Welcome to the ultimate Leica M lens list for 2025! Whether you’re a street photographer, portrait artist, or Leica collector, this guide covers every Leica M lens, from wide-angle 16mm to telephoto 135mm. Explore detailed specs, focal lengths, and prices to find the perfect lens for your M camera. As a passionate photographer, I’ve curated this list to help you make informed choices, with tips on performance and compatibility.
Table of Contents
Leica M-Mount Lenses
Official Leica M Lenses
If you want a Leica lens and are on a budget, the 35mm Summilux or Summicron is pretty amazing. Leica lenses often hold their value over the years or even increase. Some say silver lenses have a slightly higher resale value than black ones.
In the past, there was a difference between the back and silver lenses, and often, silver lenses had a higher resale value. Often, the silver lenses used a brass base, whereas the black were aluminum and the black lenses were lighter. Today, black and silver lenses are the same weight, meaning both black and silver lenses likely use an aluminum base with brass helicoids.
| Lens Name | Description | Min. Focus | Elements | Aperture | Filters | Weight | Store Links | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Super Elmar M 18mm f3.8 ASPH | disc. | prime | FF | 18 | 2.3′ / 70 cm | 8/7 | 9 | 10.9 oz / 310 g | — | https://bhpho.to/3kK8kqP | B&H | ||||||
| Summilux M 21mm f1.4 ASPH | The Leica Summilux-M 21mm f/1.4 ASPH is an M-mount prime lens that can capture stunning images with exceptional quality. The lens has a super wide-angle focal length that gives you a broad perspective and a lot of creative possibilities. It also has a bright f/1.4 aperture that lets you shoot in low light and create beautiful bokeh effects. It’s designed with five special glass elements and two aspherical elements that correct various optical errors and ensure sharpness and clarity across the image. The lens also has a floating mechanism that adjusts the position of the elements according to the focus distance, so you can get consistent image quality at any range, from 2.3’ to infinity. The lens comes with a lens hood that screws onto the front of the lens and can also hold Series 8 filters. | prime | FF | 21 | 2.3′ / 70 cm | 10/8 | — | 1.3 lb / 580 g | https://geni.us/xfK1QL | https://bhpho.to/3XF9wu8 | B&H | ||||||
| Super Elmar M 21mm f3.4 ASPH | The Super-Elmar-M 21mm f/3.4 ASPH has a wide-angle view and a sophisticated optical design that makes it sleek and compact. It uses one aspherical element and four special glass elements to correct various optical errors and ensure sharp and clear images across the aperture range. The aspherical element also makes the lens smaller, measuring 2.1 x 1.7″. This lens has a manual focus system that lets you get close to your subjects, up to 2.3’ away. The lens has a 46mm thread on the front that fits optional filters and a male thread that fits the included lens hood. | prime | FF | 21 | 2.3′ / 70 cm | 8/7 | Ø46mm | 9.8 oz / 279 g | https://geni.us/LWBIOGX | https://bhpho.to/3jdp9tA | B&H | ||||||
| Summilux M 24mm f1.4 ASPH | disc. | prime | FF | 24 | 2.3′ / 70 cm | 10/8 | 1.1 lb / 500 g | — | https://bhpho.to/3XZRYbI | B&H | |||||||
| Elmar M 24mm f3.8 ASPH | disc. | prime | FF | 24 | 2.3′ / 70 cm | 8/6 | Ø46mm | 9.2 oz / 260 g | — | https://bhpho.to/3R9AhUQ | B&H | ||||||
| Summilux M 28mm f1.4 | The Summilux-M 28mm f/1.4 ASPH performs well in low light and delivers sharp and clear images at any aperture and focus setting. It uses one aspherical element and a floating mechanism, along with seven special glass elements, to correct optical errors and produce images with accurate colors and minimal distortion and aberrations. The lens has a manual focus system with a focusing tab for precise control and a f/1.4 aperture for creating beautiful bokeh and isolating subjects. | prime | FF | 28 | 2.3′ / 70 cm | 10/7 | Ø49mm | 15.5 oz / 440 g | https://geni.us/p5Cgl | https://bhpho.to/3XBSA7V | B&H | ||||||
| Summicron M 28mm f2 ASPH | disc. | prime | FF | 28 | 2.3′ / 70 cm | 9/6 | 10 | Ø46mm | 9.1 oz / 257 g | https://geni.us/rNTQi6T | https://bhpho.to/3DDpE7B | ||||||
| Summicron M 28mm f2 ASPH *Safari | disc. | prime | FF | 28 | 2.3′ / 70 cm | 9/6 | 10 | — | B&H | ||||||||
| Summicron M 28mm f2 ASPH (2023) | The Summicron-M 28mm f/2 ASPH lens from Leica is a sharp and wide lens with a revised design. It can focus as close as 1.3’ and has a retractable lens hood that slides in and out. This lens is ideal for shooting landscapes, buildings, and street scenes with its wide angle and smooth manual focus. It has a f/2 aperture that performs well in low light and one aspherical element that corrects optical errors and enhances image sharpness. The lens has a 1:11.3 maximum magnification ratio and a 46mm filter thread. It also has 10 diaphragm blades that create smooth bokeh. | prime | FF | 28 | 1.3′ / 40 cm | 9/6 | 10 | Ø46mm | 9.7 oz / 275 g | https://geni.us/ChfCxtY | https://bhpho.to/3upvrM3 | B&H | |||||
| Elmarit M 28mm f2.8 ASPH | The Leica Elmarit-M 28mm f/2.8 ASPH is a small and sleek lens that is ideal for street photography. It has a wide-angle view and a sophisticated optical design with eight elements in six groups, including one aspherical element that improves image quality and reduces optical errors. It also has a manual focus system that gives you precise control and a short profile that barely blocks the viewfinder of M cameras, making it easier to compose your shots. The lens has one aspherical element that enhances sharpness and clarity and corrects spherical aberrations and distortions. This element also makes the lens more compact and less intrusive in the viewfinder of M cameras. The lens has a manual focus system that lets you focus as close as 2.3’ and magnify up to 1:22. The lens has a 39mm thread on the front that fits optional filters and a male thread that fits the included lens hood. | prime | FF | 28 | 2.3′ / 70 cm | 8/6 | 10 | Ø39mm | 6.2 oz / 175 g | https://geni.us/Xpq637 | https://bhpho.to/3wvl5rP | B&H | |||||
| Summicron M 28mm f5.6 | prime | FF | 28 | 3.3′ / 1 m | 6/4 | 8 | Ø34mm | 5.8 oz / 165 g | https://geni.us/r9YnBo7 | https://bhpho.to/3XVqRi7 | B&H | ||||||
| Summilux M 35mm f1.4 ASPH | disc | prime | FF | 35 | 2.3′ / 70 cm | 9/5 | 9 | Ø46mm | 11.3 oz / 320 g | https://geni.us/5wGRNf | https://bhpho.to/3DfJkOi | B&H | |||||
| Summilux M 35mm f1.4 ASPH (2022) | prime | FF | 35 | 1.3′ / 40 cm | 9/5 | 11 | Ø46mm | 11.9 oz / 338 g | https://geni.us/pCOMAlb | https://bhpho.to/3R6Spig | B&H | ||||||
