 10 years and it’s great seeing their optics wrapped with some actual compelling lens designs.

Chinese GFX Lenses

Kipon GFX Lenses

Kipon has released its 75mm f2.4 lens for the GFX lens. The 75mm is probably their best lens and the most popular.

Mitakon GFX Lenses

TTArtisan GFX Lenses

ZY Optics – Mitakon Zhongyi G Lenses

Mitakon has started making lenses for the GFX system or the G-Mount. Mitakon is a decent lens company based out of China. They use interesting designs usually with several ultra-high refractive elements to get very fast lenses as small as possible. Often they’re not as bright, but you still get nice bokeh at a good price with decent build quality.

These Chinese companies get better over time and they continue to invest in new and better equipment. Mitakon designs keep getting better as their team learns and grows. They’re definitely worth a try and they are very popular for shooters that want fast lenses on a budget. Be sure to thoroughly test these lenses when you buy them, especially if you buy them during a flash sale where camera stores try to offload the sent-back duds.

Venus Optics Lenses For Fujifilm GFX

Venus Optics has a 17mm f4 lens coming soon to the GFX system. Their lenses have great build quality and fantastic output. A 17mm would give you a 13.4mm field of view equivalency with the depth of field output equal to f3.16 from a full-frame camera.

Fuji GFX Adapted Lenses Guide

There are some vintage lenses out there that can be adapted to the new Fujifilm G Mount. For those looking to experiment with different focal lengths, this might be a more interesting way to do it.

There are some adapters from LAOWA that will work sort of as the opposite of speed boosters, so you can adapt your full-frame lenses without the vignetting. I believe they will work for Canon and Nikon lenses. They call this the Magic Format Converter.

Fujifilm G-Mount Lens List | Conclusions

As new lenses and adapters roll out, I’ll continue to update this list. It looks a little sparse right now but over the years this list should mature nicely considering the popularity of the GFX camera system.

If you’ve found anything cool and useful that you think should be on this list, leave me some feedback and I’ll update.