Fujifilm XF 56mm f1.2 R Lens Review And Sample Photos

The Fujifilm XF 56mm f1.2 R lens is an absolutely phenomenal that is extremely fast with beautiful bokeh and a 7-blade rounded aperture at f1.2.

The lens is optically near perfect and is very well-built with an all metal barrel. It does have somewhat of a high element count as a tradeoff to great corner to corner sharpness and chromatic aberration control, so it does produce a slightly more ethereal bokeh compared to a lens like the 34mm f1.4 and is slightly softer in terms of micro-contrast. Because of the 7-blade aperture, bokeh will get a little busy compared to a lens like the Fujifilm 60mm f2.4 with its 9 blade aperture.

The only real draw back is the fly-by-wire autofocus and plastic lens hood.

Fujifilm XF 56mm f1.2 R Lens Key Features

Field of View: 56mm (85mm equivalent field of view)
Max Aperture: f1.2, minimum f16.
Aperture Blades: 7-blade rounded aperture.
Element Count: 11 elements in 8 groups – 2 ED – 1 double-sided aspherical
Filter Size: 62mm filter size.
Fast Contrast AF Micro Processor: No

Fujinon XF 56mm f1.2 R – Amazon / Adorama /BHphoto
Fujinon XF 56mm f1.2 R APD – Amazon / Adorama /BHphoto
B+W 62mm UV Filter – Amazon / Adorama / BHphoto

Fujifilm XF 56mm f1.2 R Lens First Impressions

What I love About This Lens

This lens is really fantastic. The images it produces are made with magic. Sharpness is fantastic corner to corner with no optical flaws like chromatic aberrations or color shifts. It’s great for street photography where you want some distance, or it’s just great for travel and landscape. If you’re a prime lens shooter, this lens is a must have and was the first Fujinon prime I purchased when I made the switch to Fujifilm. Zero regrets.

Few Things I Don’t Love

The lens is pretty heavy compared to other Fujifilm lenses. Combine it with a Fuji X-T2 you have a hefty little camera that’s a little front heavy.

The 56mm lens is hard to stabilize and will require always shooting at a bit faster of a shutter. I have trouble getting tack sharp images at 1/60 shutter because of motion blur. If you’re on a tripod or shoot with strobes this won’t be a problem.

Like mentioned earlier the lens is completely fly-by-wire. You don’t get that same sense of control when using manual focus like you would with a Leica or a manual Zeiss. That’s just the way Fujifilm is designing their lenses so we can’t really complain.

I do wish the aperture clicks were a little tighter as I’m always changing the aperture by accident when my hand hits it wrong or when the camera hangs from my neck strap. I think it’s something Fujifilm could work on.

Fujifilm XF 56mm f1.2 R Technical Review

The minimum aperture is f16 max is f1.2 making this lens a fantastic low light tool for street photography, or great for shallow depth when shooting portraits.

I’m assuming they stop the aperture at f16 because you really don’t need to go any more than that. At that point we’re well beyond the diffraction limit of any of the Fujifilm cameras and shooting any smaller would massively degrade image quality which you can see on the diffraction chart. See the diffraction chart below.

Shot with the 56mm f1.2

AlikGriffin_XT2_56mm1.2_KalinaPrettyBokeh-L

AlikGriffin_XT2_56mm1.2_KalinaPrettyFront-L

AlikGriffin_XT2_56mm1.2_KalinaBigBubble-L

AlikGriffin_XT2_56mm1.2_KalinaPrettyLeft-L

Fujifilm XF 56mm f1.2 R Diffraction Chart

This diffraction test will look different when the newer higher megapixel cameras from Fujifilm start to appear. Diffraction will become more apparent early on, but also the 100% crop will be a bit larger. Resolution and lens IQ will be the same regardless of more megapixels. The sweet spot seems to be between f4 and f8.

F2 looks a lot nicer than f1.2 so when I don’t need extremely shallow depth of field, f2 is usually a better option for general shooting except at f1.2 the aperture blades become completely round which I’ll cover in a bit.

This is shot with Lens Modulation Optimizer turned On

$Fuji 56mm f1.2 R Diffraction Test$

Fuji XF 56mm f1.2 R Vignetting

There is no noticeable Vignetting when shooting RAW or JPEG except at f1.2 and maybe a little at f2.

Lens Detail and Sharpness

You can click this image and view it at 100% I’ve also spared you the trouble and have posted 100% crops down below.

These images were RAW files saved out of Lightroom. You can get sharper images out of Iridient but I did not use Iridient because the point of this is to see changes in sharpness between the center, edges, and corners, which is very little. I think most people are still using Lightroom and Photoshop anyway.

Center Sharpness

100% crop of the center sharpness.

Edge Sharpness

100% crop of the left edge.

Corner Sharpness

100% crop of the bottom left corner.

Chromatic Aberrations & Color Cast

Not really seeing any color cast. Chromatic aberrations also non-existent.

Focus Shifts

No focus shifts.

A focus shift is when your focus changes slightly between aperture adjustments.

Aesthetics

The 7 Blade Aperture And Bokeh

This lens and a lot of the Fujinon lenses have a 7-blade aperture setup. When not completely wide open there will be some geometry to your out of focus highlights. At lower apertures, around f2 to f1.2 the aperture blades become nearly round and at f1.2 your out of focus highlights will be almost perfectly circular. I really like this design and 7 blade bokeh just feels right to me.

Depth Of Field

Both shots here are taken at f1.2. Depth of field is extremely shallow. You can also see that sharpness falls off towards the edges when it’s wide open.

These photos also illustrate front bokeh vs rear bokeh. Either way it looks nice.

You can actually get a little bit of swirl in the bokeh in the right conditions. Not as much as the 35mm f2 or some of those retro lenses but still a very nice effect, especially considering how nice the bokeh renders with this lens.

Fujinon 56mm f1.2 R vs APD

There are two versions of this lens out there – the one I have, the standard R, then the APD version that has different coatings for “enhanced bokeh.” I personally don’t think the difference is worth the extra price. It’s a different look, it has pros and it has its cons. Neither is a better lens they just do things slightly differently which is why I don’t understand why the APD cost more. With the APD you lose phase detection autofocus and also about a quarter stop of light until f5.6.

When looking at bokeh, the APD makes the difference. It’s not a huge difference but it does help sort of feather the edges of the highlights. To me I don’t really feel like it’s making the image look better, it’s just a different look.

How the APD lens works is Fujifilm added a filter on the rear of the lens that works sort of like a circular gradient filter.

If you want to see a fairly in depth comparison check out the 56mm vs 56mm APD at fuji vs fuji.

Fujinon 56mm f1.2 R Review Conclusions

The lens is solid. Very well built but the fly-by-wire controls need more stiffness in my opinion. Aside from that, I’m really loving this lens.

If it goes on sale again, Get It!

Fujinon 56mm F1.2 R Sample Images

These images were all shot with the Fuji X-T1. Some were shot RAW some were JPEG. When I shoot RAW I use VSCO or RNI film simulators, or I’ll do something completely custom.