| APO-Summicron M 35mm f2 ASPH | The Leica APO-Summicron-M 35mm f/2 ASPH. is a fast and sharp wide-angle lens with an apochromatic optical design. It uses six special glass elements to focus different colors at the same point, eliminating chromatic aberrations. It also uses three aspherical elements with four aspherical surfaces to correct spherical aberrations, giving you sharpness from edge to edge. The lens has a very close focusing distance of 11.8″, which is much closer than other M-series lenses. It has a smooth detent on the focus ring at 0.7m, which tells you when to use Live View or an EVF for accurate focusing and framing. The lens is compact and lightweight, making it a great everyday lens. It has a manual focus system with a focusing tab for easy control. It also has a bright f/2 aperture that works well in low light and gives you more depth of field control. | prime | FF | 35 | 11.8″ / 30 cm | 10/5 | 11 | Ø39mm | 11.3 oz / 320 g | https://geni.us/HCxsM | https://bhpho.to/3WF1mAv | B&H | |||||
| Summicron M 35mm f2 ASPH | The Leica Summicron-M 35mm f/2 ASPH. is a fast and sharp wide-angle lens with a flexible and bright aperture. It has a single aspherical element and seven elements in five groups, which correct almost all optical errors and give you clear and contrasty images at any focus distance. The f/2 aperture lets you shoot in low light and create smooth bokeh with selective focus and shallow depth of field. The lens is also compact and easy to use, making it a great choice for everyday shooting with M cameras. | prime | FF | 35 | 2.3′ / 70 cm | 7/5 | 11 | Ø39mm | 9 oz / 255 g | https://geni.us/ylO4Ax6 | https://bhpho.to/3kHuHgr | ||||||
| Summicron M 35mm f2 ASPH *Black Chrome | disc. | prime | FF | 35 | 2.3′ / 70 cm | 7/5 | 11 | — | B&H | ||||||||
| Summarit M 35mm f2.4 ASPH | disc. | prime | FF | 35 | 2.6′ / 80 cm | 6/4 | 9 | Ø46mm | 6.9 oz / 197 g | — | https://bhpho.to/3R4TtTT | B&H | |||||
| Noctilux M 50mm f0.95 ASPH | The Leica Noctilux-M 50mm f/0.95 ASPH., a legendary and ultra-fast normal lens with a unique and soft rendering. It has a classic optical design with eight elements in five groups, including two aspherical elements and five special glass elements that correct optical errors and give accurate colors. The f/0.95 aperture gives you great control over depth of field and lets you shoot in low light. The lens is ideal for portraiture and lifestyle photography with its distinct Noctilux look. The lens also has a floating mechanism that keeps the image quality consistent at any focus distance, from 3.3’ to infinity. The lens has a retractable lens hood and a 60mm thread for filters. | prime | FF | 50 | 3.3′ / 1 m | 8/5 | — | Ø60mm | 1.5 lb / 700 g | https://geni.us/W3Bx9 | https://bhpho.to/3HxVogA | B&H | |||||
| Noctilux M 50mm f1.2 ASPH | The Leica Noctilux-M 50mm f/1.2 ASPH., a re-issue of one of the most famous M-mount lenses with a modern touch. It has a unique aesthetic that gives images a soft and dreamy look with beautiful bokeh when shot at an open aperture, which is extremely fast at f/1.2. This allows you to control the depth of field and shoot in low light conditions handheld. The lens has a distinct “slightly soft” rendering that is characteristic of Noctilux lenses. The optical design is almost the same as the original 1966 lens, giving it a classic and vintage feel. It has two large-diameter aspherical elements and eight elements in five groups, which correct spherical aberrations and distortion and improve clarity. The lens is versatile and rugged enough for everyday use. It comes in a packaging based on the original design and includes a transparent plastic container. | prime | FF | 50 | 3.3′ / 1 m | 6/4 | 16 | Ø49mm | 14.3 oz / 405 g | https://geni.us/e4J1Kr | https://bhpho.to/3Jb3WLE | B&H | |||||
| Summilux M 50mm f1.4 ASPH | disc. | prime | FF | 50 | 2.3′ / 70 cm | 8/5 | — | Ø46mm | 11.8 oz / 335 g | https://geni.us/F87crzB | https://bhpho.to/3Dg5NuU | B&H | |||||
| Summilux M 50mm f1.4 ASPH *Black Chrome | disc. | prime | FF | 50 | 2.3′ / 70 cm | 8/5 | — | Ø43mm | 11.8 oz / 335 g | — | https://bhpho.to/3HcfmvS | B&H | |||||
| Summilux M 50mm f1.4 ASPH (2023) | The Leica Summilux-M 50mm f/1.4 ASPH., a versatile and fast lens with a redesigned housing and updated optics. It has a 50mm focal length that is ideal for many situations and a f/1.4 aperture that gives you high-speed performance, low-light capability, and depth of field control. The lens has an improved optical design that is optimized for newer high-resolution sensors and delivers sharper, clearer, and more contrasty images. It also has one aspherical element that reduces spherical aberrations and distortion for accurate rendering. The lens has a new 11-blade diaphragm that creates smoother and rounder bokeh when using middle apertures. The lens has a sleek and lightweight body that matches the Summilux-M 35mm and a retractable lens hood. The lens also has an improved minimum focusing distance of 1.5’. | prime | FF | 50 | 1.5′ / 45 cm | 8/5 | 11 | Ø46mm | 11.9 oz / 337 g | https://geni.us/Ayez0 | https://bhpho.to/3myF9In | B&H | |||||
| Summilux M 50mm f1.4 ASPH (2025) | prime | FF | 50 | 27.6″ / 70 cm | 7/5 | 12 | Ø46mm | 14.7 oz / 417 g | https://bhpho.to/43hiP93 | B&H | |||||||
| Summicron M 50mm f2 | The Leica Summicron-M 50mm f/2, a fast and sharp normal lens with a versatile and compact design. It has a f/2 aperture that lets you shoot in low light and control the depth of field. It has a six elements in four groups optical design that gives you even brightness and sharpness, high contrast, and minimal distortion across the image. It has a manual focus system that lets you get close to your subjects, up to 2.3’ with a 1:11.5 magnification ratio. It also has a retractable lens hood that protects the front element and prevents lens flare and ghosting. The lens has a 39mm thread for filters. | prime | FF | 50 | 2.3′ / 70 cm | 6/4 | — | Ø39mm | 8.5 oz / 240 g | https://geni.us/nAuDB | https://bhpho.to/3HwIBuV | B&H | |||||
| Summicron M 50mm f2 Safari | disc. | prime | FF | 50 | 2.3′ / 70 cm | 6/4 | — | Ø39mm | 8.5 oz / 240 g | — | https://bhpho.to/3HiT0Kj | B&H | |||||
| APO Summicron M 50mm f2 ASPH | The Leica APO-Summicron-M 50mm f/2 ASPH., a fast and sharp standard lens with an apochromatic optical design. It uses special glass elements to focus different colors at the same point, eliminating chromatic aberrations. It also has one aspherical element and a floating mechanism to correct spherical aberrations and keep the image quality consistent at any focus distance, from 2.3’ to infinity. The lens is compact and easy to use, making it a great everyday lens. It has a manual focus system with a focusing tab for precise control. | prime | FF | 50 | 2.3′ / 70 cm | 8/5 | — | Ø39mm | 10.6 oz / 300 g | https://geni.us/4KUhkem | https://bhpho.to/3kKbn2f | B&H | |||||
| Summarit M 50mm f2.4 | disc. | prime | FF | 50 | 2.6′ / 80 cm | 6/4 | 9 | Ø46mm | 3.7 oz / 105 g | — | https://bhpho.to/3R8IDvZ | B&H | |||||
