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7Artisans 35mm f1.2
  • Blog
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  • Lenses

7Artisans 35mm f1.2 Review & Sample Photos

  • November 29, 2022
  • AGriffin

The 7Artisans 35mm f1.2 is a compact APS-C lens designed for mirrorless cameras. It’s constructed with an all-metal housing and a 9-blade rounded aperture with only 6 elements. I wouldn’t consider this a pancake but it’s very short.

Performance according to specs isn’t great, but the lens has some very beautiful character, especially wide open. So far, this is my favorite 7Artisans lens and it’s a lot of fun to use!

 

Lens Stats

Focal Length: 35mm equivalent to 50mm on APS-C cameras
Aperture Blade: Rounded 9-Blades
Elements: 6 Elements 5 Groups
Coatings: Multi-Coated
Minimum Focus Distance: 1.15′ / 35 cm
Focus: Manual
CPU Contacts: No
Construction: Aluminum body with a copper core
Filter Threads: 43mm

Pros: Fast, Small, Nice sharpness when stopped down, Very nice bokeh, Good chromatic aberrations control

Cons: Terrible lens cap, Vignetting, Color shifts, Distortion, Very soft wide open when close, Made in China

Check Prices

It also comes in silver
7Artisans 35mm f1.2 Fujifilm-X – Amazon / BHphoto
7Artisans 35mm f1.2 Sony-E APS-C – Amazon / BHphoto
7Artisans 35mm f1.2 Canon-M – Amazon / BHphoto
Micro 4/3 – BHphoto

 

 

7Artisans 35mm f1.2 Review | First Impressions

 

7Artisans lenses are always packed with surprises when unboxing. With this lens, the rear element was completely covered with some strange speckled oil that took me a while to get off. I’m not even sure how it happened. Maybe it was a cleaning solution someone forgot to wipe off, or it was part of a lens coating, I’m not sure, but the lens was unharmed by whatever it was.

When I first snapped this thing onto my Fujifilm X-Pro 2, it immediately felt right. It’s small light and crazy fast. Although not technically a pancake lens, it creates a very short profile for the camera. I can put the X-Pro 2 or even X-T2 in my pocket when I’m wearing a jacket, which makes it a great walk-around lens.

 

7Artisans 35mm f1.2 | ISO 200, f5.6, 1/1000

 

Image quality is really impressive for a lens this size. I was expecting the corners and edges to be just trash like on the 7Artisans 25mm f1.8 or Kamlan 50mm f1.1, but they actually hold together nicely, especially when stopped down.

In terms of character, this lens produces some very creamy bokeh and very beautiful rendering all around.

In bright outdoor situations, the multi-multi coated elements do a fantastic job at keeping bright lights and reflections under control, and in low light indoor conditions, the fast aperture helps keep that ISO and shutter in a safe place.

Sharpness at f1.2 is pretty bad when you’re close. It’s fine for portraits or just having fun, but you won’t really be getting a lot of detail unless you’re shooting close to infinity where sharpness improves considerably.

 

7Artisans 35mm f4 | ISO 200, f4, 1/125

 

 

Build Quality

 

7Artisans 35mm f1.2
7Artisans 35mm f1.2
7Artisans 35mm f1.2 On The Fujifilm X-Pro 2
7Artisans 35mm f1.2

 

The 7Artisans 35mm f1.2 has an all-metal barrel with a de-click aperture. Focus and aperture adjustments are smooth. Focus has about a 165-degree throw which is nice. 

The biggest flaw with this lens is the absolutely terrible lens cap. It’s crazy to me, 7Artisans makes some really interesting lenses at great prices, but they just keep failing miserably at lens caps. Isn’t a lens cap the easiest thing to design? Dear 7Artisans, just make a lens cap that stays on the camera, isn’t made of metal, and doesn’t scratch the lens. This camera has the most pathetic lens cap I’ve ever experienced in my life, stop trying to be cool by making artsy weird lens caps and just make something we can depend on to protecting our lens.

Anyway, in terms of build quality, aside from the lens cap, it’s nice, no rattling, and not a lot of play in anything. I’ve been shooting with it a few months now and have been doing my best to make it fail and it hasn’t.

 

Technical Performance

 

ISO 200, f1.2, 1/125

 

From a pixel peeping technical standpoint; the 7Artisans 35mm f1.2 does pretty well considering its size. The big flaws here are sharpness wide open, vignetting and distortion. There are also some color shifts due to the vignetting. It’s a little cooler towards the edges, and by a little, I mean a lot.

 

 

Sharpness

ISO 400, f1.2, 1/3500

 

As mentioned, the image isn’t sharp until about f4. Even the center is very soft and ghosty, but also the corners and edges are pretty bad. But it’s weird, I’m still finding it very usable, it just renders kind of artsy and soft, your mom will love it!  Stopping down to f4 and sharpness becomes very acceptable. By f5.6 and f8, detail across the frame is very nice.

