The last few years I’ve been shooting a lot of Landscape and HDR photography and found myself getting stuck with the routine that often comes with those styles. I was just going with the trends and I needed to hit the breaks.
This year I’m trying to shoot everything I can, looking for those incidental stories and moods. It can be challenging to get great shots, but at least this way the results are your own.
If you’re a Fujifilm shooter and want to use Iridient Developer as your primary photo processing software, or even if you want to use it as a RAW converter, then have a solid and consistent workflow is not only going to save you a lot of time, but it will also make your photo editing process a lot simpler.
In this guide I want to share with you the way I use Iridient Developer to process my Fujifilm RAW files and a file structure to help you stay organized.
A relatively new trend has emerged in the online photography communities over the last few years that involves shooting into the sun or other bright light sources so that the bright light creates star points around it. Also known as sunstars.
I run across a lot of tutorials and tips of people explaining how to do it. Typical they all say about the same thing, shoot high apertures, anywhere from f16 to f22.
While this does usually work, it’s not always the best practice. I find that shooting at higher apertures on many of our high megapixel cameras has a massive impact on overall image quality due to diffraction.
So what do we do?
When the Samsung NX1 hit the shelfs, it painted a lot of photographers faces with permanent smiles. And for good reason. The camera is loaded with almost all the features anyone could want with today’s technology and is also one of the best performing mirrorless cameras out right now.
So I rented it for a week to see what all the hype was about. Was I impressed? Yes and no. It feels like a cheap Canon but with a Sony quality.