| Leica Noctilux 75mm f1.25 ASPH | The Leica Noctilux-M 75mm f/1.25 ASPH., a fast and unique portrait lens with a wide aperture. It can isolate subjects and create a distinctive look in low light. The lens has a complex optical design that uses special glass elements to eliminate chromatic aberrations and color fringing and give high clarity. It also has two aspherical elements and a floating mechanism to improve sharpness and dispersion and keep the image quality consistent at any focus distance, from 2.8’ to infinity. The lens also has an 11-blade diaphragm that creates smooth and round bokeh and a lens hood that reduces lens flare and ghosting. | prime | FF | 75 | 2.8′ / 85 cm | 9/6 | 11R | Ø67mm | 2.3 lb / 1055 g | https://geni.us/BaFMs | https://bhpho.to/3Hxi0Oh | B&H | |||||
| APO Summicron M 75mm f2 ASPH | The Leica APO-Summicron-M 75mm f/2 ASPH., a sharp and bright portrait lens with a refined optical design. It uses anomalous partial dispersion glass glass elements to correct chromatic aberrations and color fringing and make it apochromatic. It also has an aspherical element and a floating mechanism to correct spherical aberrations and keep the image quality consistent at any focus distance, from 2.3’ to infinity. The lens is compact and has a retractable lens hood and a 49mm thread for filters. | prime | FF | 75 | 2.3′ / 70 cm | 7/5 | — | Ø49mm | 15.17 oz / 430 g | https://geni.us/kunbT29 | https://bhpho.to/3XDlQen | B&H | |||||
| Summarit M 75mm f2.4 | disc. | prime | FF | 75 | 2.3′ / 70 cm | 6/4 | 11 | Ø46mm | 11.5 oz / 325 g | — | https://bhpho.to/3XHys48 | B&H | |||||
| Summarit M 75mm f2.5 | disc. | prime | FF | 75 | — | — | — | — | — | — | https://amzn.to/3HtzZEf | B&H | |||||
| Summilux M 90mm f1.5 | The Leica Summilux-M 90mm f/1.5 ASPH., a fast and sharp portrait lens with a wide aperture. It can isolate subjects and create a distinctive look in low light. The lens has a complex optical design with two aspherical elements and a floating mechanism that correct optical errors and give high clarity. The lens has a bright f/1.5 aperture that creates smooth and round bokeh. The lens also has a lens hood that reduces lens flare and ghosting. | prime | FF | 90 | 3.28′ / 1 m | 8/6 | 11R | Ø67mm | 2.22 lb / 1010 g | https://geni.us/cmszvHh | https://bhpho.to/3wtwl8f | B&H | |||||
| APO Summicron M 90mm f2 ASPH | The Leica APO-Summicron-M 90mm f/2 ASPH. is a fast and sharp short telephoto lens with an apochromatic optical design. It uses two anomalous partial dispersion glass glass elements to correct chromatic aberrations and color fringing and make it apochromatic. It also has one aspherical element and two high refractive index glass elements to correct spherical aberrations and distortion and give high sharpness. The lens has a manual focus system that lets you get close to your subjects, up to 3.3’. The lens is compact and has a retractable lens hood. | prime | FF | 90 | 3.28′ / 1 m | 8/6 | 11R | Ø55mm | 1.1 lb / 500 g | https://geni.us/OyOjsPx | https://bhpho.to/3JcWzTN | ||||||
| APO Summicron M 90mm f2 ASPH * Safari | disc. | prime | FF | 90 | 3.3′ / 1 m | 5/5 | 11R | Ø55mm | 1.1 lb / 500 g | — | B&H | ||||||
| Thambar-M 90mm f2.2 | disc. | prime | FF | 90 | 3.3′ / 1 m | 4/3 | 20 | Ø49mm | 1.1 lb / 500 g | — | https://bhpho.to/3DhSiuB | B&H | |||||
| Summarit M 90mm f2.4 | disc. | prime | FF | 90 | 3′ / 90 cm | 5/4 | 11 | Ø46mm | 12.2 oz / 346 g | — | https://bhpho.to/3HyXnB6 | ||||||
| Summarit M 90mm f2.5 | disc. | prime | FF | 90 | — | — | — | — | — | — | B&H | ||||||
| Macro-Elmar M 90mm f4 | The Leica Macro-Elmar-M 90mm f/4, a compact and unique short telephoto lens with a retractable design. It works with the Macro-Adapter-M for close-up shooting. It has a four elements in four groups optical design that gives you sharp and even images at any aperture and focus. It also has a coating that reduces lens flare and ghosting and improves contrast and color. The lens has a manual focus system that lets you get close to your subjects, up to 2.6’ with a 1:6.7 magnification ratio. The lens can also focus closer, up to 16.1″ with a 1:2 magnification ratio, when used with the Macro-Adapter-M and a camera with live view. The lens can still focus at infinity with the Macro-Adapter-M because of its retractable design. | prime | FF | 90 | 2.6′ / 80 cm | 4/4 | — | Ø39mm | 8.1 oz / 230 g | https://geni.us/EMIzo7D | https://bhpho.to/3HtAgqL | B&H | |||||
| APO-Telyt M 135mm f3.4 | The Leica APO-Telyt-M 135mm f/3.4 is a long and sharp telephoto lens with an apochromatic optical design. It has a long focal length that creates a pleasing visual compression and a complex optical design that corrects distortion and light fall-off for accurate and clean images. It also has an apochromatic design that eliminates chromatic aberrations and color fringing for high clarity, contrast, and color fidelity. The lens has a manual focus system that lets you focus as close as 4.9’ with a 1:9 magnification ratio. It also has a retractable lens hood that prevents lens flare and ghosting in bright light. | prime | FF | 135 | 4.9′ / 1.5 m | 5/4 | — | Ø49mm | 15.9 oz / 450 g | https://geni.us/oHcwFVw | https://bhpho.to/3j9LxnN | ||||||
| Leica Zooms | |||||||||||||||||
| Tri Elmart M 16-18-21mm f4 ASPH | The Leica Tri-Elmar-M 16-18-21mm f/4 ASPH. is a super wide-angle lens with three focal lengths in one. You can switch between 16mm, 18mm, and 21mm focal lengths to change your field of view. The lens has a pair of aspherical elements and a floating mechanism that correct distortion, field curvature, and spherical aberrations and give you sharp and accurate images of interior and architectural subjects. The lens has a manual focus system and a minimum focusing distance of 1.6’ that keep the image quality consistent at any focal length. The lens is compact and has a lens hood and a 67mm thread for filters. | zoom | FF | 16-21 | 1.6′ / 50 cm | 10/7 | — | Ø67mm | 11.8 oz / 335 g | https://geni.us/2CDClOF | https://bhpho.to/3JhgmBF |
Leitz Cine Lenses
Leitz cine lenses are high-quality, professional-grade lenses designed for film and video industry use. They are manufactured by Leitz, a Leica company with a long history of producing precision optics. These cine lenses are known for their exceptional image quality and color accuracy, making them popular among cinematographers and directors. They feature smooth focus and aperture adjustments, which are essential for capturing precise and smooth camera movements. Leitz cine lenses come in a wide range of focal lengths and are available for various mount types. They are built to withstand the rigors of professional use and are known for their durability and reliability on set.
This particular set is designed for full-frame sensors for the Leica M mount.