I’ve been shooting wide open a lot and one thing I’ve noticed is the output is much better than what you see in this chart, mainly because you need to be pretty far away to get sharpness at f1.2. I would say at least 30-50 feet, or pretty close to infinity.

I’m not really a huge sharpness snob, is it sharp enough? Yes, especially at midrange apertures where corners and edges perform surprisingly well, it’s just not good wide open until about f2.8.

 

Sharpness @ f5.6
Sharpness @ f5.6

 

Charts at all aperture ranges. 

 

Sharpness @ f1.2
Sharpness @ f1.2
Sharpness @ f1.4
Sharpness @ f1.4
Sharpness @ f2
Sharpness @ f2
Sharpness @ f2.8
Sharpness @ f2.8
Sharpness @ f4
Sharpness @ f4
Sharpness @ f5.6
Sharpness @ f5.6
Sharpness @ f8
Sharpness @ f8
Sharpness @ f16
Sharpness @ f16

 

Diffraction / Spherical Aberrations

 

The soft-focus at f1.2 and f1.4 as shown in this sample and the samples above get worst the closer you get, but yeah, if you want to shoot anything closer than 10 feet at f1.2 and want detail, you’re not going to get it here.

Also, for this sample, I am pretty far out from the center of the chart and some of that softness is attributed to moving away from the center.

The detail at f2.8 is looking very usable and diffraction doesn’t really become an issue until f16, even then, it’s still very usable. On many small lenses like the Sony Zeiss 35mm f2.8, diffraction at f16 is quite bad.

If you wanted a pancake-like lens and were on a tight budget, you could get this lens instead of the Fujinon 27mm f2.8 and you would have solid performance at f2.8 to f8 like the Fujinon but you would also have those fast apertures if you ever needed. Although, I do highly recommend the Fujinon 27mm f2.8.

 

7Artisans 35mm f1.2 Diffraction Chart

 

Flaring

 

ISO 200, f1.2, 1/8000

 

7Artisan lenses seem to all have nice coatings. I haven’t really had any significant issues with flaring as I do with other lenses like the Kamlan 50mm f1.1. What I mean by that, is the lens does flare, but it’s predictable and expected.

You will catch some arcs if the sun is just out of frame especially when shooting at fast apertures. It cleans up a little when stopping down.

What’s really nice is the lens still holds its contrast and saturation even in extremely bright situations.

 

ISO 200, f1.2, 1/3200
ISO 200, f1.2, 1/8000
7Artisans 35mm f1.2 – ISO 200, f1.2, 1/800
ISO 200, f-, 1/3800

 

Vignetting

 

ISO 200, f5.6, 1/2000

 

Vignetting is pretty bad on this one. Not because of how dark it gets, but because it includes a color shift. While the vignetting is easy to correct, the color ring pattern is not.

 

This chart isn’t lit as well from below, so ignore that shadow on the bottom. 

Vignetting Sample

 

Distortion

 

ISO 200, f-, 1/140

 

Distortion control is good but not great. It’s a consistent barrel distortion that is pretty easy to correct, but I usually don’t mess with it as it’s not bad enough to cause any distractions in most images. I’ve actually seen Fujinon lenses distort worst than this once you remove the automatic lens profiles the camera applies to the RAW and JPEG. You can do that in Iridient btw.

 

Distortion Sample

 

ISO 200, f4, 1/280
ISO 200, f1.2, 1/150

 

Chromatic Aberrations

I really haven’t had any issues with chromatic aberrations worth posting. I even shoot some high-contrast power lines against the bright sun and still don’t get anything.

 

Art & Character

ISO 200, f1.2, 1/16000
ISO 200, f1.2, 1/10000
ISO 200, f1.2, 1/1500
ISO 200, f1.2, 1/10000
ISO 200, f1.2, 1/12900

 

The 7Artisans 35mm f1.2 just drips with character. Is it as good as the Fujinon 35mm f1.4? Overall, not even close, but the sloppiness of the rendering creates a very unique image that makes shooting fun, or interesting to say the least.

Unlike most Fujinon autofocus lenses, the 9 blade rounded aperture produces very pleasant bokeh across all apertures, top that off with really nice micro-contrast and you have a very inexpensive lens that can pump out some really interesting images.

 

Bokeh

 

ISO 200, f1.2, 1/640

 

This lens is a bokeh beast. Bokeh is very smooth and creamy and all-around very pleasing.

 

ISO 2500, f1.2, 1/80
ISO 400, f1.2, 1/80
7Artisans 35mm f1.2 | ISO 200, f1.2, 1/18000
7Artisans 35mm f1.2 I ISO 200, f1.2, 1/2700
7Artisans 35mm f1.2 | ISO 200, f4, 1/2900
ISO 200, f1.2, 1/8500
7Artisans 35mm f1.2 I ISO 200, f1.2, 1/11000
ISO 200, f1.2, 1/4000
ISO 200, f1.2, 1/110
ISO 200, f-, 1/6000
ISO 200, f-, 1/8500

 

Micro-Contrast & B&W Photography

 

ISO 400, f1.2, 1/80

 

Micro-Contrast is fantastic here. Even though the images are soft when shooting at f1.2, they still retain nice depth and tonal detail.

