The Canon RF 35mm f1.8 is an incredibly versatile prime lens designed for the Canon RF mount. The lens features image stabilization as well as close focusing macro capabilities with silent focusing in video mode. The 35mm focal length is one of the most useful focal lengths lending itself to many different styles of photography and the f1.8 delivers very good low light performance with some very shallow depth of field.
The size, weight and performance of the RF 35mm f1.8 makes it one of the most versatile and capable prime lenses out there and it’s also the best value when you compare it to all the full frame mirrorless 35mm lenses available today.
Canon has really stepped up their game with their non-L lenses and it really shows here.
When deciding between the Fujinon 35mm f1.4 and the 35mm f2 there is lot to consider and a lot to compare. Both lenses have very different builds and produce very different results. Should you upgrade to the 35mm f1.4 or just stick with the f2. Or, is each lens unique enough to justify owning both?
Each lens is catered for different environments and different styles of shooting and one lens isn’t necessarily better than the other because they each provide a different set of features. In this comparison, I’ll go over the pros and cons of each lens to help you decide which lens is best for your style of shooting.
To sum it up, the 35mm f2 is really more of a casual, adventure lens while the 35mm f1.4 is more of a pro portrait lens.
For years I’ve tried to find some good deals on Anamorphic lenses or adapter to shoot video and photography with and I finally found a system that’s affordable and easy to use.
SLR Magic started making some pretty interesting anamorphic adapter and cinema lenses and it just made sense to go down that route. The Anamorphot-50 for full frame, and the Anamorphot-40 for APS-C and even the Anamorphot-40 compact are all modern designs that work very well if you can pair them with the right lens.
This is my first impressions / review of the Anamorphot-40 1.33x with sample photo showing how I’ve used it for photography.
The Meike 35mm f1.7 is a compact manual focus APS-C lens designed for photographers who want affordable image quality in as small of a package as possible. Although the f1.7 aperture isn’t as fast as some of the other lenses available, the smaller aperture allows the lens to produce a more corrected image than some of the faster lenses without the loss of character.
The Fujinon 23mm f2 is a small light weight lens with a weather sealed construction and an incredibly fast, but silent internal focusing system. The f2 aperture with 9 rounded aperture blades produces very smooth bokeh when wide open and the 10 element design with 2 aspherical elements corrects for most issues with chromatic aberrations, distortion and vignetting while still maintaining a very natural and unique rendering.
It’s suited for photographers who need a fast autofocusing compact lens that still capable of producing outstanding image quality.
The Canon 24-105mm f4 is true master of versatility with an incredibly useful 24mm focal length on the wide end, and some really nice reach with 105mm on the telephoto end.
Walking around, shooting landscape photography, travel photography, HDR or events, you can use this lens in just about any situation. Build quality is really nice, color contrast, sharpness is very good and there are no serious flaws other than some minor chromatic aberrations in the corners and some distortion. It’s the perfect high end kit lens.
If you are on the fence about which lens to buy, the Fujifilm 23mm f1.4 or the Fujifilm 23mm f2, this comparison will guide you through the differences between the two. I also share my personal take on which lens I prefer and for what since I find them both useful, but for different situations.
Without a doubt the Kipon IBELUX 40mm f0.85 is one of the most interesting lenses for APS-C shooters to date. This is currently the brightest lens on the market as well as the fastest. For APS-C shooters that miss the depth of field and low light performance of full frame cameras, you’ll find all that here. A 35mm equivalency would give you something like a 60mm at f1.2.
The Handevision IBERIT 50mm f2.4 is a full frame mirrorless lens designed to function as a light weight and compact prime. The IBERIT is constructed with an aluminum barrel, a copper core and stainless steel components. Although the lens isn’t that fast, the 6 elements in 6 groups produces a very beautiful image with a ton of pop and a very classic style of rendering with a lot of great character.
The Handevision IBERIT 35mm f2.4 is a light weight compact full frame 35mm f2.4 mirrorless lens. It’s constructed of an aluminum body with a brass and stainless steel core for a low weight design. While the Handevision 35mm f2.4 is not a very fast lens, its characteristics are very balanced with a classic style of rendering and an extremely versatile 35mm focal length.