Third-Party Leica M Lenses
While Leica lenses are great in that they often hold their value or even increase in value over the years, third-party lenses are sometimes a nice option for those looking for daily drivers or those who want to maybe test a specific focal length and aperture before investing in the Leica equivalent.
Some third-party lenses have even been seen to have increased their value over the years.
I recommend only buying third-party lenses if you also have a Leica M digital body to check the focus coupling. Buying something for a film camera might cost you a few rolls of film before you realize the focus is off.
Many of these third-party lenses also use classic builds with exposed helicoids. Keep an eye on these and clean them of grease buildup or clumps that could break away and find their way onto your shutter or sensor.
Voigtlander / Cosina M-Mount Lenses
Voigtlander is a brand of camera lenses and photographic equipment known for its high-quality manual focus lenses. It is owned by the Japanese company Cosina, which has a long history of producing precision optics. I don’t personally think they are very high quality, as I get a lot of bad lenses from Cosina/Voigtlander, but I like their designs and do my own QC. Maybe 30% of the lenses I get from them must be returned. But they are inexpensive enough to justify this annoyance.
Voigtlander makes some more interesting designs, and they now have a few different lens styles and builds. They have high-quality, more traditional builds found in some of the Ultrons or APO lenses, and now they are doing more classic and vintage lenses made with brass using more classic or traditional builds.
I’ve collected all their vintage lenses; many have this sticky focus issue. I see many people sending lenses back because of this sticky focus. This is a design flaw, but not entirely, and it’s easy to fix.
What happens is that the helicoids are greased, and as these lenses sit in factories or shipping crates, the grease moves and can get displaced, leaving some part of the helicoid with less grease than the other. The best way to fix it fast is to extend the lens and set it face down overnight. Do this for a few days while working on the focus and using the lens. This issue will be resolved in a couple of days.
Be careful to check the lenses regularly. With these exposed helicoids and grease, there is always a risk that a glob of grease could end up on your sensor or your shutter. Keep the internals of the lens clean. I’ve had it happen before, and it’s not fun.
To understand what all the different Voigtlander names mean, I’ve built this little guide.
Any Voigtlander lens should be able to last you a lifetime if you take care of it.
| Voigtlander VM Lenses | Reviews | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Voigtlander VM 10mm f5.6 Heliar | no | no | FF | 10 | 15 | 1.6′ / 50 cm | 13/10 | 10R | none | 11 oz / 312 g | B&H | ||
| Voigtlander VM 15mm f4.5 Heliar III | https://alikgriffin.com/Voigtlander-15mm-f4-5-heliar-iii-review-sample-images/ | no | no | FF | 15 | 22.5 | 1.6′ / 50 cm | 11/9 | 10R | Ø58mm | 8.7 oz / 247 g | ||
| Voigtlander VM 21mm f1.4 Nokton | no | no | FF | 21 | 31.5 | 1.64′ / 50 cm | 13/11 | 12 | Ø62mm | 1.06 lb / 480 g | B&H | ||
| Voigtlander VM 21mm f1.8 Ultron | no | no | FF | 21 | 31.5 | 1.6′ / 50 cm | 13/11 | 10 | Ø58mm | 14.5 oz / 412 g | B&H | ||
| Voigtlander VM 21mm f3.5 Color Skopar | no | no | FF | 21 | 31.5 | 19.7″ / 0.5 m | 9/8 | 10 | Ø39mm | 6.3 oz / 180 g | B&H | ||
| Voigtlander VM 21mm f3.5 Color Skopar Vint | no | no | FF | 21 | 31.5 | 19.7″ / 0.5 m | 9/8 | 10 | Ø39mm | 7.8 oz / 220 g | B&H | ||
| Voigtlander VM 21mm f4 P Color-Skopar | no | no | FF | 21 | 31.5 | 1.6′ / 50 cm | 8/6 | 10 | Ø39mm | 4.8 oz / 136 g | B&H | ||
| Voigtlander VM 28mm f1.5 Nokton Type I/II | no | no | FF | 28 | 42 | 19.7″ / 50 cm | 10/8 | 12 | Ø43mm | 11.6 oz / 330 g | B&H | ||
| Voigtlander VM 28mm f2 Ultron | no | no | FF | 28 | 42 | 2.3′ / 70 cm | 10/8 | 10 | Ø46mm | 8.6 oz / 244 g | B&H | ||
| Voigtlander VM 28mm f2 Ultron Vint Type-I | no | no | FF | 28 | 42 | 19.7″ / 0.5 m | 10/7 | 10 | Ø39mm | 6.7 oz / 190 g | B&H | ||
| Voigtlander VM 28mm f2 Ultron Vint Type-II | no | no | FF | 28 | 42 | 19.7″ / 0.5 m | 10/7 | 10 | Ø39mm | 8.1 oz / 230 g | B&H | ||
| Voigtlander VM 28mm Color-Skopar 28mm f2.8 | no | no | FF | 28 | 42 | 19.7″ / 50 cm | 8/5 | 10 | Ø39mm | 3.7 oz / 106 g | B&H | ||
| Voigtlander VM 35mm f1.2 Nokton II | no | no | FF | 35 | 52.5 | 1.6′ / 50 cm | 10/7 | 12 | Ø52mm | 1 lb / 470 g | B&H | ||
| Voigtlander VM 35mm f1.2 Nokton III | no | no | FF | 35 | 52.5 | 1.6′ / 50 cm | 9/7 | 12 | Ø52mm | 11.71 oz / 332 g | B&H | ||
| Voigtlander VM 35mm f1.4 Nokton Classic II MC/SC | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 8/6 | 10 | Ø43mm | 6.67 oz / 189 g | B&H | ||
| Voigtlander VM 35mm f1.5 Nokton Vintage | no | no | FF | 35 | 52.5 | 19.7″ / 50 cm | 9/6 | 12 | Ø39mm | 10 oz / 284 g | B&H | ||
| Voigtlander VM 35mm f1.7 Ultron | https://alikgriffin.com/voigtlander-35mm-f1-7-ultron-review/ | no | no | FF | 35 | 52.5 | 1.6′ / 50 cm | 9/7 | 10 | Ø46mm | 11.6 oz / 330 g | B&H | |
| Voigtlander VM 35mm f2 Ultron Vint | https://alikgriffin.com/voigtlander-35mm-f2-ultron/ | no | no | FF | 35 | 52.5 | 1.9′ / 58 cm | 8/5 | 10 | Ø39mm | 7.4 oz / 210 g | B&H | |
| Voigtlander VM 35mm f2 APO-Lanthar | no | no | FF | 35 | 52.5 | 19.7″ / 50 cm | 11/9 | 12 | Ø49mm | 10.7 oz / 304 g | B&H | ||
| Voigtlander VM 35mm f2.5 P II | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 7/5 | 10 | Ø39mm | 4.7 oz / 134 g | B&H | ||
| Voigtlander VM 40mm f1.2 Nokton | no | no | FF | 40 | 60 | 1.6′ / 50 cm | 8/6 | 10 | Ø52mm | 11.1 oz / 315 g | B&H | ||
| Voigtlander VM 40mm f1.4 Nokton Classic | no | no | FF | 40 | 60 | 2.3′ / 70 cm | 7/6 | 10 | Ø43mm | 6.2 oz / 175 g | B&H | ||
| Voigtlander VM 40mm f2.8 Heliar | no | no | FF | 40 | 60 | 2.3′ / 70 cm | 5/4 | 10 | Ø34mm | 4.6 oz / 131 g | B&H | ||
