• Blog
  • Calculators
    • Camera Bitrate Converter | Record Time Calculator
    • Diffraction Calculator
    • DoF Calculator | Lens Equivalent
    • Shutter Speed to Shutter Angle Calculator
  • Memory Cards
    • SD Memory Card Benchmarks
    • CFx Type-B Memory Card Benchmarks
    • CFx Type-A Memory Card Benchmarks
    • Memory Cards For Canon Cameras
    • Memory Cards For Fujifilm Cameras
    • Memory Cards For Nikon Cameras
    • Memory Cards For Panasonic Cameras
    • Memory Cards For Sony
    • SD Cards For GoPro
  • Accessories
    • Canon
      • Canon R5 Accessories
      • Canon R6 Accessories
      • Canon EOS R
      • Canon RP
      • Canon M50 Accessories
      • Canon T7i / T6 / T6i / T6s
      • Canon SL3 / 250D
      • Canon M6 II
      • Canon M5
      • Canon G1X III
      • Canon G7X III
    • Nikon
      • Nikon Z9
      • Nikon Z6 II / Z7 II
      • Nikon Z6 / Z7
      • Nikon Z50
    • Fujifilm
      • Fujifilm X-H2s
      • Fujifilm X-H2
      • Fujifilm X-T5
      • Fujifilm X-T4
      • Fujifilm X-S10
      • Fujifilm X-Pro3
      • Fujifilm X-T3
      • Fujifilm X-H1
      • Fujifilm X-T200
      • Fujifilm X100V Accessories
      • Fujifilm X100F Accessories
      • Fujifilm X-E4
      • Fujifilm XT30 & XT20
    • Leica
      • Leica M11 Accessories
      • Leica Q2 Accessories
    • Panasonic
      • Panasonic GH5 / GH5s
      • Panasonic LX100 II
    • Ricoh
      • Ricoh GR III
    • Sigma
      • Sigma fp
    • Sony
      • Sony A1 Accessories
      • Sony A7IV Accessories
      • Sony A7c Accessories
      • Sony A7sIII
      • Sony A7rIV / A9II
      • Sony A9
      • Sony A7 III, A7r III Accessories
      • Sony A6600 Accessories
      • Sony A6100 Accessories
      • Sony A6000 Accessories
      • Sony RX1R II
      • Sony RX10 IV / RX10 III
      • Sony RX100 IV / RX100 V
    • Drones
      • Mavic 2 Pro
    • Camera Cleaning Gear
  • Lenses
    • Canon RF Lens List
    • Fujifilm G Lens List
    • Fujifilm XF Lens List
    • Leica / Panasonic / Sigma L Lens List
    • Leica M Lens List
    • Micro Four Thirds Lens List
    • Nikon Z Lens List
    • PL Mount Cine Lens List
    • Sony FF E Lens List
    • Sony APS-C E Lens List
  • Store
Alik Griffin
Alik Griffin
  • Blog
  • Calculators
    • Camera Bitrate Converter | Record Time Calculator
    • Diffraction Calculator
    • DoF Calculator | Lens Equivalent
    • Shutter Speed to Shutter Angle Calculator
  • Memory Cards
    • SD Memory Card Benchmarks
    • CFx Type-B Memory Card Benchmarks
    • CFx Type-A Memory Card Benchmarks
    • Memory Cards For Canon Cameras
    • Memory Cards For Fujifilm Cameras
    • Memory Cards For Nikon Cameras
    • Memory Cards For Panasonic Cameras
    • Memory Cards For Sony
    • SD Cards For GoPro
  • Accessories
    • Canon
      • Canon R5 Accessories
      • Canon R6 Accessories
      • Canon EOS R
      • Canon RP
      • Canon M50 Accessories
      • Canon T7i / T6 / T6i / T6s
      • Canon SL3 / 250D
      • Canon M6 II
      • Canon M5
      • Canon G1X III
      • Canon G7X III
    • Nikon
      • Nikon Z9
      • Nikon Z6 II / Z7 II
      • Nikon Z6 / Z7
      • Nikon Z50
    • Fujifilm
      • Fujifilm X-H2s
      • Fujifilm X-H2
      • Fujifilm X-T5
      • Fujifilm X-T4
      • Fujifilm X-S10
      • Fujifilm X-Pro3
      • Fujifilm X-T3
      • Fujifilm X-H1
      • Fujifilm X-T200
      • Fujifilm X100V Accessories
      • Fujifilm X100F Accessories
      • Fujifilm X-E4
      • Fujifilm XT30 & XT20
    • Leica
      • Leica M11 Accessories
      • Leica Q2 Accessories
    • Panasonic
      • Panasonic GH5 / GH5s
      • Panasonic LX100 II
    • Ricoh
      • Ricoh GR III
    • Sigma
      • Sigma fp
    • Sony
      • Sony A1 Accessories
      • Sony A7IV Accessories
      • Sony A7c Accessories
      • Sony A7sIII
      • Sony A7rIV / A9II
      • Sony A9
      • Sony A7 III, A7r III Accessories
      • Sony A6600 Accessories
      • Sony A6100 Accessories
      • Sony A6000 Accessories
      • Sony RX1R II
      • Sony RX10 IV / RX10 III
      • Sony RX100 IV / RX100 V
    • Drones
      • Mavic 2 Pro
    • Camera Cleaning Gear
  • Lenses
    • Canon RF Lens List
    • Fujifilm G Lens List
    • Fujifilm XF Lens List
    • Leica / Panasonic / Sigma L Lens List
    • Leica M Lens List
    • Micro Four Thirds Lens List
    • Nikon Z Lens List
    • PL Mount Cine Lens List
    • Sony FF E Lens List
    • Sony APS-C E Lens List
  • Store
  • Uncategorized