 

ISO 200, f1.2, 1/125
ISO 200, f1.2, 1/110
ISO 200, f1.2, 1/200
ISO 200, f-, 1/150
ISO 200, f-, 1/170
ISO 200, f-, 1/210
ISO 200, f-, 1/1100
7Artisans 35mm f1.2 – ISO 200, f-, 1/300

 

Straight Out Of Camera Samples

These are RAW, with the default Adobe Profile.

Here you can see the difference between 5.6 and f1.2 and how nice the image actually renders when stopped down. It’s actually very impressive and makes for a really nice street lens if you let the lens live between f2.8 and f8. Then you still have f1.2, for those situations when you need it.

These are all cropped down to 3000px unfortunately. You can find full-resolution images here.

ISO 200, f8, 1/750
ISO 200, f4, 1/1250
ISO 200, f1.2, 1/5000
ISO 200, f5.6, 1/420
ISO 200, f5.6, 1/1900
ISO 200, f5.6, 1/480
ISO 200, f1.2, 1/4700
ISO 200, f1.2, 1/9000
ISO 200, 15.6, 1/850
ISO 200, f1.2, 1/7000
ISO 200, f5.6, 1/600
ISO 200, f5.6, 1/420
ISO 200, f1.2, 1/3800

 

 

7Artisans 35mm f1.2 Bottom Line

 

7Artisans 35mm f1.2 On The Fujifilm X-Pro 2
7Artisans 35mm f1.2 On The Fujifilm X-Pro 2

 

Although the lens really fails to render detail at fast apertures, somehow the images still turn out looking cool. Most of the samples in this review are shot fairly wide open and it makes me realize, lenses don’t always need to be super sharp to make cool images and there are some nice things that still happen even though we lose a lot of detail on those fast apertures.

I’m actually very happy with this lens despite the shortcomings. I was not expecting an actually nice lens from 7Artisans, especially with how inexpensive this thing is. From 7Artisans the 25mm f1.8 has incredible contrast and center sharpness, but overall just too many flaws. The 55mm f1.4 is solid but isn’t that much smaller than the Rokinon 50mm f1.2 which is a much better lens. The 35mm f2 is nothing special really, just cheap. I would say the 7Artisans 55mm f1.4 is their most capable lens, while the 35mm f1.2 is their most artistic.

 

ISO 200, f-, 1/150

 

With the 7Artisans 35mm f1.2, bokeh, color, and contrast rendering are just awesome for a sub $200 dollar lens. Its biggest flaw is the vignetting with the color ring shift, so I wouldn’t really recommend this lens for landscapes or architecture.

For walking around, shooting street and especially black and white photography, this is one of my favorites when looking to go as fast and as small as possible. Actually, this is probably my favorite small low budget lens. I can literally put it in my coat pocket with my XT2.

How does the 7Artisans 35mm f1.2 compare against the Rokinon 35mm f1.2? I’ll do some detailed tests in future posts but I’m pretty sure the Rokinon 35mm f1.2 will smoke it from what little time I’ve had with it – it is much larger, however.

 

ISO 200, f1-, 1/4000

 

All the other lenses out there (at the time of this review) that are this fast are also a lot bigger, so I’m a little kind when reviewing lenses that are designed to be small. Compromises have to be made when scaling down, so for someone who wants rock-solid performance and is willing to spend a bit more money on a bigger lens, you might want the Mitakon 35mm f0.95, the Fujinon 35mm f1.4, or even the Rokinon 35mm f1.2 instead of this one.

But really this lens is a fantastic value.

The only thing that really bothers me is the worthless lens cap. So you will have to find a replacement if you choose to pick one of these up.

 

7Artisans 35mm f1.2 Sample Images

 

7Artisans 35mm f1.2 On The Fujifilm X-Pro 2

 

ISO 400, f8, f1/4000
ISO 400, f8, 1/950
ISO 200, f1.2, 1/1100
ISO 200, f5.6, 1/2400
ISO 400, f1.2, 1/80
ISO 200, f-, 1/105
7Artisans 35mm f1.2 | ISO 200, f4, 1/160
ISO 200, f5.6, 1/550
ISO 200, f-, 1/850
ISO 200, f5.6, 1/170
ISO 200, f1.2, 1/80
ISO 200, f1.2, 1/640
ISO 200, f1.2, 1/340
ISO 200, f1.2, 1/80
ISO 200, f1.2, 1/850
ISO 200, f8, 1/180
ISO 200, f8, 1/420
ISo 200, f1.2, 1/14000
ISO 200, f8, 1/23000
ISO 400, f8, 1/3500
ISO 400, f1.2, 1/15000
ISO 250, f1.2, 1/160
ISo 400, f1.2, 1/320
ISO 200, f8, 1/1100
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AGriffin

Professional editor, blogger and photographer from Los Angeles California.

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