| Voigtlander VM 50mm f1.0 Nokton MC | no | no | FF | 50 | 75 | 35.4″ / 90 cm | 9/7 | 12 | Ø62mm | 17.1 oz / 484 g | B&H | ||
| Voigtlander VM 50mm f1.2 Nokton | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 8/6 | 12 | Ø52mm | 12.1 oz / 344 g | B&H | ||
| Voigtlander VM 50mm f1.5 Heliar Classic | no | no | FF | 50 | 75 | 19.7″ / 50 cm | 6/3 | 10 | Ø49mm | 9 oz / 255 g | B&H | ||
| Voigtlander VM 50mm f1.5 Nokton MC | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 6/5 | 10 | Ø49mm | 10.3 oz / 293 g | B&H | ||
| Voigtlander VM 50mm f1.5 Nokton II MC | https://alikgriffin.com/voigtlander-50mm-f1-5-ii-review-sample-photos/ | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 8/7 | 12 | Ø43mm | 9 oz / 255 g | B&H | |
| Voigtlander VM 50mm f2 APO-Lanthar | no | no | FF | 50 | 75 | 27.6″ / 70 cm | 10/8 | 12 | Ø49mm | 10.2 oz / 288 g | B&H | ||
| Voigtlander VM 50mm f2.2 VM Color-skopar | no | no | FF | 50 | 75 | 19.7″ / 0.5 m | 7/6 | 10 | Ø39mm | 4.8 oz / 135 g | B&H | ||
| Voigtlander VM 50mm f3.5 APO-LANTHAR Type I | no | no | FF | 50 | 75 | 17.72″ / 0.45 m | 8/6 | 10 | Ø34mm | 0.3 lb / 150 g | B&H | ||
| Voigtlander VM 50mm f3.5 APO-LANTHAR Type II | no | no | FF | 50 | 75 | 13.78″ / 0.35 m | 8/6 | 10 | Ø39mm | 0.4 lb / 175 g | B&H | ||
| Voigtlander VM 50mm f3.5 Heliar | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 5/3 | 10 | Ø27mm | 7.4 oz / 209 g | B&H | ||
| Voigtlander VM 75mm f1.5 Nokton M | https://alikgriffin.com/voigtlander-nokton-75mm-f1-5-review/ | no | no | FF | 75 | 112.5 | 2.3′ / 70 cm | 7/6 | 12 | Ø58mm | 12.35 oz / 350 g | B&H | |
| Voigtlander VM 75mm f1.9 Ultron | no | no | FF | 75 | 112.5 | 19.7″ / 50 cm | 7/5 | 12 | Ø49mm | 10.2 oz / 290 g | B&H | ||
| Voigtlander VM 90mm f2 APO-Ultron | no | no | FF | 90 | 135 | 3.0′ / 0.9 m | 8/7 | 12 | Ø52mm | 12 oz / 340 g | B&H | ||
| Voigtlander VM 90mm f2.8 APO-Skopar | no | no | FF | 90 | 135 | 3′ / 90 cm | 7/7 | 10 | Ø39mm | 8.8 oz / 250 g | B&H |
Here are some thoughts on a few of the Voigtlander Lenses I’ve reviewed.
Voigtlander Heliar 15mm f4.5 III Review: This is a great compact ultra-wide lens with great sunstars. I’ve used it for years as a small and lightweight landscape or cityscape lens.
Voigtlander Ultron 35mm f1.7 Review: This is one of my all-time favorite 35mm lenses due to its amazing focus, falloff, and character. It has its flaws, but it is an excellent lens if you can find one used.
Voigtlander Ultron 35mm f2 Review: A very popular Voigtlander lens. It’s one of the best compact 35mm lenses you could buy, in my opinion. This lens lives on my Leica MP film camera.
Voigtlander Nokton 50mm f1.5 II Review: I consider this a good character lens, great for portrait photography but not my favorite for a do-it-all 50mm. I would prefer a slower lens with a simpler optical design for that.
Voigtlander Nokton 75mm f1.5 Review: An excellent lens, absolutely a must-have for portrait photography.
ZEISS M-Mount Lenses
The Zeiss manual lenses are a lot of fun, and these M lenses have a very signature Zeiss look: deeper shadows with high contrast.
The build quality is excellent but not on the same level as Leica’s.
Today, both Zeiss and Voigtlander are owned by Cosina, so you’ll get similar precision and build quality between these two brands. Both are primarily made in Japan, although some lenses, like the Zeiss 15mm, are still made in Germany.
If you are traveling to Japan, Zeiss lenses can often be found at a significant discount compared to their price in the West.
Sometimes, these lenses can loosen up over the years, and I’ve seen people complain about this as a problem with the build quality. This is not the fault of Zeiss. This is just what time does to things held together by tiny little screws. Leica lenses have similar issues, and there are online guides on how to get into the lens and tighten things up again. You can also always send them to a professional for tuning.
For this M line of lenses, Zeiss is sticking with more classic rendering and builds with designs that have remained unchanged for years. Most of these lenses were designed in the early 2000s and have seen a few updates to improve build quality. I personally like Zeiss lenses a lot.
| Zeiss M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Zeiss M Distagon 15mm f2.8 ZM | photo,prime | no | no | FF | 15 | 22.5 | 11.8″ / 30 cm | 11/9 | 10 | Ø72mm | 1.1 lb / 500 g | B&H |
| Zeiss M Biogon 21mm f2.8 ZM | photo,prime | no | no | FF | 21 | 31.5 | 1.6′ / 50 cm | 9/7 | 10 | Ø46mm | 10.6 oz / 300 g | B&H |
| Zeiss M Biogon 21mm f4.5 | photo,prime | no | no | FF | 21 | 31.5 | 1.6′ / 50 cm | 8/6 | 10 | Ø46mm | 2.1 x 1.2″ / 53 x 31 mm | B&H |
| Zeiss M Distagon 25mm f2.8 ZM | photo,prime | no | no | FF | 25 | 37.5 | 11.8″ / 30 cm | 11/9 | 10 | Ø72mm | 1.1 lb / 500 g | B&H |
| Zeiss M Biogon 25mm f2.8 ZM | photo,prime | no | no | FF | 25 | 37.5 | 1.6′ / 50 cm | 9/7 | 10 | Ø46mm | 9.2 oz / 260 g | B&H |
| Zeiss M Biogon 28mm f2.8 ZM | photo,prime | no | no | FF | 28 | 42 | 1.6′ / 50 cm | 8/6 | 10 | Ø46mm | 7.8 oz / 220 g | B&H |
| Zeiss M Distagon 35mm f1.4 ZM | photo,prime | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 10/7 | 10 | Ø49mm | 13.4 oz / 381 g | B&H |
| Zeiss M Biogon 35mm f2 ZM | photo,prime | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 9/6 | 10 | Ø43mm | 8.5 oz / 240 g | B&H |
| Zeiss M Biogon 35mm f2.8 ZM | photo,prime | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 7/5 | 10 | Ø43mm | 7.1 oz / 200 g | B&H |
| Zeiss M C Sonnar 50mm f1.5 ZM | photo,prime | no | no | FF | 50 | 75 | 3′ / 90 cm | 6/4 | 10 | Ø46mm | 8.8 oz / 250 g | B&H |
| Zeiss M Planar 50mm f2 ZM | photo,prime | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 6/4 | 10 | Ø43mm | 8.1 oz / 230 g | B&H |
| Zeiss M Tele-Tessar 85mm f4 ZM | photo,prime | no | no | FF | 85 | 127.5 | — | 5/3 | — | — | 10.9 oz / 310 g | B&H |
I’ve only reviewed a few of the Zeiss M lenses, and here are my thoughts.