Classic Chrome – Raw vs Jpeg FujiX100T

  • AGriffin
  • December 3, 2014
  • No comments

Out of curiosity I wanted to see how the FujiX100T manipulated images between JPEG and RAW when using the new Classic Chrome color profile.

At first I would have thought that they would be almost indistinguishable or at least extremely close. After all, why would a JPEG image look any different than the RAW with Classic Chrome? The profile is built by the same company using the same curves. But the results are actually surprising.

 

Raw vs JPEG with Classic Chrome

Several of the shots turned out looking very close, but then I had a lot that turned out looking nothing like the RAW. I thought I maybe had done something wrong until I remembered the camera is doing a lot of post processing to create these JPEG images even though all the settings are set to 0. 

Highlight Tones, Shadows Tone, Sharpness, including the Dynamic Range setting all seem to effect the JPEG and do little to the RAW files. You can set the DR to 100%, 200%, 400% or auto, but can never turn it off. Which is probably why this camera defaults the ISO to 200. So you always get that latitude in your highlights.

Midway through reviewing the photos something strange happened. I started getting some photos there were wildly out of balance or the exposure was just off. Usually too bright. After tests and tests I’ve learned that it’s actually Lightroom’s RAW converter that is the problem not the Fuji color profiles.

 

Classic Chrome – Raw vs JPEG Sample Images

For this test I went out and shot some RAW+F so I would get a RAW file that I could add the Classic Chrome profile to in Lightroom, and the Jpeg files would be baked Classic Chrome in camera.

For the camera settings such as shadows, highlight, sharpness, saturation, I left everything at default.

 

Shot 1 – Gamjatang Korean Soup

In this relatively well lit area with semi even lighting. The difference between RAW and JPEG using Classic Chrome was very subtle. Almost unnoticeable. You can only really see the subtleties in the highlights and shadows. It looks like the Fuji X100T has pulled down the highlights a little bit to preserve them and has lifted the blacks just slightly. A look that I actually thinks help contribute to the film look that we’re going for by using Classic Chrome. The JPEG is actually very nice and the RAW looks correct.

Camera: Fuji X100T
Color Profile: Classic Chrome
ISO 2500, f/4.0, 1/60sec

Use the slider at the bottom left of the image to swipe between images.

RAW <—-> JPEG

 

Shot 2 – Wienerschnitzel

This photo also has the lifted black and preserved highlights. Colors in the reds also seem to shift significantly. This could have something to do with the JPEG trying to bring down that highlight detail. If you look at the W signage on the left in the RAW, you’ll see it’s a red color and in the JPEG it’s almost an orangish color. 

Camera: Fuji X100T
Color Profile: Classic Chrome
ISO 1600, f/2.8, 1/60sec

RAW <—-> JPEG

 

Shot 3 – Water Drops

This is where things got weird. And I actually have a lot of photos that turned out like this when shooting at night. The RAW converter drastically adjusts the exposure in Lightroom. My guess is it did some sort of auto exposure but I don’t really know. The photo looks fine on the back LCD panel of my camera but it’s a full stop too bright in Lightroom.

 

Camera: Fuji X100T
Color Profile: Classic Chrome
ISO 6400, f/4.0, 1/20

RAW <—-> JPEG

 

Shot 5: Sergio

Colors between the two shots here are all over the place. Feels as though there is a white balance correction in the JPEG shot that’s shifting it towards the purple pink spectrum. The RAW seems more green.

Camera: Fuji X100T
Color Profile: Classic Chrome
ISO 1250, f/4.0, 1/60

RAW <—-> JPEG

 

Does Lightroom Suck For The Fuji X100T?

