Mitakon 35mm f0.95 II Review & Sample Photos

The Mitakon Zhongyi Speedmaster 35mm  f0.95 II is a relatively small but high-speed APS-C prime lens for mirrorless cameras.

It’s built of an all-metal body with a de-click and high-speed f0.95 aperture. The lens excels in low light conditions but also functions as a beautiful art lens for incredible bokeh and shallow depth of field.

Performance is suitable for a fast lens and will perform well in most situations.

What’s Good: Incredible performance at fast apertures, good color, good contrast, great bokeh, and better center sharpness than Fujinon 35mm lenses until f4.

What’s Bad: Soft corners, some chromatic aberrations and vignetting at fast apertures, distortion.

Overview: Performance is very good at fast apertures, making the lens excellent for low light or shooting with a very shallow depth of field. Sharpness, contrast, and color are all excellent, and chromatic aberrations and flaring are both well-controlled. The main flaw with this lens is the soft corners.

Mitakon Zhongyi Speedmaster 35mm f0.95 Mark II Lens Stats

Focal Length: 55mm (APS-C 52.5mm)
Aperture Blades: 9
Aperture Ring: De-Click
Minimum Focus Distance: 1.15′ (35 cm)
Front Element Filter Threads: ø55mm
Element Count: 11 elements, 8 groups
CPU Contacts: No

Mitakon Speedmaster 35mm f0.95 II – Amazon / BHphoto

It also comes in silver.

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All Sony APS-C E-Mount Lenses

Mitakon Zhongyi Speedmaster 35mm f0.95 Review

When this lens was initially launched, many people talked about it, but I’ve never seen any great reviews. Everyone just said the Mitakon Speedmaster 35mm is excellent, and that’s about it.

Is it great?

Yes, it is. But what makes this lens good is how it performs wide open. You don’t typically see lenses that perform this well this fast, especially at this price, especially made in China.

Is the lens the sharpest in the world? No, but the center is very sharp at fast apertures, and it has overall good contrast and even performs well in the corners. It’s great for portraits, shooting around the house, or even street photography. I like to characterize it as an art lens because of its beautiful rendering, contrast, and bokeh.

For the technical shooter, such as the landscape or architecture photographer looking for pristine performance at higher apertures, there are better options, like the Handevision 35mm f2.4 or even any of the Fujifilm 35mm lenses. That’s not because this lens isn’t sharp, it is, it just doesn’t have the same corner performance as a few other 35mm lenses out there.

However, corner-to-corner sharpness isn’t the point of this lens, nor was it the intent of the design. It’s built to have incredible performance at fast apertures, where this lens shines.

The Mitakon Speedmaster 35mm f0.95 lens is a must-have for APS-C mirrorless shooters who want to improve their portraits, weddings, or artistic photography.

First Impressions

I really like this lens, but a few things bother me. For one, the aperture ring is front-loaded with fast apertures. This means that most of the aperture rings turn between f0.95 and f4. Then, between f4 and f16, it’s only a very slight turn. In fact, there is no marker for f5.6 or f11. They really designed this lens for fast apertures. This is cool, but sometimes, when shooting street photography, I want to throw my lens to f5.6 or f8 without looking, and that is difficult to do with this lens since there are only a few degrees of difference between f5.6 and f8. I just can’t get used to where the numbers on the aperture are and have to look every time. Really not a big deal but it does make using the lens a little less comfortable.

This lens is awesome in terms of build quality. Chinese lenses typically have a bad rep, but I’ve been testing a lot of them this last year, and I can say Mitakon is one of the good ones. They make very high-quality gear.

The precision is incredible, adjusting the focus is smooth as is the aperture ring.

Overall, image quality is great if you were to pixel peep. It’s not that sharp in the corners, but what really stands out is the rendering. Oh my goodness, it makes some incredibly magical images at f0.95. It’s just stunning. There is nothing else like it.

The f0.95 aperture really changes how I shoot because it creates this excellent background separation you can’t get from slower primes. This allows you to pull off shots that you wouldn’t typically be able to get because the ultra-shallow depth allows you to separate your subject from just about any background.

Quality And Performance

I always see many people judge fast lenses very hard, usually complaining about sharpness or corner sharpness compared to their slower counterparts. For example, the Canon 50mm f1.2 vs the Canon 50mm f1.4. Or the Fujinon 35mm f1.4, vs the Fujinon 35mm f2. Faster, more expensive lenses don’t always perform as well in terms of sharpness and corner sharpness when stopped down compared to their slower cousins. This is because designing lenses is a battle of compromises, and lens formulas are always crafted to serve different purposes. The Mitakon 35mm f0.95 was designed for incredible wide-open performance, especially in the center. That is the whole point.

You won’t see this lens break any records when it comes to performance at f5.6, but considering it’s an f0.95, you’ll find that what it does do when wide open or even slightly stopped down is pretty mind-blowing.

And I’m not implying that it’s not a sharp lens. It’s still plenty sharp. It’s actually sharper than both the 35mm lenses until about f4, except in the corners and edges.

There is some distortion, but chromatic aberrations and flaring are very well controlled. Vignetting is also very reasonable.

It’s easy to say this is one of the best ultra-fast lenses you can buy for the APS-C mirrorless camera, especially for the price.