Zeiss Biogon 28mm f2.8 Review: I love this lens. It’s my favorite 28mm lens right now. I also tried the Voigtlander 28mm f2 and own a few others from other brands. The Zeiss 28mm is a little big and only has a nub instead of a full grip for the focus throw, so many street photographers prefer the Voigtlander 28mm to this. My problem with the compact Voigtlander 28mm lenses is that they have too much vignetting wide open. I also like the Zeiss T* coatings for the deeper shadows and high contrast.
Zeiss Planar 50mm f2 Review: While the Voigtlander Nokton 50mm f1.5 II was impressive for low light or shallow depth of field, I think the Zeiss 50mm f2 is a much better lens for general photography. It has so much pop, with great contrast and clarity. This is my preferred daily driver for the Leica M system.
I also had the 35mm f2.8 for a while. I really liked it, but the mount was defective, so I never reviewed it. The contrast was amazing, but maybe too much contrast for some people.
Zenit / Lomography Leica M Lenses
Zenit in Russia makes Lomography lenses. They’ve been making Leica M-type cameras, lenses, and accessories for decades and have extensive experience.
| Zenit M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | ||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Zenit M 21mm f2.8 M | photo | no | no | FF | 21 | 31.5 | 0.5 m | 10/7 | 8 | — | 500 g | Zenit |
Meyer-Optik Gorlitz M-Mount Lenses
Meyer-Optik Gorlitz M lenses are not rangefinder coupled. Live view only.
One of the unique characteristics of these Meyer-Optik Gorlitz lenses is their extremely low element count. These will produce some very good micro-contrast with a classic rendering and distinctive character, but they won’t match the technical performance of some of the higher-element alternatives.
| Meyer Optik Gortlitz M Lenses | Format | Min. Focus | Elements | Iris | Filters | Check Price | ||
|---|---|---|---|---|---|---|---|---|
| Lydith M 30mm f3.5 II | no | no | FF | 6.3″ / 16 cm | 5/5 | 12 | Ø52mm | B&H |
| Trioplan M 35mm f2.8 II | no | no | FF | 0.7′ / 0.2 m | — | 12 | Ø52mm | B&H |
| Trioplan M 50mm f2.8 II | no | no | FF | 15.75″ / 0.4 m | 3/3 | 12 | Ø52mm | B&H |
| Biotar M 58mm f1.5 II | no | no | FF | 27.6″ / 0.7 m | — | 14 | Ø52mm | B&H |
| Primoplan M 58mm f1.9 II | no | no | FF | 1.97′ / 60 cm | 5/4 | 14 | Ø52mm | B&H |
| Biotar M 75mm f1.5 II | no | no | FF | 29.5″ / 75 cm | 6/5 | 15 | Ø62mm | B&H |
| Primoplan M 75mm f1.9 II | no | no | FF | 2.5′ / 75 cm | 5/4 | 15R | Ø52mm | B&H |
| Trioplan M 100mm f2.8 II | no | no | FF | 2.95′ / 0.9 m | 3/3 | 15 | Ø52mm | B&H |
Sadayasu Miyazaki / MS Optical Leica M-Mount Lenses
These lenses are hand-made in Mr. Miyazaki’s (Miyazaki-san) basement. They are very limited. Usually, only about 100 are pressed.
| Lens Name | Sensor | Min. Focus | Elements | Aperture | Filters | M Links | |
|---|---|---|---|---|---|---|---|
| 17mm f4.5 Perar | FF | 0.5m | — | — | JapanExposures | M | |
| 19mm f8 Hipolion | FF | 0.5m | 2/2 | — | Ø34mm | JapanExposures | M |
| 21mm f4.5 Super Triplet Perar | FF | 0.5m | 3 | 10 | Ø25mm | JapanExposures | M |
| 24mm f2 Aporia | FF | 0.5m | 6/4 | — | Ø34mm | JapanExposures | M |
| 24mm f4 Super Triplet Perar | FF | 0.5m | 3 | — | Ø19mm | JapanExposures | M |
| 28mm f2 Apoqualia | FF | 0.75m | 5/4 | — | Ø28mm | JapanExposures | M |
| 28mm f2 Apoqualia II | FF | 0.75m | 5/4 | — | Ø28mm | JapanExposures | M |
| 28mm f4 Super Triplet Perar | FF | 0.5m | 3 | — | — | JapanExposures | M |
| 35mm f1.3 II Apoqualia | FF | 0.5m | 6/4 | — | Ø34mm | JapanExposures | M |
| 35mm f1.4 Reiroal | FF | 0.5m | 6/4 | — | Ø37mm | JapanExposures | M |
| 35mm f1.4 Apolia | FF | 0.5m | 6/4 | — | Ø37mm | JapanExposures | M |
| 35mm f3.5 Super Triplet Perar II | FF | 0.8m | 3 | — | — | JapanExposures | M |
| 36mm f1.3 Apollon | FF | 0.3m | 6/4 | — | |||
| 40mm f6.3 Histrio-Dagonar Macro | FF | 0.8m | 6/2 | — | Ø22.5mm | JapanExposures | M |
| 40mm f6.3 Histrio-Prot | FF | 0.5m | 4/2 | — | Ø22.5mm | JapanExposures | M |
| 50mm f1.1 Sonnetar | FF | 0.8m | 5/4 | 14 | Ø55mm | JapanExposures | M |
| 50mm f1.0 ISM | FF | 0.8m | 6/4 | — | Ø55mm | JapanExposures | M |
| 50mm f1.3 Sonnetar | FF | 0.8m | 5/4 | 14 | Ø49mm | JapanExposures | M |
| 50mm f1.5 Vario-Plasmat | FF | 0.8m | 6/4 | — | Ø40.5mm | JapanExposures | M |
| 50mm f3.5 Xenomax | FF | 0.5m | 5/4 | — | JapanExposures | M | |
| 55mm f1.2 Elnomaxim | FF | 0.5m | 4/4 | — | Ø49mm | JapanExposures | M |
| 57mm f2 Vario-Petzval | FF | 0.8m | 4/4 | — | Ø40.5mm | JapanExposures | M |
| 57mm f2 Histrio-Petzval | FF | 0.8m | 4/4 | — | Ø40.5m | JapanExposures | M |
| 73mm f1.5 Sonnetar | FF | 0.8m | 5/4 | — | Ø49mm | JapanExposures | M |
| 135mm f2.4 Super Apochramat Aporis | FF | 1.6m | 6/4 | — | — | JapanExposures | M |
Chinese Third-Party Leica Lenses
7Artisans M-Mount Lenses
7Artisans makes some fun, inexpensive lenses. They’re usually not great, especially compared to Voigtlander or Zeiss, but they can be fun. You might even get better performance with some of these lenses on the Leica M bodies compared to some of the other brands since Leica uses such thin cover glass on the M bodies.
| 7Artisans M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 7Artisans M 28mm f1.4 | photo | no | no | FF | 28 | 42 | 2.3′ / 70 cm | 11/9 | 13R | Ø52mm | 1.1 lb / 488 g | B&H |
| 7Artisans M 28mm f5.6 | photo | no | no | FF | 28 | 42 | 3.3′ / 1 m | 6/4 | 8 | Ø35.5mm | 4.6 oz / 130 g | B&H |
| 7Artisans M 35mm f2 | photo | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 7/5 | 10 | Ø43mm | 11.29 oz / 320 g | B&H |
| 7Artisans M 35mm f2 II | photo | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 8/7 | 10 | Ø55mm | 8.2 oz / 232 g | B&H |
| 7Artisans M 35mm f5.6 | photo | no | no | FF | 35 | 52.5 | 11.8″ / 30 cm | 5/4 | fixed | none | 4.5 oz / 128 g | B&H |
| 7Artisans M 50mm f1.1 | photo | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 7/6 | 12R | Ø55mm | 14.11 oz / 400 g | B&H |
| 7Artisans M 75mm f1.25 | photo | no | no | FF | 75 | 112.5 | 2.62′ / 80 cm | 7/6 | 13R | Ø62mm | 1.34 lb / 608 g | B&H |
Astra Labs M Lenses
Astra Labs makes a wide range of lenses for various camera mounts, including the Leica M mount.