By doing this test on one topic, it actually became another. I can’t accurately compare Classic Chrome JPEG to the Classic Chrome profile in Lightroom because so many of my raws seem to be a full stop too bright. Some also seem to have the white balanced shifted. So I opened up Iridient Developer to compare its RAW files to the RAW of Lightroom.

For Lightroom I’m using Adobe Standard and Iridient I’m running the default IDv300.

Iridient: IDv300 Fuji X100T Standard <—-> Lightroom: Adobe Standard

Only real difference I’m seeing is the Lightroom image is slightly brighter which is easily corrected by lowing the exposure. Colors don’t seem to be drastically different. 

 

Other Looks In Lightroom – Raw vs Jpeg

For these I shot on Aperture Priority – RAW+JPEG.

All JPEG settings, Highlight Tone, Shadow Tone, Noise Reduction, Color, Sharpness were set to 0. Long Exposure NR was also turned off.

RAW <—-> JPEG

Use slider to reveal RAW image.

ASTIA

 

VELVIA

 

PROVIA

 

PRO NEG STD

 

PRO NEG HI

 

CLASSIC CHROME

 

RAW vs JPEG With Classic Chrome Conclusions

I have to say I can’t really make up my mind on how to work with files using the Fuji X100T, RAW or Jpeg or both? I want the Fuji film looks in RAW but they just seem off in Lightroom on many shots. Classic Chrome seems to be the closest, sometimes indistinguishable. But Astia, Provia, Velvia, Pro Neg all seem to have a bigger shifts to them. I imagine the Adobe Fuji Simulators were build by Adobe and not Fuji? Can anyone shed light on how these are made?

What else is strange is some sequences turn out with bigger color and exposure shifts than others. I think it’s just that Fuji has a little army of gnomes inside the camera, developing the JPEGs to perfection. And that’s what Fuji is known for. Great JPEG imaging.

I was hoping I would just be able to shoot RAW and add the film looks later which I guess I still can do, but the JPEGs are really nice by default.

As an exclusive RAW shooter now I’m in the place where I can’t ignore the quality of the JPEG. It just looks better when using the Fuji film simulators. At the end of the day that leave me shooting RAW+F which unfortunately really slows down your SD memory card write speeds. But I guess we can use the JPEG images when we want to just pump out some quick looks for Instagram or whatever. And when we feel like playing with various looks or using Lightroom Presets, we still have the RAW files.

The other alternative which I might start doing, is to shoot all RAW all the time. Then select an image in camera and use the RAW Converter to create the JPEGs needed. You can do this by selecting the play button, finding an image you like, then pressing ‘Menu Ok’. All your settings are right there.

I’m curious to know what’s everybody else doing? Are you using mostly shoot JPEG or RAW or both? Which has been working better for you?

 

Lightroom vs Iridient Comparisons

I’ve done a few more tests with Iridient and Lightroom that have all been pretty interesting.

Iridient vs Lightroom Camera Profile Test – This is the same test seen here but compares the Lightroom profiles to those of Iridient.

Iridient vs Lightroom Detail Comparison – This test shows how much better the Iridient X-Trans Raw Converter is compared to Lightroom.

**This website contains affiliate links. If you want to support this site, we will earn a small commission on any purchase made through these links.
AGriffin

Professional editor, blogger and photographer from Los Angeles California.

Related Topics
  • Fuji X100T
  • Photography Tips
  • Reviews
You May Also Like
View Post
  • Uncategorized

Hoodman Steel 1500x Memory Card Review

  • AGriffin
  • November 14, 2019
View Post
  • Uncategorized

Delkin Advantage Memory Card Review

  • AGriffin
  • November 14, 2019
View Post
  • Uncategorized

A Complete List Of Speedlights For Fujifilm

  • AGriffin
  • September 14, 2017

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Featured
  • Voigtlander Nokton 75mm f1.5 Review & Sample Photos
    • No comments
  • Leica Visoflex 2 Review – Great Idea, But Fatally Flawed
    • No comments
  • Zeiss Planar 50mm f2 on the Leica M11
    Zeiss Planar 50mm f2 Review & Sample Photos
    • No comments
Memory Card Benchmarks
  • Best Memory Cards Nikon Z8
    Best Memory Cards Nikon Z8
    • No comments
  • New Lexar CFexpress Type B Cards
    Lexar 512GB Diamond & 2TB Gold CFxB Cards – Review
    • No comments
  • Best Memory Cards Canon R8
    Best Memory Cards Canon R8
    • No comments

Subscribe

Subscribe now to our newsletter

Privacy Policy | Ethics Statement | Licensing

Copyright © Alik Griffin Inc. 2023

Input your search keywords and press Enter.

Manage Cookie Consent
We use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Manage options Manage services Manage vendors Read more about these purposes
View preferences
{title} {title} {title}