Build Quality

The Mitakon Zhongyi’s build quality is outstanding. It has an all-metal construction with very nice precision. The focus and aperture are buttery smooth with the perfect amount of resistance. There is no sound when shaking the lens, and there are no serious problems with bad copies like so many other Chinese companies.

It also comes in this fabulous box.

Durability

I’ve had this lens for several months and shoot with it often in the rain and snow.

The lens functions well in frigid and hot temperatures with no sticky focus or aperture.

So far, I’ve yet to experience any issues.

Sharpness Chart

Overall, sharpness is good but not great with this lens.

At f0.95, the lens is fairly soft in the center but cleans up as you stop down to about f2. At f5.6, it is much sharper.

Corners are also very smeary and soft at f0.95. By f5.6, they clean up a little but never fully recover. This is where the Fujinon primes excel.

Sharpness compared @ f2

I’ve put together a nice comparison between a few popular 35mm for the APS-C mirrorless cameras.

When comparing the Fujinon 35mm f1.4, the Fujinon 35mm f2, and the 7Artisans 35mm f2, the Mitakon is actually the sharpest at f2.

Sharpness comparison @ f4

Stop down to f4, and the Fujinon primes pick up their performance. The Mitakon 35mm has about the same sharpness as the Fujinon 35mm f1.4, but the 35mm f2 is a touch sharper.

Diffraction & Spherical Aberrations

Wide open, the lens is a bit soft, but at f2.8, it’s really good, and the best sharpness performance is between f4 and f8.

Chromatic Aberrations

Chromatic Aberrations are very well controlled with this lens. In extreme conditions, you can see some longitudinal chromatic aberrations at f0.95. You typically won’t see them in real-world shooting conditions as you do in this sample.

At f5.6, these longitudinal chromatic aberrations clear up. This is great, especially since CA is straightforward to clean up, and you probably won’t buy this lens to shoot backlit tree branches.

Chromatic Aberrations at f5.6

Not much to look at here at f5.6.

Vignetting

Vignetting is a little bit of a problem at f0.95, by f1.4 it eases up a bit. By f2, it’s mainly controlled.

Distortion

The Mitakon 35mm f0.95 has some noticeable distortion. It’s not terrible, but you may see it if you’re shooting brick walls or straight lines.

This chart was shot at about 5 feet.

Flaring

The Zhongyi Speedmaster 35mm has really nice flare resistance. The coatings are fantastic, and you almost never see a severe loss of contrast and color from bright lights, reflections, or sun flares in daily use.

Art And Character

Art and character can sometimes vary from person to person; you can see this in many online reviews. Some people like different types of bokeh, and some people like really tight foreground-to-background separation. I like different characteristics for different things; for example, I don’t mind busy Bokeh on a landscape lens, and I don’t like swirling bokeh unless it’s very swirly.

Color Rendering

When wide open, even in the bokeh, the colors are very rich. I was actually impressed by how well the image held together in terms of color and contrast at wide apertures. Because of this lens, I’ve become a little bit of a flower nerd.

Foreground to Background Separation

The Mitakon 35mm f0.95 can really cut out the foreground from the background, even at some distance. The subject separation is not as abrupt as some other lenses I own since the falloff creates a very smooth blend between the foreground and background. Personally, I like the harsh look 3d look given by some longer lenses, but I also don’t mind the soft falloff of this lens either. You can see what I’m discussing with the Handevision 75mm f2.4 review. Of course, it’s a longer lens, so the comparison is apples to oranges.

What’s really cool about shooting at f0.95 is that if you nail focus, the subject will stay fairly detailed, but a very busy and distracting background will be completely smoothed out.

Contrast & Micro Contrast

Good micro contrast renders very high-quality detail and clarity, while good contrast allows for very deep blacks and nice tonal gradients across the image.

Wide open contrast underperforms slightly but improves as stopped down. This is to be expected of any lens this fast, and I consider this very routine.

The Fujifilm lenses, like the 35mm f2 and even the 35mm f1.4, have better contrast and fidelity, but not by a lot.

Bokeh

Bokeh is very smooth and very rich. There aren’t any issues with swirling bokeh, and it never really feels busy or nervous. It’s always pleasant and calm even when stopped.

Mitakon Zhongyi 35mm f0.95 II Review | Bottom Line

If you’re looking for a landscape or architecture lens, this isn’t for you. The corners will underperform, and the lens will never be as sharp as some of the competition, such as the Fujinon 35mm f2, even at f8.

This lens is outstanding for portraits, florals, weddings, or just making art. You won’t find many lenses that perform this well and are also this fast, especially for this price.

There is not much out there like it when you look at how well it performs wide open. The bokeh is buttery smooth, and the colors are rich, with nice overall contrast and micro contrast, which only gets better at the higher apertures.

The point of this lens is its performance at fast apertures. Stopped down to f5.6 or f8, it will underperform compared to either of the two Fujifilm 35mm primes.

Build quality is outstanding, and this is undoubtedly the best Chinese lens I’ve ever owned. I would even say it is almost up there with Voigtlander regarding overall feel . . . Almost.

This lens is a keeper and a must-have for photographers looking to add some creative flair to their portfolios. It will make you smile, and I highly recommend it.

Mitakon Zhongyi 35mm f0.95 II Sample Photos