You’ll have to confirm if these have the M range finder coupling; I couldn’t find this information. Some of these third-party lenses do not have that, so you would have to shoot them off the screen or a visoflex.
| Astra Lab M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Astra Lab M SIMILAR 35mm f1.4 | photo | no | no | FF | 35 | 52.5 | 2.6′ / 0.8 m | 7/5 | 10 | Ø43mm | 7.1 oz / 200 g | B&H |
| Astra Lab M Lunaelumen-M 50mm f1.1 | photo | no | no | FF | 35 | 52.5 | 2.3′ / 0.7 m | 8/7 | 11 | Ø58mm | 0.9 lb / 405 g | B&H |
AstrHori Leica M lenses
| Lens Name | Sensor | FF Equiv | Min. Focus | Elements | Iris | Filters | M LInks | |
|---|---|---|---|---|---|---|---|---|
| AstrHori 10mm f8 M | APS-C | 15 | 5/4 | — | Ø49mm | — | M | |
| AstrHori 10mm f8 II | APS-C | 15 | 5/4 | — | Ø55mm | |||
| AstrHori 12mm f2.8 Fisheye | FF | 18 | 20cm | 11/8 | 5 | — | ||
| AstrHori 14mm f4.5 | APS-C | 21 | 0.45m | 6/5 | — | Ø55mm | ||
| AstrHori 18mm f8 | FF | 27 | 34 cm | 9/9 | — | Ø58mm | ||
| AstrHori F8 2x Probe Lens | APS-C | 27 | 0.05m | 23/17 | — | — | ||
| AstrHori 24mm f6.3 M | FF | 36 | 0.24m | 5/5 | — | Ø35.5mm | — | M |
| AstrHori 27mm f2.8 II | APS-C | 40.5 | 6/5 | — | Ø52mm | |||
| AstrHori 28mm f13 2x Macro | FF | 42 | 0.48m | 21/16 | 7 | — | ||
| AstrHori 28mm f13 2x Macro 360° | FF | 42 | ||||||
| AstrHori 35mm f1.8 | APS-C | 52.5 | 0.29m | 9/7 | — | Ø58mm | ||
| AstrHori 40mm f5.6 M | FF | 60 | 0.4m | 7/5 | — | Ø46mm | — | M |
| AstrHori 40mm f5.6 | MF | 60 | 41 cm | 7/5 | — | Ø62mm | ||
| AstrHori 50mm f1.4 Tilt | FF | 75 | 0.4m | 7/6 | — | Ø46mm | ||
| AstrHori 50mm f2 | FF | 75 | 0.5m | 6/5 | — | Ø52mm | ||
| AstrHori 55mm f5.6 | MF | 82.5 | 0.59m | 5/5 | — | Ø62mm | ||
| AstrHori 75mm F4 | MF | 112.5 | 0.82m | 11/8 | 9 | Ø67mm | ||
| AstrHori 85mm f1.8 AF | FF | 129 | 0.82m | 10/7 | — | — | ||
| AstrHori 85mm f2.8 Macro & Tilt 1:1 | FF | 127.5 | 0.25m | 11/8 | 12 | Ø55mm |
Funleader M Lenses
Funleader is a small company based in Hong Kong. They make a few pancake lenses with fixed apertures.
| Funleader M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Artizlab Classic 35mm f1.4 | photo | no | no | FF | 35 | 52.5 | 1m / 3.28f | — | — | — | 157g / 5.54oz | Funleader |
| Funleader M Contax G35mm f2 Conversion | photo | no | no | FF | 35 | 52.5 | 0.7 m / 2.30 ft | — | — | — | 332 g / 11.7 oz | Funleader |
| Funleader M Contax G45mm f2 Conversion | photo | no | no | FF | 45 | 67.5 | — | — | — | — | — | Funleader |
Kipon IBERIT M-Mount Lenses
Kipon Lenses is a German-Chinese joint venture. German designers designed their lenses, which are now built in Shanghai.
These lenses are made with high-quality anodized aluminum, brass, and stainless steel. Kipon has a factory in Shanghai and Japan with all-new Hasegawa machinery for very high precision. They are known for their Kipon mounts and Cine adapters.
I’ve been sent some of their latest lenses, and it’s safe to say the quality reflects their new price. They are very high quality and have great precision, and I would put them up there with what Cosina is doing. Maybe better, as I’ve gotten more bad copies of Voigtlander lenses than Kipon lenses.
Kipon has decided to stick with the classic approach of not using any aspherical elements and keeping the element count low for that high micro-contrast punchier look.
With these lenses, you will get some CA, flaring, and less-than-perfect corners, as Kipon uses classic optical formulas. They are not too sharp for digital cameras and photographers looking for calmer portraits, but they are also sharp enough for film.
The 75mm is a gem, and I also really like the 35mm for its rendering. The 50mm also has excellent rendering but more vignetting issues than the other lenses.
| Kipon M Lenses | Reviews | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| KIPON M Iberit 24mm f2.4 M | photo | no | no | FF | 24 | 36 | 2.3′ / 70 cm | 8/7 | 6 | Ø49mm | 10.6 oz / 300 g | B&H | |
| KIPON M Iberit 35mm f2.4 | KIPON 35mm f/2.4 Review & Sample Photos | photo | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 6/6 | 6 | Ø49mm | 7.8 oz / 220 g | B&H |
| KIPON M Iberit 50mm f2.4 M | KIPON 50mm f/2.4 Review & Sample Photos | photo | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 6/6 | 6 | Ø49mm | 8.8 oz / 250 g | B&H |
| KIPON M Iberit 75mm f2.4 M | KIPON 75mm f/2.4 Review & Sample Photos | photo | no | no | FF | 75 | 112.5 | 2.3′ / 70 cm | 5/5 | 6 | Ø49mm | 9.5 oz / 270 g | B&H |
| KIPON M Iberit 90mm f2.4 M | photo | no | no | FF | 90 | 135 | 2.3′ / 70 cm | 4/4 | 10 | Ø49mm | 9.9 oz / 280 g | B&H |
Light Lens Lab Lenses
| Lens Name | Sensor | Min. Focus | Elements | Aperture | Filters | M Links | |||
|---|---|---|---|---|---|---|---|---|---|
| Light Lens Lab 28mm f2.8 | no | no | FF | 0.7m | 9 | — | — | LLL | M |
| Light Lens Lab 35mm f2 Collapsible LTM | no | no | FF | — | — | — | LLL | M | |
| Light Lens Lab 35mm f2 | no | no | FF | — | 8/6 | — | — | LLL | M |
| Light Lens Lab 50mm f1.2 | no | no | FF | — | — | — | LLL | M | |
| Light Lens Lab 50mm f1.2 “1966” | no | no | FF | — | 6/4 | — | — | LLL | M |
| Light Lens Lab 50mm f2 Elcan | no | no | FF | — | — | — | LLL | M | |
| Light Lens Lab 50mm f2 Speed Panchro II | no | no | FF | — | — | — | LLL | M |
Mitakon Zhongyi
| Mitakon M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Mitakon M Creator 28mm f5.6 | photo | no | no | FF | 28 | 42 | 13.8″ / 35 cm | 8/7 | 5 | Ø37mm | 4.6 oz / 130 g | B&H |
| Mitakon M Speedmaster 50mm f0.95 | photo | no | no | FF | 50 | 75 | 3.3′ / 1 m | 11/8 | 9 | Ø67mm | 1.5 lb / 700 g | B&H |
| Mitakon M 90mm f1.5 | photo | no | no | FF | 90 | 135 | 43.3″ / 110 cm | 9/6 | 9R | Ø67mm | 1.7 lb / 770 g | B&H |
Thypoch M Lenses
Thypoch is a brand known for its high-quality manual lenses, particularly for the Leica M system. They offer a range of M-mount lenses and are praised for their wide apertures, which allow for beautiful bokeh and sharp subject isolation.
Use code ALIKGRIFFIN for an extra 5% off when ordering from their website: Thypoch
| Thypoch M Lenses | Review | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Thypoch M Simera 28mm f1.4 | photo | no | no | FF | 28 | 42 | 1.3′ / 0.4 m | 11/7 | 14 | Ø49mm | 0.8 lb / 368 g | B&H | |
| Thypoch M Simera 35mm f1.4 | photo | no | no | FF | 35 | 52.5 | 1.5′ / 45.7 cm | 9/5 | Ø49mm | 0.7 lb / 296 g | B&H | ||
| Thypoch M Simera 50mm f1.4 | photo | no | no | FF | 50 | 75 | 17.7″ / 45 cm | 8/6 | 14 | Ø49mm | 9.9 oz / 281 g | B&H | |
| Thypoch M Eureka 50mm f2 | photo | no | no | FF | 50 | 75 | 3′ / 91.4 cm | 6/4 | 12 | Ø36mm | 0.5 lb / 230 g | B&H | |
| Thypoch M Simera 75mm f1.4 | Thypoch Simera 75mm f1.4 ASPH Review | photo | no | no | FF | 75 | 112.5 | 2′ / 61.0 cm | 9/8 | 16 | Ø62mm | 0.8 lb / 372 g | B&H |
| Cine | |||||||||||||
| Thypoch M Simera-C 21mm T1.5 | cine | no | no | FF | 21 | 31.5 | 9.1″ / 23 cm | 13/11 | 16 | 16.6 oz / 472 g | B&H | ||
| Thypoch M Simera-C 28mm T1.5 | cine | no | no | FF | 28 | 42 | 11/7 | 16 | 14 oz / 398 g | B&H |
TTArtisan Leica M-Mount Lenses
TTArtisan makes some of my favorite cheap APS-C lenses. They have cool designs, are built with nice precision, and have acceptable optical performance. I’ve yet to try their Leica M versions, but they have some nice options.
| TTArtisan M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| TTArtisan M 11mm f2.8 | no | no | FF | 11 | 16.5 | 6.69″ / 17 cm | 11/7 | 7 | none | 15.38 oz / 436 g | B&H | |
| TTArtisan M 21mm f1.5 | no | no | FF | 21 | 31.5 | 2.3′ / 70 cm | 13/11 | 7 | none | 14.29 oz / 405 g | B&H | |
| TTArtisan M 28mm f5.6 | no | no | FF | 28 | 42 | 3.3′ /1 m | — | 6 | Ø37mm | — | B&H | |
| TTArtisan M 35mm f1.4 | no | no | FF | 35 | 52.5 | 2.3′ / 70 cm | 8/7 | 10 | Ø49mm | 14.46 oz / 410 g | B&H | |
| TTArtisan M 35mm f2 APO | no | no | FF | 35 | 52.5 | 27.6″ / 70 cm | 12/9 | 10 | Ø52mm | 18 oz / 510 g | B&H | |
| TTArtisan M 50mm f0.95 | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 11/8 | 14 | Ø67mm | 1.51 lb / 687 g | B&H | |
| TTArtisan M 50mm f0.95 Titanium | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 11/8 | 14 | Ø67mm | — | B&H | |
| TTArtisan M 50mm f1.4 M | no | no | FF | 50 | 75 | 2.3′ / 70 cm | 10/8 | 12 | Ø49mm | 14.1 oz / 399 g | B&H | |
| TTArtisan M 90mm f1.25 | no | no | FF | 90 | 135 | 3.3′ / 1 m | 11/7 | 10 | Ø77mm | 2.23 lb / 1.01 kg | B&H |
Venus Optics M-Mount Lenses
I don’t think the Laowa zoom lens is rangefinder-coupled. Only some of the prime lenses are rangefinder-coupled, but they are limited to producing accurate focus to a minimum of around 2.3′. Check the lens specs before ordering.
| Venus Optics M Lenses | Format | Focal Length | 1.5x 35mm Equiv | Min. Focus | Elements | Iris | Filters | Weight | Check Price | |||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Laowa M 9mm f5.6 FF RL | photo | no | no | FF | 9 | 13.5 | 4.72″ / 12 cm | 14/12 | 5 | none | 12.35oz / 350g | B&H |
| Laowa M 11mm f4.5 FF RL | photo | no | no | FF | 11 | 16.5 | 7.5″ / 19 cm | 14/10 | 5 | Ø62mm | 9oz / 254g | B&H |
| Laowa M 14mm f4 FF RL | photo | no | no | FF | 14 | 21 | 10.6″ / 27 cm | 13/9 | 5 | Ø52mm | 8oz / 228g | B&H |
| Laowa M 15mm f2 Zero-D LM | photo | no | no | FF | 15 | 22.5 | 5.7″ / 14.5 cm | 12/9 | 5 | Ø72mm | 14.7 oz / 418 g | B&H |
| Laowa M 15mm f5.0 Cookie | photo | no | no | FF | 15 | 22.5 | 12cm | — | — | Ø39mm | 160g | |
| Laowa M 85mm f5.6 2x Macro APO | photo | no | no | FF | 65 | 97.5 | 6.4″ / 16.3 cm | 13/9 | 7 | Ø46mm | 10.9oz / 310g | B&H |
| Photo Zooms | photo | no | no | FF/APS-C/hide | — | — | — | — | — | — | — | |
| Laowa M 12-24mm f5.6 | photo | no | no | FF | 12, 24 | 18-36 | 5.9″ / 15 cm | 15/11 | 5 | Ø77mm | 17.5oz / 497g | B&H |
Xuan Focus Free
Xuan is a Chinese company that I don’t know much about.
| Lens Name | Min. Focus | Elements | M Links | ||||
|---|---|---|---|---|---|---|---|
| Xuan Focus Free 30mm f10 | 2/2 | M | — | ||||
| Xuan Focus Free 32mm f10 | 2/2 | M | — |
The Ultimate List Of Leica M Lenses | Conclusions
Voigtlander, Zeiss, and Leica offer many great options at reasonable prices. I may miss a few, as new lenses are always coming out, and I’m only one man. This list includes almost every lens I could find for Leica M cameras. If I’m missing anything, let me know.
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